What Translator Is Used In Everyman'S Library Crime And Punishment?

2025-08-19 18:07:04 384

3 回答

Quinn
Quinn
2025-08-21 03:18:38
I’ve been collecting Everyman’s Library editions for years, and their translation choices are always interesting. For 'Crime and Punishment,' they use the translation by Richard Pevear and Larissa Volokhonsky, which is one of the most acclaimed modern versions. I love how their work captures Dostoevsky’s raw intensity and psychological depth. The prose feels alive, almost like you’re hearing the characters’ thoughts in real time. It’s a stark contrast to older translations, which sometimes smoothed over the rough edges of the original text. If you’re diving into Russian literature, this translation is a fantastic starting point. The Everyman’s Library edition itself is also beautifully bound, making it a great addition to any bookshelf.
Theo
Theo
2025-08-22 16:47:36
I’m a huge fan of Russian literature, and the Everyman’s Library edition of 'Crime and Punishment' is one of my favorites. The translation by Richard Pevear and Larissa Volokhonsky is brilliant—it captures the feverish, almost claustrophobic atmosphere of the novel perfectly. Raskolnikov’s turmoil feels immediate, and the supporting characters are vividly rendered.

What sets this translation apart is its attention to rhythm. Dostoevsky’s sentences can be jagged and unpredictable, and Pevear and Volokhonsky don’t try to tidy them up. The result is a reading experience that’s as unsettling as it is immersive. If you’ve struggled with older translations, this one might be the key to finally connecting with the story. The Everyman’s Library binding is also sturdy, which is a plus if you’re like me and reread your favorites constantly.
Vanessa
Vanessa
2025-08-23 20:59:50
As someone who’s read multiple translations of 'Crime and Punishment,' I can confidently say the Everyman’s Library edition stands out because of Richard Pevear and Larissa Volokhonsky’s work. Their translation is meticulous, preserving the chaotic energy of Dostoevsky’s prose while making it accessible to modern readers. The dialogue feels natural, and the inner monologues of Raskolnikov are especially gripping.

What’s fascinating is how Pevear and Volokhonsky handle the cultural nuances. They don’t anglicize things too much, so you still get a sense of 19th-century St. Petersburg. Compared to older translations like Constance Garnett’s, which sometimes feel dated, this one breathes new life into the text. The Everyman’s Library edition also includes helpful notes, which are great for first-time readers.

If you’re looking for a translation that balances readability with authenticity, this is the one. It’s become my go-to recommendation for anyone tackling Russian classics.
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