Which Characters Narrate Different Parts Of The Woman In White Novel?

Twelve years of love, loyalty, and promises—shattered in one gunshot moment. Aria thought she knew what love meant: sacrifices, patience, blind faith in the man she'd called her fiancé for over a decade. But on Valentine's Day, with a gun pointed in their direction, Liam instinctively shielded his ex, Sophia—while Aria was left bleeding and invisible. "You almost died!" "And he didn't even look at me, Lili. He wrapped his arms around her like I was nothing." Torn between heartbreak and dignity, Aria makes a bold move—marrying Liam's wealthy rival, Aiden Carter, in an impulsive act of revenge. But Aiden is more than a rebound. He's powerful, possessive, and unexpectedly protective—and he plays for keeps. Now caught between a love that failed her, and a man who may demand more than she's ready to give… Aria's heart faces the ultimate reckoning. Will she finally become someone's first choice—or lose herself trying?

Being the first born of her parent’s Lilith never got that attention and love from her parents because they wanted boy and not a girl, and hence she was not respected in her school as well, despite being the Alpha blood, but it gets worse for her when at the age of sixteen her wolf appears but she couldn’t shift. Member of her pack assumed that she is a weak wolf and an insult for the pack, hence bullying starts for her because her own parents felt disgust from her. She did not lose the hope and waited impatiently for her mate, until one day the Alpha of Creek Star pack was invited to the dinner by her father and she found out that none other than Caleb Donovan is her mate but her heart breaks down when she finds out why he accepted her as his mate.

"You were never her, Aria. You were just... there." Jason's words echo in my head as I stand in the back of the church, watching him mourn another woman on her sister's wedding day. Isabelle. The perfect dead girlfriend. The ghost I've been competing with for three years. I thought I could be enough. I thought love could grow where grief once lived. But when I find the evidence, when I see the hotel receipts, the text messages, the photos of Jason with Isabelle's sister Violet, I realize the truth. I was never the love story. I was the intermission. What I don't know yet is that nothing about my marriage was real. Not Jason's cruelty. Not Violet's affair. Not the stranger's rescue. They've all been playing a game, and I'm the prize they're willing to destroy each other for. When the truth comes out, when I discover why Isabelle really died and who's been pulling the strings, I'll have to decide: Do I let them destroy me, or do I burn their whole world down?

After I was reborn, I was the one who changed the name on my blood bond with Prince Mortlock. I wrote in “Isabella”—the other vampire he’d always cherished, always protected. When Isabella wanted the ruby necklace, the one that marked the Prince's Mate, I let her have it. The wedding dress Mortlock had prepared for me? I gave that to Isabella, too. I did it all because in my past life, I got my wish. I became Mortlock’s mate, but I lived every moment in Isabella’s shadow. In the end, during a battle with vampire hunters, Mortlock ran to a wounded Isabella first. I was the one left to take a silver stake through the heart. So this time, I decided to let them be. To stay far away from Mortlock. But this time, the cold, distant Prince wept and begged me to be his mate again.

My grandmother is, as far as the law is concerned, a dead woman. She faked her own death so she could go off with the boy she'd grown up beside, and she left evidence behind that made my grandfather her killer. He went away for twenty years. She sold his house and ran to Port Halcyon with the other man. One of them became a famous attorney who talks about justice in courtrooms. The other became a philanthropist who talks about compassion under television lights. My grandfather carried the word wife-killer for the rest of his life. My father grew up on whatever the neighbors could spare. He never spent a day in school, and he wore his hands raw laying brick until he'd put me through college. Two generations, two pairs of ruined hands, lifting me one step at a time out of Pinebarrow. Fifty years after my grandmother's fake death. I sit on the felony bench of the Dunstone Superior Court. In front of me are five young women charged in a murder. The case against the first four is airtight. Against the fifth, there's half a fingerprint at the scene and a witness who accounts for her entire night. Even the police call her the least likely of them. The murder charge won't hold. I go through her file. Under family, there's a name. Evelyn Harrow. My grandmother. I look at how much the two of them resemble each other. And when her lawyer moves to have her released from this courtroom a free woman, I bring the gavel down lightly. "This court denies the defense motion for dismissal. This court further recommends that the district attorney formally charge the defendant with murder."

For ages, the harmless, resting form and grave of five sisters—a beautiful, tidy house has stayed silent, and undisturbed. Suddenly, this house is broken into by outlaws. There are set out conditions for humans to reside within this house, but unaware of the consequences if the rules are broken, and the powers that reside within the house, these outlaws cause further damage, thereby awakening the sleeping powers within the house. These powers, hungry, itchy, and thirsty, feast on these men and regain their strength. As they release themselves, and find their way out into the world, their new assignment becomes finding, stalking, and hunting those who buried them in here, locked them inside the house, and eventually turned them into the house, and their tone to man is one man deems unfair.