LOGINTwo weeks into my new life, and I’ve learned the art of pretending.
Pretending the schedule doesn’t suffocate me. Pretending the locked doors are normal. Pretending I’m not plotting escape routes during my Italian lessons or memorizing guard rotations during my supervised walks through the garden. Pretending I’m not drowning. Signora Russo has upgraded my pronunciation from “common” to “acceptable,” which I suppose is progress. Maria still won’t meet my eyes but leaves small things in my room. A book I mentioned wanting. An extra pastry at breakfast. Tiny gestures that remind me there’s humanity left in this house, even if it’s buried under fear. Luca and I have settled into a routine that feels like a cold war. Breakfast together, mostly silent. Dinner together, occasionally punctuated by his questions about my day and my careful, measured answers. He hasn’t come through the connecting door since that first night, and I should be grateful. I’m not sure I am. There’s something worse about the waiting. The knowing he could, whenever he wants, and there’s nothing I could do to stop him. On Thursday morning, Luca breaks the routine. “We have an event Saturday night,” he says over breakfast, not looking up from his phone. “Charity gala at the Palazzo Gangi. Black tie. Everyone who matters will be there.” My coffee stops halfway to my mouth. “We?” “Yes, we. You’re my wife. You’ll attend with me.” “I thought I was supposed to stay locked up here.” “You are.” He sets down his phone, finally looks at me. “But you’re also supposed to be seen. The families need to see the alliance is real, that you’re content in your new role. So we’ll go, we’ll smile, we’ll play the perfect couple. And you’ll do exactly as I say.” “Or?” “Or Alessandro loses more than a finger.” He goes back to his phone. “I’ve had a dress delivered. It’s in your closet. Wear it.” Not a request. Never a request. “What kind of charity?” I ask, hating how small my voice sounds. “Does it matter?” “I’d like to know what I’m supporting.” He studies me for a long moment, like he’s trying to figure out if this is rebellion or genuine curiosity. “Palermo children’s hospital. Cancer wing. Very respectable, very public, very important for the family image.” Children’s cancer. Of course. Can’t look like monsters if you’re saving sick kids. “Fine,” I say. “Fine,” he echoes, and something that might be amusing flickers across his face. “Your stylist arrives at two. Hair and makeup at four. We leave at six. Don’t be late.” The dress is beautiful and I hate it. Deep red silk, cut to fit perfectly, with a neckline that’s modest but somehow still suggestive. Elegant. Expensive. Exactly the kind of thing a mafia wife would wear to show off her husband’s wealth and power. I stare at it hanging in the closet like it’s a costume for a play I never auditioned for. The stylist is a petite woman named Francesca who talks constantly, filling the silence with chatter about fashion and trends and which designers are hot this season. I let her words wash over me while she pins my hair up, transforming it into something sophisticated and severe. “Signor Valenti has excellent taste,” she says, applying lipstick with precision. “This color is perfect for your skin tone.” “He picked the lipstick?” “He picked everything.” She steps back, examines her work. “He was very specific about how he wanted you to look.” Of course he was. Can’t have his possession looking anything less than perfect. When she’s done, I barely recognize myself. The woman in the mirror is polished, elegant, untouchable. She looks like she belongs in Luca’s world. She looks nothing like me. At six exactly, there’s a knock on my door. Luca doesn’t wait for an answer before entering, and I hate that my breath catches when I see him. He’s wearing a tuxedo, perfectly tailored, making him look like something out of a magazine. His hair is styled back, exposing the sharp angles of his face. A gold watch glints at his wrist, probably worth more than my family home. He looks powerful. Dangerous. Exactly like what he is. His eyes scan me from head to toe, assessing. “Turn around.” I consider refusing. Consider telling him I’m not a doll he can pose. But I remember the deal. One month of obedience. I turn slowly, feeling his gaze like a physical touch. “Good,” he says when I face him again. “You’ll do it.” “How flattering.” “It wasn’t meant to be.” He pulls a jewelry box from his pocket, opens it. Inside is a necklace, diamonds and rubies set in platinum. It looks old, valuable, the kind of thing that comes with history. “This was my grandmother’s. You’ll wear it.” He doesn’t wait for agreement, just steps behind me. I feel his fingers at my neck, warm against my skin as he fastens the clasp. The necklace settles heavy and cold between my collarbones. A collar. That’s what it is. A beautiful, expensive collar to show everyone I belong to him. “There.” His hands linger on my shoulders for a moment before he steps back. “Now you look like a Valenti.” “Is that supposed to be a compliment?” “It’s supposed to be a fact.” He offers his arm. “Come. The car is waiting.” The Palazzo Gangi is exactly what I expect. Opulent, historic, dripping with old money and older secrets. The entrance is lit with torches, casting flickering shadows across marble steps worn smooth by centuries of feet. Cars line up to discharge their passengers. Beautiful people in beautiful clothes, all playing their parts in the grand theater of Palermo high society. Our car pulls up and Luca gets out first, then offers his hand to help me. The moment my feet touch the ground, cameras flash. Photographers line the entrance, capturing every arrival. I force a smile, let Luca’s hand find my waist. Possessive. Always possessive. “Wave,” he murmurs against my ear. I do. Small, elegant. The perfect wife greeting her public. Inside, the palazzo is even more impressive. Frescoed ceilings, crystal chandeliers, marble everywhere. The ballroom is massive, already filled with hundreds of guests. Music plays, something classical and refined. Waiters glide through the crowd with champagne and canapés. And everyone is staring at us. “Smile,” Luca reminds me, his hand tightening on my waist. “Look happy.” I arrange my face into what I hope passes for contentment. Loving wife, grateful to be here, blissfully unaware that she’s a prisoner playing dress-up. The first person to approach is a man I recognize from the wedding. Older, silver-haired, with sharp eyes that miss nothing. “Luca,” he greets warmly, shaking Luca’s hand. “And the beautiful bride. Congratulations on your marriage.” “Thank you, Don Caruso.” Luca’s voice is smooth, respectful. “May I present my wife, Elena.” “Enchanted.” Don Caruso takes my hand, kisses it with old-world courtesy. “You’re even lovelier than at the wedding. Marriage suits you.” “You’re very kind,” I say, because what else is there to say? “And brave.” His eyes sharpen. “It takes courage to bridge such a divide between families. Your father would be proud.” Would he? The father who killed Luca’s brother and got himself murdered for it? That father? “I hope so,” I manage. Don Caruso and Luca talk business, words that sound innocuous but carry weight I’m starting to understand. Territory, shipments, percentages. All dressed up in polite conversation, but it’s negotiations happening right here in a charity gala. I stand beside Luca, smile when appropriate, and study the room. Guards at every exit, casually dressed but clearly armed. Security cameras in the corners. Families clustered in groups, alliances visible in who stands with whom. The Romano table is in the corner. What’s left of us, anyway. Aunt Giulia, some distant cousins, a few capos who stayed loyal. They look diminished, smaller than I remember. Without my father, without Alessandro’s presence, they’re just remnants. They don’t look at me. Can’t, probably. I’m a Valenti now. The enemy. “Elena.” Luca’s voice pulls me back. “Don Caruso asked you a question.” I blink, refocus. “I’m sorry, could you repeat that?” “I asked how you’re finding married life.” Don Caruso’s smile is knowing. “Adjustment can be difficult.” “It’s an adjustment,” I say carefully. “But Luca has been very… accommodating.”I can’t sleep. The dinner replays in my head on an endless loop. Marcella’s cruelty, Matteo’s smug satisfaction, the way the entire table turned against me like a coordinated attack. But mostly, I think about Luca standing up for me. Defending me against his own mother. It shouldn’t matter. One moment of decency doesn’t erase a month of cruelty, doesn’t undo the locked doors and broken promises. But it does matter. And that’s the problem. At midnight, I give up on sleep. Wrap myself in a robe and pad quietly to the door. The guard outside has changed shifts, this one looking half-asleep in his chair. “I need water,” I tell him. “From the kitchen.” He blinks, considers. “There’s water in your bathroom.” “I want cold water. From the refrigerator.” I cross my arms. “Unless you’d prefer to wake Luca and ask his permission?” The threat works. He stands reluctantly. “I’ll get it for you.” “I’m perfectly capable of walking to my own kitchen.” “Those aren’t my orders.” “Then come w
The next morning, everything feels different and exactly the same. Luca doesn’t mention the kiss. Doesn’t acknowledge what happened in that bathroom beyond a curt nod at breakfast. But I notice things. The way his eyes linger on me a second too long. How he doesn’t flinch when I reach for the coffee pot and our hands accidentally brush. Small things. But in this house, small things matter. “My mother has requested your presence at Sunday dinner,” he says, cutting into his eggs with surgical precision. “It’s tradition. The whole family attends.” “Does that include me now? I thought I was just the Romano problem.” “You’re my wife. That makes you family, whether my mother likes it or not.” He sets down his fork. “It’s important you come. Show unity. Show that the alliance is strong.” “Even though we both know it’s built on lies?” His jaw tightens. “Especially because of that. We can’t show weakness. Not now.” “When then?” He doesn’t answer. Just returns to his breakfast like I ha
That evening, everything changes. I’m in my room, trying to make sense of everything Dominic told me, when I hear shouting from downstairs. Not the usual business discussions, not controlled anger. This is different. Raw. Violent. Then a crash. Glass breaking. More shouting. I move to my door, crack it open. The guard who was stationed outside is gone, probably drawn toward the commotion. I should stay put. Should lock myself in and wait for it to pass. But I’ve never been good at doing what I should. I slip into the hallway, follow the sound of chaos to the main foyer. A crowd has gathered. Guards, staff, some of Luca’s capos. They’re all focused on something at the center of the room. Someone. I push through the crowd, and my blood runs cold. Luca stands in the center, shirt torn, blood dripping from a cut above his eye. In his hand is a broken mirror shard, glinting with red. And across from him, backed against the wall, is a man I don’t recognize. One of the capos, maybe.
Morning comes too soon. I’m exhausted, running on maybe two hours of sleep, when Maria arrives with breakfast. But today she does something different. As she sets down the tray, she presses a small note into my hand. “From Dominic,” she whispers, so quiet I almost miss it. Then she’s gone. I unfold the note carefully. “Library. Noon. We need to talk.” I look at the clock. Three hours. The morning drags. I shower, dress in something simple but put-together. If I’m going to meet Dominic, I need to look composed, not like someone who snuck out in the middle of the night to meet her fugitive brother. At eleven fifty-five, I test my door. Unlocked. Interesting. The guard outside doesn’t stop me when I step into the hallway. Just nods, like he’s been told to let me pass. I make my way to the library, heart pounding with each step. The library is empty when I arrive. Floor-to-ceiling bookshelves, leather chairs, the smell of old paper and expensive whiskey. It’s beautiful and cold,
Two days. Two days locked in my room with only Maria’s silent visits to break the monotony. She brings food, takes away untouched plates, and won’t meet my eyes. I’ve become invisible again, a ghost in this marble prison. I spend the time thinking, planning, and trying to figure out how to salvage this disaster. Marcella outmaneuvered me completely, using Luca’s love for his mother like a weapon. And I walked right into it. Stupid. So stupid. On the third morning, something changes. A piece of paper slides under my door while the guard is distracted. Small, folded tight. I wait until I hear footsteps retreating before snatching it up. The handwriting is Alessandro’s. “Tonight. 2 AM. Garden entrance, east side. Come alone. Destroy this.” My heart hammers. Alessandro. Here. Risking everything to reach me. I burn the note in the bathroom sink and wash the ashes down the drain. Then I wait. The hours crawl by with agonizing slowness. Dinner comes and goes. Maria collects the tray
I want to protest, want to defend myself, but the words stick in my throat. Because Marcella is good at this. So good. She’s rewriting reality right in front of us, turning truth into lies and lies into truth, and Luca is believing her. “Luca,” I finally found my voice. “Please. Listen to me…” “No.” Marcella’s voice sharpens. “My son has listened to you enough. He’s listened to your lies, your manipulations, your convenient revelations. Now he needs to hear the truth from people who actually love him.” “I never lied to him.” “Didn’t you?” Marcella’s smile is poisonous. “You married him knowing your family had blood on their hands. You came into this house carrying your father’s schemes. Every tear, every moment of seeming vulnerability, all of it calculated to make him soft. To make him weak.” “That’s not true.” “Isn’t it? Then tell me, Elena Romano, why did your father’s letter appear now? Why not immediately after the wedding? Why wait until you’d had time to observe Luca, to l







