What Is The Big Eyes Movie Rating?

2026-04-15 06:41:41 213
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3 回答

Quincy
Quincy
2026-04-17 23:38:49
I dragged my friends to see 'Big Eyes' back when it came out, and we ended up debating it over pizza afterward. IMDb gives it a 6.7/10, which kinda matches my take—solid but not mind-blowing. The real draw here is how it explores the weirdness of the art world and the tension between commercial success and creative ownership. Amy Adams plays Margaret Keane with this fragile strength that’s heartbreaking, especially in scenes where she’s literally painting in secret.

Christoph Waltz’s Walter Keane is… a lot. Fun to watch, but you can see why some folks found him over the top. The film’s biggest strength is its quieter moments—Margaret finding her voice, the way her paintings become a silent rebellion. It’s less about the fraud and more about a woman reclaiming her life. Not Burton’s usual gothic fare, but a refreshing change of pace.
Isla
Isla
2026-04-18 02:13:44
Rated PG-13 for thematic elements and brief strong language, 'Big Eyes' is a strange little gem. It’s not the typical Tim Burton spectacle—no Johnny Depp in makeup or supernatural shenanigans—but that’s what makes it interesting. The critical reception was lukewarm (Metacritic has it at 62), but I think it deserves more love. Adams and Waltz have this electric dynamic, and the script dives into the psychology of art and fraud without getting preachy. The ending’s courtroom scene is oddly satisfying, even if the film meanders a bit getting there. Worth a watch for art-history buffs or anyone who loves a good underdog story.
Dominic
Dominic
2026-04-20 23:11:57
Big Eyes' is one of those films that left me with mixed feelings, but in a way that made me want to discuss it for hours. On Rotten Tomatoes, it sits at around 72%, which feels fair—it’s not Tim Burton’s flashiest work, but there’s something quietly compelling about it. The story of Margaret Keane and her husband’s art fraud is bizarrely fascinating, and Amy Adams absolutely nails the role of a woman trapped in her own success. Christoph Waltz, as usual, chews scenery like it’s candy, though some critics felt his performance tipped into caricature.

Where the film stumbles a bit is in pacing—it takes a while to build momentum, and the courtroom finale feels rushed. But the visuals? Gorgeous. Burton’s signature whimsy is dialed back, replaced by a pastel-heavy 1950s aesthetic that suits the story perfectly. If you’re into biopics with a side of artistic drama, it’s worth watching, though maybe not a repeat-viewing kind of movie for me.
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