What Are The Best Free To Enter Writing Contests For New Authors?
2026-08-11 04:35:27
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Diana
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Ezra
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Oh! I stumbled on Reedsy's weekly writing prompts. Free to enter, you just write a short piece based on their theme. Winners get a small cash prize and a feature on their blog. It's low pressure, great for practice, and forces you to finish something fast. I've done it a few times when stuck on my main project.
Also, check out contests by smaller indie literary magazines like 'The Molotov Cocktail' (flash fiction) or 'Barren Magazine'. They often run free submission periods or specific contest themes with no fee. The prize is usually publication plus a small amount, but getting into a respected mag looks good in a bio. Just read a few issues first to see if your style fits.
2026-08-13 01:02:10
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Vera
Library Roamer
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I'm skeptical of most free contests, honestly. Too many feel like data collection or anthology-mill schemes, where you 'win' a spot in a pricey collection you have to buy. But I found one exception last year: 'The First Chapters Prize' from The London Library. No fee, open internationally, decent prize money and mentoring. I entered on a whim, didn't win, but the feedback was genuinely thoughtful—more than I got from some paid submissions. The key is vetting: if it's run by a legit literary journal, university creative writing department, or a major publisher's imprint, it's usually okay. Random websites promising 'exposure'? Run.
WordHunt (formerly Scribophile's) quarterly contests are another solid free option. You need to critique others' work to earn karma points to enter, which keeps the community serious. The prizes are small but real, and the feedback you get during the process is the real value. Helped me tighten a short story that later got published elsewhere. I'd take that over a hundred no-feedback rejections from random places.
2026-08-14 19:17:24
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Piper
Contributor
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Local libraries sometimes run free contests, especially for young authors or regional themes. Mine had a 'summer mystery' one. Prize was just a gift card to a bookstore, but winning gave me a huge confidence boost early on. It's worth checking their community boards or websites—they're often overlooked.
2026-08-15 01:43:17
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Not to be overly cynical, but the term 'best' depends entirely on what you're writing and what you're after. The 'big' ones like the Bridport Prize or the Bath Novel Award get all the press, and they're fantastic for the prestige if you win, but the entry fees add up. I've wasted money on contests that promised exposure but just felt like cash grabs for the organizers.
What I've found more useful are the ones attached to specific genres or independent presses. Things like the Cheshire Prize for Literature if you're in the UK, or contests run by journals like 'Glimmer Train' (though they're on hiatus, similar ones pop up). They have smaller pools, so your work might actually get a closer read. The real prize is often publication and a bit of cash, which is more tangible for a debut than vague 'industry recognition.'
My advice is to skip the ones that charge fifty bucks and offer a trophy. Look for contests where the prize includes a publishing contract or agent introduction. That's the golden ticket when you're starting out.
You're asking the right question—this is how I got my first piece published, actually. The first place I'd recommend is a bit obvious but reliable: 'Reedsy' has a frequently updated contest page that filters for no-fee options. I check it maybe once a month. Their blog also often does roundups for specific genres, which saves a ton of scrolling time.
Beyond that, university writing department websites are a goldmine people forget. Even if you're not a student, many MFA programs list competitions that are open to the public, and they tend to be legitimate, often connected to literary journals. I've submitted to a few from the University of New Orleans' 'Press 53' page, for instance. The key is to treat the search like a part-time job; bookmark a few trusted hubs instead of googling 'free contest' every time, which just leads to sketchy sites wanting your data.
One more tip—follow the magazines you admire on Twitter or Mastodon. Editors often announce their own open submission periods or contest extensions there before it hits the main aggregators. I snagged a last-minute slot for the 'Bridport Prize' flash fiction category that way, though some of their contests do have fees so you have to read carefully.
It’s not really the grand prize that makes the biggest difference. Placing—even as a finalist or getting an honorable mention—lets you add a line to your bio, a legit credential. It’s a stamp of external validation that can tip the scales when you’re cold-querying agents. ‘My short story was a finalist for such-and-such prize’ just sounds better than ‘I’m an aspiring writer.’ It shows someone besides your mom thought the work had merit.
Another overlooked aspect is the forced deadline. I’ve entered contests with themes or word counts I’d never tackle otherwise. Having that constraint made me produce something new, and often, that piece became the start of something bigger. The contest entry fee being zero means there’s zero financial risk, so it’s pure discipline practice.
What’s more, some of these competitions are judged by editors or established authors. Even if you don’t win, your work might cross their desk. That’s exposure you can’t buy. I once got a personalized rejection from a judge with a couple of lines of feedback—tiny, but it meant more than any form letter from a magazine submission.