Which Abbas Kiarostami Film Is Best For Film Students?

2025-08-25 09:02:49 98

5 Answers

Kate
Kate
2025-08-27 22:49:33
I’m the kind of person who learns by doing, so I picked films that pushed me into practice. For technique and patient framing, 'Taste of Cherry' is brilliant: it’s a study in long takes, static composition, and using landscape as psychological space. I remember sketching storyboards trying to capture that quiet, meditative pacing and failing gloriously—until I realized the point isn’t to copy, it’s to understand intention.

If you want something to study for editing and staging, 'Close-Up' is invaluable. It teaches how truth, performance, and camera can be braided. For working with non-actors, try 'Where Is the Friend's Home?': its simple camera choices and sustained close-ups teach you how to build empathy without heavy exposition.

Practical tip: after watching a Kiarostami film, limit yourself to three shots and try to tell a short scene using only them. It’s eye-opening. These films reward patient study, and they’ll make you more precise with every take.
Finn
Finn
2025-08-29 05:03:53
As someone who’s tried to direct friends and family into believable moments, I’m obsessed with Kiarostami’s use of non-professionals and improvisation. If the goal is learning how to coax authenticity, start with 'Close-Up' for its meta-textual lessons and then study 'Through the Olive Trees' for how he stages emotional truth inside layered narratives. In the latter, the interplay of film-within-film and the real world teaches you about directing actors while preserving naturalism.

Technique-wise, pay attention to his sound design: off-screen noises often provide continuity and meaning. For a classroom exercise, I’d have students transcribe a 10-minute scene, note the silences, and then remake that scene emphasizing different sounds. Also experiment with long takes to build tension without cutting—Kiarostami’s restraint is a practical reminder that less can be more. Try it and see how patience alters performance.
Xander
Xander
2025-08-29 20:48:21
On a quieter note, I often recommend 'Where Is the Friend's Home?' to newcomers because it’s pure storytelling stripped down to essentials. Kiarostami’s economy—no melodrama, just a boy’s determined walk—shows how editing, rhythm, and spatial geography create narrative momentum without flashy techniques. For students, it’s like a primer in mise-en-scène: how to use real locations, small gestures, and simple camera moves to hold attention.

Once you’ve absorbed that, 'Close-Up' becomes even richer; you start noticing the ethics behind camera choices. Watching both back-to-back changes how you think about truth in film, and you’ll come away wanting to shoot everyday scenes with more curiosity.
Ian
Ian
2025-08-29 23:11:12
If I had to pick one film of Abbas Kiarostami’s for film students, I’d point straight to 'Close-Up'. It feels like a masterclass in the blurry line between documentary and fiction, and for anyone studying narrative ethics, performance, and editing it’s pure gold. The way Kiarostami lets real people play versions of themselves, then folds their testimonies and reenactments into a single cinematic event—that’s a living lesson in how form can interrogate truth.

When I first taught a film club screening, we paused on sequences to talk about camera positioning, the camera’s moral stance, and how simple long takes force viewers to engage differently. Students can rehearse exercises: remake a short scene twice (once as documentary, once as fiction), then splice them together and discuss what shifts. Also pair 'Close-Up' with 'Taste of Cherry' to contrast social choreography with existential minimalism.

Mostly, watch it slowly—take notes on who Kiarostami puts center frame and why, how the cuts betray or confirm our assumptions, and how silence functions like a character. It’ll make you rethink what a film can do to a story and to a life.
Kevin
Kevin
2025-08-31 00:49:00
I tend to recommend 'Close-Up' first because it’s the kind of film that keeps sneaking back into your thoughts. It’s a film-studies playground: ethics, performance, documentary tactics, and editing philosophy all in one. But if you’re just getting started and want something immediately accessible, 'Where Is the Friend's Home?' is gently brilliant—simple plot, big heart, and a lesson in telling a story with economy.

For a mixed bag of ideas, watch 'Certified Copy' afterward to see his later, more conversational experiments with identity and relationships. My favorite way to study Kiarostami is to pause frequently and ask: what would this scene be like shot from the other side of the street? That small practice shifts your eye, and you start to see how much intent sits behind every quiet frame.
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