5 Respuestas2026-07-29 19:05:46
Let me see... latest book by Ann Cleeves... 'The Dark Wives'. It came out in hardback and digital in September this year. The paperback likely won't be out for another year. If you're looking to buy it, check out independent bookshops; they often have signed copies for a while after release.
As for the book itself, it's classic Cleeves territory. A body is found, and the investigation opens a can of worms in a seemingly benevolent organization. The title refers to the three women who run the charity, each with their own shadows. It's a slow burn, but the embers glow hot by the end.
4 Respuestas2026-07-29 00:11:05
From a pure plot perspective? It doesn't. Move along. But from a thematic perspective, they're in constant dialogue about belonging. Vera, despite her roughness, belongs to Northumberland in her bones. Matthew Venn is defined by his lack of belonging, both in the Brethren he left and the wider world he can't fully enter. The latest Venn book pushes that theme further, forcing him to investigate a death in a place that echoes his own past. So while Vera's stories ask 'who do we protect?', Venn's stories ask 'where do we fit?'. Both questions are central to Cleeves's view of crime.
4 Respuestas2026-07-29 02:21:06
Sure, but you're doing yourself a disservice. Cleeves' genius is in the slow reveal of character against these bleak, beautiful landscapes. Picking up the latest is getting the finale of that reveal without the anticipation. The mystery will be good, but the atmosphere—that thick, brooding sense of place and person—won't be as potent.
7 Respuestas2026-07-29 02:57:36
Humor, or the lack thereof, is a great indicator. The detective's dry, occasional wit has mellowed into something even drier, more often directed at themselves than others. It's a humor born of weathered endurance. The development is in the target of the joke—less about the foibles of outsiders, more about the absurdities of the job and their own role in it.
This self-deprecating shift indicates a security and perspective they didn't have before. They can laugh at the machine and their place in it, which is a sign of a character who understands the limits of their control. It's a defensive mechanism, sure, but one that shows a hard-won wisdom and a way to maintain sanity in a frequently insane profession.
4 Respuestas2026-07-29 00:22:36
It's not part of the main Jimmy Perez timeline, no. Her newest one that comes to mind, 'The Raging Storm', is actually the third book in her other series, the Two Rivers series featuring Detective Matthew Venn. The Shetland series concluded with 'Wild Fire' back in 2018, which was meant to be the final Perez novel. Cleeves has moved on to this new setting in Devon, which is great, but it does mean if you're craving more Shetland mysteries, you'll have to revisit the old ones or catch the TV adaptations.
That being said, the writing style and intricate community-based plotting are very much still there, just in a different, slightly less remote location. I do miss the Shetland atmosphere though.
11 Respuestas2025-12-24 16:11:29
The Crow Trap' by Ann Cleeves is one of those books that sneaks up on you with its layered storytelling. At first glance, it seems like a straightforward mystery—three women working on an environmental survey in a remote Northumberland cottage, only to stumble into a murder investigation. But Cleeves weaves something deeper here, exploring how secrets fester in small communities and how people’s pasts shape their present actions. The protagonist, Vera Stanhope, isn’t even introduced until later, which I love because it subverts expectations. The book’s strength lies in its slow burn; it’s less about the 'whodunit' and more about the emotional undercurrents that drive people to breaking points. The landscape almost feels like a character too—bleak, isolating, and mirroring the tension.
What stuck with me was how Cleeves portrays female relationships. The women—Rachel, Anne, and Grace—are flawed, complex, and sometimes unlikable, but their dynamics feel painfully real. Rachel’s grief, Anne’s resentment, Grace’s quiet desperation—it all collides in this atmospheric, almost claustrophobic way. Vera’s eventual entry shifts the tone, her brusque demeanor cutting through the niceties. It’s not a flashy mystery, but if you enjoy character-driven stories with a strong sense of place, this one lingers like fog over the moors.
5 Respuestas2026-07-29 03:13:24
Anyone else notice how the seasons play a role? The books aren't all set in grey, rainy winters. The latest one I read took place in a stifling hot summer, which created a whole different mood. The heat made people irritable, secrets felt harder to keep, the city was packed and sweaty. The seasonal setting directly influenced the characters' behaviors and the plot's tension. He uses the full calendar of Brighton's weather, from blistering sun to Channel storms, to shape the atmosphere of each story. It's another way the setting is dynamic, not static.