In What Order Should I Read L. Frank Baum’S Oz Books?
So many Oz books exist after The Wonderful Wizard of Oz—what’s the official chronological order of the L. Frank Baum series for the best reading experience?
2026-07-29 04:19:14
206
Seguir10
Compartir
TomSantos
Plot Scout
Translator
Cuestionario de Personalidad ABO
Responde este cuestionario rápido para descubrir si eres Alfa, Beta u Omega.
Esencia
Personalidad
Patrón de amor ideal
Deseo secreto
Tu lado oscuro
Comenzar el test
4 Respuestas
AmySnyder
Clear Answerer
Student
Don't sleep on the sequels by other authors after Baum! Ruth Plumly Thompson wrote a bunch, and some are quite good. But that's a conversation for after you finish Baum's fourteen. His are the canon, the foundation.
For those, the order is clear and undisputed. Get through Baum's originals first, in the order he wrote them. Then, if you're still craving more of that Oz magic, you can explore the extended universe. But establish the baseline with the creator's own work.
2026-07-31 17:37:22
10
DavidRowe
Detail Spotter
Data Analyst
Anyone else love the utterly bizarre concepts Baum comes up with? Like the Dainty China Country or the living kitchen utensils? That's why order matters less to me—each book is a treasure trove of weird, wonderful ideas. I read for those moments of sheer imagination.
Whether you meet the Gump in book 2 or the Glass Cat in book 9, each new idea is a delight. So while publication order is the safe route, the true joy is in encountering these inventions. You could almost read them based on which strange creature in the synopsis appeals to you most.
2026-07-31 21:51:27
8
JunoCook
Library Roamer
Engineer
Oh, this brings back memories! I collected the old paperback editions as a kid and just read them in the order I found them at used bookstores. It was a delightful, chaotic way to experience Oz.
I'd read about a character's origin in a later book, then find their earlier appearance. It was like piecing together a puzzle backwards. While I don't necessarily recommend that method for clarity, it proves the stories are robust enough to enjoy individually.
So, while publication order is ideal, don't stress too much. The heart of Oz—its wonder, kindness, and gentle strangeness—shines through in almost every volume, regardless of sequence.
2026-08-02 12:57:54
2
MarkShaw
Novel Fan
Librarian
I read them based on which titles sounded coolest as a kid. 'The Patchwork Girl of Oz'? Yes, please. 'The Tin Woodman of Oz'? Sign me up. It was a haphazard but joyful exploration.
As an adult, I did a proper publication-order read-through. It was a different, more cohesive experience, but I don't regret my chaotic childhood method. Both ways work. The stories are that strong.
So if you're the kind of person who rebels against a prescribed list, follow your whim. You'll likely circle back to the ones you missed anyway.
2026-08-04 14:27:21
14
Leer todas las respuestas
Escanea el código para descargar la App
Related Books
Steamy Fairytales Collection: An 18+ Dark Fairytales Series
Joy Apens
10
101.3K
A retelling of several of the most famous fairy tales with a kinky, dirty twist. Each story is about 30,000 words so sit back, grab some holy water and relax! It's time to sink in 10 deliciously dark and twisted fairytales! Highly erotic and brimming with dark desires, don't say I didn't warn ya!
18+ Dark Fairytale Series
Rumpled (Retelling of Rumplestiltskin)
Sinderella (Retelling of Cinderella)
Allissa in Wankerland (Retelling of Alice In Wonderland)
Friends With Sexy Benefits (Retelling of Hansel and Gretel)
Snow White and the Seven Hunks (Retelling of Snow White and the Seven Dwarfs)
Red (Retelling of Little Red Riding Hood)
Tangled (Retelling of Rapunzel)
Bella and the Beast (Beauty and The Beast)
Maid For Pleasure (The Ugly Duckling)
Goldilocks and the 3 Were-bears (Goldilocks)
Seven Classic Faery Tales are given a very adult makeover.
You are entering a world of myth, magic, and Immortals.
Throw in the humans for the added spice of erotica and violence.
Mix together and you have dark adult faery tales ........
Do not read if easily offended!
Elise and the Scorpion King (Magical Journey Series Book 1)
Darla Tverdohleb
10
5.4K
Elise has never thought she could be someone special until she is warped into the past—to the Land of Magic—in Ancient Egypt. She finds herself including her brother and a couple of friends in the middle of the battle, between the Scorpion King and the Cobra King.
She needs to choose to forge an alliance with to be able to survive in this ancient time and place and figure out how they can go back to their present time and be reunited with their parents.
The Good Witch was born unlike her family. She wants to help people and she finds a few friends that help her along the way. Each adventure is a new challenge. She hopes to one day free her family from the curse they placed on themselves. For these are the stories of the Good Witch.
With her enemies in pre-civil war Virginia still seeking her death, Esmerelda is forced to return to the future only days after wedding Lance. Because it was necessary to fake her death in order to stop her enemies from following her to the future, her new husband, Lance, was forced to stay behind. He’d placed a magic box for them to communicate until he found a way to safely be with her beneath the floorboards of the house.
Now, she must find it.
A task that is easier said than done!
“The Magic Box” is book two of the exciting paranormal-romance-mystery-thriller Esmerelda Sleuth Series
L. Frank Baum wrote 'Glinda of Oz' as his final Oz book because he wanted to leave his readers with a grand, conclusive adventure that tied together many elements of the Oz universe. Baum had been writing Oz stories for decades, and by the time he penned 'Glinda of Oz', his health was declining. He knew this might be his last chance to explore Oz, so he crafted a story that brought together some of the most beloved characters—Glinda, Ozma, Dorothy, and others—for one last epic quest. The plot revolves around preventing a war between two magical races, which feels like Baum’s way of emphasizing unity and resolution.
Baum also seemed to want to solidify Oz’s legacy as a place of wonder and moral lessons. 'Glinda of Oz' delves into themes of diplomacy and the consequences of power, reflecting Baum’s belief in storytelling as a way to impart wisdom. The book’s tone is more mature compared to earlier Oz tales, suggesting Baum was writing for the fans who had grown up with his work. He even included deeper world-building, like the hidden Skeezers and Flatheads, to show how vast and intricate Oz had become. It’s clear Baum intended this book to be a fitting farewell to the world he created, leaving readers with a sense of closure and magic.
If you read the books sequentially, the cast just balloons. By the later ones, you have recurring characters like the Shaggy Man, who becomes part of the inner circle. Or Button-Bright, the little boy who is always getting lost but is eerily resourceful. There's even Betsy Bobbin and Trot, two other normal girls from our world who have adventures in Oz. The movie canon is just Dorothy. The book canon is a whole team of human children who found a permanent portal to wonder, which is a very different premise.
Huh. I never thought about it systematically like this. I just read them as a kid as a bunch of fun, weird stories. This thread's analysis is way deeper than my 'more Oz books = more fun' take. Makes me appreciate old L. Frank a bit more, even if some of the later ones got super silly.
I'm skeptical of anyone who claims a 'definitive' order beyond what Baum published. He wasn't meticulous about timeline. 'The Lost Princess of Oz' is the 11th book. Any other ordering is a modern fan construction, often contradicting itself.
Embrace the old-school way. Go to Project Gutenberg, download them as numbered, and read #11 when you get to it. You'll have the same experience as a kid in 1917 waiting for the yearly Oz book.
The political lore gets a tweak. When Ozma vanishes, nobody really steps up to assume command in a structured way. There's no council regency, no prime minister. It's a bunch of friends and allies self-organizing a search party. This reinforces that Oz is a pure, personal benevolent dictatorship with no bureaucratic infrastructure. The expansion here is negative—we learn what Oz doesn't have by its absence. There's no vice-principal of Oz. That tells us a lot about the fragility and the beautiful, naïve simplicity of its government. The world-building is in the glaring omission of any backup plan.