تسجيل الدخولLUCA
A black Volkov transport van rams our flank at sixty miles an hour. The airbags pops with the force of a bomb, filling the cabin with white powder and the stench of burning chemicals. I ignore the sharp pain down my left side and press two fingers against the pale skin of Isabella's throat. Her pulse is strong and steady beneath my touch but she’s unconscious. I pull her limp body out of the wreckage, wrapping my arms tight under her shoulders, and drag her quickly into the dense, damp tree line just as the black Russian van crests the hill above us. I settle her carefully behind the thick trunk of a massive pine tree. "If I don’t come back, you wake up and you keep moving north," I whisper into the cold air, even though she can’t hear a single word. I draw the suppressed pistol from my shoulder holster and slide my combat knife smoothly from its sheath. Three Volkov mercenaries are emerging from the van relying entirely on their numbers, sweeping the wreckage with bright flashlights, their heavy boots crunching loudly on the floor. I move silently through the freezing shadows, flanking their position with patience. The first Russian strays too close to the tree line. I step up behind him, clamping a gloved hand over his mouth while drawing the serrated blade sharply across his throat. I lower his twitching body to the wet ground without making a sound. The second man turns instinctively at the faint rustle of wet leaves. I raise the pistol and put a suppressed round directly through his left eye. He drops instantly. The third mercenary panics when he realizes he’s being hunted by something he can’t see. He fires his assault rifle blindly into the dark woods, the muzzle flash illuminating the rain. I wait for his magazine to click empty and as he frantically fumbles for a reload, I step out of the darkness behind him and drive the blade deep into the base of his skull. I wipe the bloody blade on the dead man's vest and walk back into the deep woods. When I reach the pine tree, Isa is awake, sitting up against the rough bark, her knees pulled tight to her chest. Her eyes are wide and terrified, but completely steady. She has the compact handgun I gave her clutched tightly in both hands, the barrel aimed directly at the dark shapes of the trees. She doesn’t lower the weapon until I step fully into the pale moonlight. "We have to walk," I say, She tries to stand, but her legs give out immediately, her body trembling violently from the adrenaline and the freezing rain. Without asking for her permission, I step forward and scoop her up into my arms. She weighs practically nothing, but the sudden press of her cold, shivering body against my chest settles heavily in my lungs. We move a few miles through the dense forest. My strategic mind categorizes her as a high-value asset, a political pawn that needs to be secured. But my arms ignore the logic. They just know she’s freezing, and I need to keep her warm. The hidden safe house is a stone structure buried deep in the woods. It looks exactly like an abandoned hunting cabin. I carry her to the heavy iron door and press my right thumb against the concealed biometric glass panel. Inside, the cabin is freezing and smells of stale wood, but it’s a fortress. I set her down gently on a dusty leather sofa and immediately turn my attention to the stone hearth, building a fire. Isabella is shaking so violently her teeth are chattering. Her black silk dress is ruined, clinging to her skin like freezing water. I walk over to the heavy wooden storage chest at the foot of the bed. I pull out a thick wool blanket and one of my old, oversized black cotton shirts. I drop the dry fabric onto the sofa beside her. "Take off the wet clothes before hypothermia sets in," I command quietly. "I won’t look." I turn my back to her and stare rigidly into the burning fire. I hear the soft rustle of wet silk peeling away from her skin. The sound makes my jaw clench so tightly my teeth ache. I keep my eyes locked entirely on the flames, refusing to let my control slip. "You can turn around now," she says softly. When I do, she has moved closer to the stone hearth holding the thick wool blanket draping loosely over her shoulders. The collar of my shirt hangs off one pale shoulder, exposing the angry red scrub marks still visible on her neck. The hem of the shirt hits midway down her bare thighs. Seeing her standing there in my clothes, completely destroys every single calculation in my head. The sight of her does something violent to my chest that has absolutely nothing to do with territory or alliances. I have to look away. I stare back into the fire because if I keep looking at her, I’ll definitely cross a line I can’t afford to cross. I pull the secure burner phone from my suit pocket. The screen is lighting up with intercepted intelligence chatter. My network is already decrypting the Volkov radio frequencies. I read the scrolling transcriptions, my voice rougher than usual when I finally speak. "They’re not just looking to eliminate a rival syndicate," I mutter, watching the firelight dance across her face. "They’re tearing the coast apart looking for a ledger. Your father stole… possessed a highly sensitive list of every secret the Russian operation possesses. Blackmail files, hidden trade routes, and undercover assets. The Volkovs think you have the key to finding it." Isabella pulls the wool blanket tighter around her fragile shoulders, her brow furrowing in genuine confusion. "I don’t know what they’re talking about," she says, shaking her head. "My father didn’t leave me any secret ledgers. He didn’t leave me anything but an empty house and a dangerous name." I look down at her hands, clutching the edges of the blanket. The Romanov crest on the gold signet ring on her right index finger catches the firelight. A piece of jewelry she was explicitly instructed never to take off. The Volkovs are burning my city to the ground searching for a key, and her father was a man who trusted absolutely no one. I stare at the metal band. I’ve never bothered to examine it closely. It might be a key hiding in plain sight. I step slowly toward her. I reach out, my large hand covering hers. I gently turn her hand over, my thumb tracing the cold gold edge of the crest, and she doesn’t pull away.ISABELLA It's already day three of the lockdown. The dining table has been entirely repurposed. It's no longer a place to eat. It's now a war table. Dominik sits across from me, rubbing his exhausted eyes behind his glasses. He pushes a fresh stack of decoded text across the polished wood. "The scale is staggering," Dominik says, his voice hoarse from caffeine and lack of sleep. "It's a master list of Volkov-controlled shell companies. They're laundering money through a network of European banks stretching across fifteen different countries. Shipping, real estate, import logistics. The estimated annual revenue is over three billion dollars." I pull the sheets toward me. The ledger isn't just an insurance policy. It's a complete map of an empire. I study the decoded sections, tracing my finger down the columns of staggering wealth. But as I read, my focus shifts away from the raw data and locks onto the margins of the pages. Alexei Romanov wasn't just recording information to hol
ISABELLAThe economic siege lasts exactly forty-eight hours before Sergei Volkov decides he is bored with spreadsheets and returns to shrapnel.The car bomb detonates at noon. It’s parked directly outside a high-end, Moretti-owned Italian restaurant in the financial district. The blast shatters every window on the block, setting three adjacent vehicles on fire and injuring six civilian pedestrians. Nobody is killed, which means it wasn’t a failed assassination attempt. It was a flawlessly executed message. The economic war can become a shooting war at any second, and Volkov doesn’t care who’s standing in the crossfire.Luca doesn’t hesitate. He doesn’t call a council meeting or issue a public denial. He orders a complete, immediate lockdown of the entire Moretti empire.All non-essential operations are suspended until further action. Captains and their families are moved to fortified safe houses across the tri-state area. The massive cliffside fortress is deemed too exposed and to
ISABELLATwo days have passed since Catherine Hale dropped the bomb, and the media firestorm hasn’t still died down. In fact, It has metastasized.Marcus face is everywhere. His face is plastered across every tabloid cover, every financial news site, and the punchlines of late-night monologues. The public narrative has flipped with such violent, absolute totality that the heavy iron gates of the Moretti fortress are currently besieged by a small army of reporters and satellite vans, all desperate to catch a single, blurry photograph of the Romanov heiress who escaped her monster.I should feel victorious. I should feel the vindication warming my blood. Instead, looking down at the flashing cameras from the third-floor window, I just feel entirely exposed.The fortress has become a massive, stone fishbowl. The intense public attention acts as a flawless shield against Marcus, completely paralyzing his legal team, but it acts as a massive spotlight for the Volkovs. It tells the Russ
ISABELLACatherine Hale doesn’t deal in half-measures. When she drops a bomb, she ensures there’s absolutely nothing left but glass and ash.The dossier is released simultaneously to three major national news outlets and the district attorney’s office exactly forty-eight hours after I hung up the phone with Marcus.I stand in the center of the suite, surrounded by glowing monitors. Luca stands a few feet away, silent, watching the screens alongside Mara and Enzo.The story breaks like a tidal wave.Every single news network interrupts its morning broadcast. The fabricated tabloid narrative of the delusional, runaway heiress evaporates in seconds, instantly replaced by the terrifying reality of who Marcus Whitfield really is.His face is plastered across every screen in the room. They play the audio of his recorded confession, his pathetic, bleeding voice echoing from his ruined penthouse across national television. The anchors read the charges with grim, horrified faces: severe finan
ISABELLAThe next morning, I wake up in the master suite for the second time. But this time, the space beside me isn’t empty.I open my eyes, blinking against the morning light and Luca’s already awake. He’s propped up on one elbow, watching me breathe.“Morning Little bird. Did you sleep well,”“I did. I think,” I reply biting the insides of my mouth. I lie still against the dark pillows, the heavy sheets pooled at my waist, and I meet his gaze. His expression is something I can’t fully read. He’s looking at me like I’m an incredibly complex equation that keeps changing its variables every time he gets close to the solution.I don’t not look away, and I don’t pull the sheets up to cover my bare skin. I let him look, and I hold his gaze until the silence in the room becomes a physical weight.“You should probably go shower. Big day ahead,” Luca states, grabbing his shirt and walking towards the door.“Yes. I should.” I head into the shower and allow the water to trickle down my enti
ISABELLAI’m going to be a mother but not in the way I planned. The child growing inside Sarah Colton's body is mine. It has my DNA and a heartbeat so strong it sounds like it’s already arguing with the world. Good.My phone rings and I pull it out of my pocket. It’s Viktor.He has heard about Sarah, of course. Viktor hears everything. I answer because avoiding the conversation won’t really improve it.“What have you done Isabella?” He barks. Of course he’s furious. “Keeping that woman alive and protected is weakness. It’s sentiment dressed as strategy. She’s a liability. Have you forgotten that this world doesn’t reward mercy?”"Well.. The child is a Romanov," I snap back. "Romanovs protect their blood.""Mercy is a luxury," he says. “Besides aren’t you supposed to avoid Marcus and everything he owns?”“The child is mine. Not Marcus’s. And anyone who is underestimating me will get the biggest shock of their life." I end, hanging up before he can say anything else.I sit in the whi







