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Standing in a bridal suite in an ivory gown with a reception roaring beyond the doors, the last thing she remembers is a prison floor, a half-moon, and dying. Valerie Hart is thirty-two years old, and she has just been given back her life. Not the life she deserved but the one that was stolen from her by Anthony Lead, the charming, calculating billionaire's son who pursued her for two years, married her in the grandest ceremony the city had ever seen, and within weeks manipulated her into signing away her entire inheritance. What followed was three years of abuse, a false criminal charge, six years of imprisonment, and a death on a cold prison floor that she never deserved. But she begged the universe for one more chance. And the universe said yes. Now it is June 5th, 2024, her wedding day; the shares are still in her name, and she remembers everything. Every lie. Every betrayal. Every person who destroyed her. This time Valerie plays an entirely different game. She manages Anthony's ego with surgical precision while secretly building her escape, launching a business empire, fortressing her inheritance behind legal walls he cannot see, and publicly ending the marriage in December 2024. Then she does something nobody anticipates. She pursues Adrian Lead, Anthony's brilliantly, quietly powerful elder brother, the man she already knows is destined to inherit everything. What begins as strategy becomes something neither of them planned for. As Adrian falls for the one woman always three moves ahead of every room, Valerie realizes revenge was never going to be enough. She wants to actually live. Justice. On her terms. In her time.

This is a brochure containing a collection of PROMPT IDEAS from our one and only GOOD NOVEL WORKSHOP. Every PROMPT is a thrilling idea that might inspire you and can be the foundation of your next book! If interested, Please send your summary to: workshop@goodnovel.com, and note which prompt is based on. Our editors will get back to you as soon as possible.

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Iori is a famous mystery writer with a dark past that still haunts her. One day, she's forced to co-write a book with the most famous romance writer Jun by their publisher, who also forces them to live together and pretend to be in a relationship for the sake of advertisement. Unable to refuse because of the huge favor their publisher owes them, those two who barely stand each other's presence are now trying to coexist and finish the book while dealing with their twisted pasts who were always ready to resurface...

Natasha Bennett, a 22-year-old aspiring writer, is no stranger to rejection—fifteen failed proposals in three months, to be exact. Just when she’s ready to throw in the towel, she makes one last attempt at a top New York entertainment studio. The result? Another rejection… and an embarrassing mistake that she’d rather forget. But then, things get weird. She suddenly has a stalker, and out of nowhere, the same studio that rejected her changes its mind. Excited, she rushes to the meeting—only to find the ridiculously arrogant (and annoyingly attractive) producer blackmailing her into a three-month dating contract. Now stuck in a fake relationship filled with chaos, awkward moments, and unexpected chemistry, Natasha must survive the deal without losing her mind… or her heart.

Vera fought for her life in the apocalypse for ten years. Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters. Then her brother, the only family she had left, betrayed her. Vera thought death had finally come. Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama. And because her luck had always been terrible, Vera did not wake up as the heroine. No, of course not. Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead. But Vera was not the woman from the book. She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot. So Vera adapted. She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away. Vera saw a chance to make money, protect her babies, and build something of her own. Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone. By every rule in that world, Vera should be dead. But dying a second time was never an option.