LOGINDiane
I'm already on him.
Rage is a red veil before my eyes. I swing my arm back, all the force of my body, my humiliation, concentrated in the palm of my hand. I want to erase him. Erase that smile, that kiss, that absolute certainty.
This time, the trajectory is shorter, more violent. I'm too close, too fast.
But he is even faster.
His hand isn't lightning. It's a wall. It rises, intercepts my wrist centimeters from his face with a precision
DianeThe door against my back is cold, a solid reality through the fine silk of my dress. But this coldness fails to extinguish the fire he lit. It smolders beneath my skin, a sly ember fed by the wine, the chosen words, that furtive touch on my hair. A shiver I didn't summon still runs down my spine.I get up, my legs weak. The room is submerged in a bluish half-light; only the glow of the outdoor lamps filters through the immense windows. This silent luxury suddenly seems like a mockery. A setting too grand for the prey struggling within it.I tear myself from the door, walking stiffly towards the bathroom. I don't turn on the main light, only the small nightlight above the mirror. My reflection awaits me there, a pale, trembling silhouette framed in black marble. The eyes are too large, too dark. The mouth, which I still see slightly parted under his gaze, seems to belong to another. A woman waiting.Disappointed?His question res
DianeHe leans on the table, bringing his face closer. The candlelight plays across his features.— I saw that you don't flee. I saw that you observe. I saw a coldness that is not indifference, but control. And I saw, in the steam of that bath, a glimmer of defiance you don't yet quite know how to hide.My heart quickens. He saw. Of course he saw. He's paid to see.— It's not defiance, I say, holding his gaze. It's survival. There's a difference.— Survival is instinct. Defiance is a choice. You choose not to collapse. Not to beg me. Not to play the role of easy seduction. It's an interesting choice. Courageous. And perhaps a little stupid.— Why stupid?— Because it makes me curious. And my curiosity, Diane, is a far more dangerous thing for you than my desire.The word "desire" hangs in the air between us, charged with the electricity that crackled in the bathroom. He named it. For the first time
DianeThe black dress. It hangs in the closet, alone among the other muted-colored outfits. Simple, in silk crepe, cut with a severity that speaks volumes about the taste of the one who chose it. Long sleeves, a boat neck that glides over the shoulders, falling straight to mid-calf. No frills. No lace. Just the pure blackness of the fabric and the way it will, I already know, embrace every curve without ever accentuating them, denying them while affirming them.I put it on. The silk is cold, smooth as a second liquid skin. It slides over my hips, falls with a perfect weight. Before the mirror, the effect is striking. The pallor of my face and arms emerges from the black like an apparition. My hair, dried, free and slightly wavy, frames my features in a less controlled, wilder way. The contrast is violent. I am no longer the woman with the perfect chignon from the paparazzi shots. I am something else. An elegant specter. A shadow aware of itself.I
DianeThe change in air pressure, the cold draft on the steam, even before the sound of the door. My eyes open.He is there, in the frame. A dark silhouette breaking the field of white steam. He says nothing. He watches.My whole body freezes, then, paradoxically, relaxes further. It has happened. The intrusion. It was inevitable. The escape into the water was only a respite, an illusion.I don't move. I don't try to cover myself. The water is cloudy, milky with steam. It veils me, without truly hiding me. I keep my head resting against the rim, my arms stretched along my body, submerged. Only my shoulders, the tops of my breasts, my neck, and my face emerge.I simply turn my head towards him. Our eyes meet through the mist.The tension is not a string being pulled taut. It is pressure increasing, like the steam saturating the air. It is in the stillness of his body, in the intensity of his gaze as it sweeps the room, then fixe
DianeStillness has become intolerable. The silence of the room weighs, a lead lid pressing down on my thoughts. I need to move. I need to occupy this flesh envelope, give it a sensation other than the cold glass or the oppressive void.I get up, my joints stiff. I walk towards the bathroom, my steps absurd in this white desert.The bathtub. That porcelain sarcophagus. It sits, round, smooth, offering a promise of weightlessness. An immersion.I approach. My fingers brush the edge, cold as well. I turn the taps. A rumble, then a gush of hot water, scalding, creating instant mist on the vast mirror facing me. I let it run. The steam rises, enveloping, fragrant. The water smells neutral, a scent of algae and mineral deposited by an over-perfect filtration system. But it is warmth. It is movement.I turn to face the medicine cabinet, a two-way mirror. I look at myself. A pale woman with dark-ringed eyes, her chignon still impeccable but
DianeHe continues, arriving at a double door at the other end of the corridor.— My quarters.He pushes them open. The space is even vaster, but slightly darker. The tones shift from white-gray to anthracite gray. The bed is a low platform. An immense wall-to-wall bookshelf is filled with uniformly bound books—law, finance, history texts—arranged by size, creating a hypnotic pattern. A massive mahogany desk sits facing a panoramic window. It's the only room that bears a vague imprint, not of a personality, but of an activity: that of the predator planning.He closes the doors without inviting me to enter further.— And here is your room, he says, stopping before a door, two further down.He opens it.It's a near copy of the guest rooms, slightly larger. The same white bed, the same dresser, the same picture window offering a dizzying view of the park. The only difference: the bathroom has a frees







