Maya constructs the map at her desk, after midnight, the way other people pray.It isn't on paper. Paper isn't safe, she learned that lesson and underlined it twice. The map lives in her head, in the same filing system that has, across two lifetimes, never once misplaced a document. She is, if nothing else, organized. It's perhaps her most appealing quality and certainly her most unsettling one.She sets out the columns. Across the top: the people who matter. Down the side: the truths nobody can safely ignore. ARBITER. DECAY. APEX and the wolves. Her foreknowledge. The committee, the nine, the three names. And LUS gets the bottom row, the one with the strongest lock.Then she shades in the cells, and the pattern comes clear, and it is, she has to admit, a minor triumph of compartmentalization. It is also the bleakest thing she's ever drawn.Eli's column first. Eli knows about the wolves. He figured it out before she told him and said nothing, because it w
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