Where Can Collectors Buy Mlp Rarity Human Merchandise Online?

If you wander through DeviantArt for long enough, the humanized versions of Rarity pop up more often than you might expect. I’ve spent evenings curating a favorites list and what struck me is the sheer variety: some artists lean into haute couture, treating her like a runway model with fabric swatches and mood boards, while others go full anime-inspired humanization, with big expressive eyes and exaggerated hairstyles. From what I’ve seen, popularity sits solidly in the above-average range among pony fanart. Rarity tends to attract artists who love fashion and design, so galleries tagged 'Rarity human' or 'human Rarity' usually have hundreds — sometimes thousands — of deviations across the site. She’s not always the topmost figure like Twilight or Rainbow Dash in every subcommunity, but in fashion-forward pieces and crossover work with 'Equestria Girls' vibes she’s often the star. If you’re hunting these galleries, use collections and follow a few consistent creators. Also check group pages and commission folders; a lot of high-quality humanizations live there. I still stumble on gems when I search related tags, and it’s a great corner of the site if you enjoy character redesigns and style-focused art.

I get a little giddy thinking about this — styling a human Rarity is basically high-fashion cosplay with extra sparkle. I usually start with a reference board: screenshots from 'My Little Pony', a handful of fanart, and some runway looks that capture that theatrical elegance. Color-matching is everything; I bring swatches to the fabric store and hold them next to wig samples so the purples and lavenders sing together. For the wig, I buy a heat-resistant lace-front and spend hours sculpting those gravity-defying curls with rollers and hairspray, reinforcing shape with low-gauge wire or braided wig tape where needed. The dress often starts from a vintage pattern I alter — a structured bodice with light padding and boning, a full skirt with a crinoline, and loads of rhinestone appliqués to mimic Rarity’s gem aesthetic. I hand-sew clusters of acrylic gems into the bodice and make clip-on brooches so parts are removable for travel. Makeup finishes the illusion: sharp contouring, violet-toned eyeshadow, dramatic lashes, and drawn-on, stylized eyebrows. Little tricks like clip-in bangs, painted nails that echo the cutie mark, and a small resin gem prop make everything read on camera. I always pack a glue gun, spare bobby pins, and a mini sewing kit in case glitter rebellion happens mid-con. It’s theatrical, a little absurd, and absolutely worth the compliments.

There’s something delightfully contagious about taking a character like Rarity from 'My Little Pony' and dressing her up in modern streetwear or high fashion—I've found myself doodling versions of her in thrifted blazers and acrylic nails more times than I can count. For me it’s partly a visual love letter: Rarity’s signature color palette, dramatic eyelashes, and couture-obsessed personality translate so well into real-world fabric choices. Reimagining her lets me play with silhouettes, textures, and tiny details—like how a sequined clutch would echo her gem motif. I also think it’s about storytelling. When I sketch a humanized Rarity in a minimalist downtown outfit, I’m not just changing clothes—I’m asking who she would be if she navigated a modern city, a boutique, or a runway. That thought experiment opens up narratives: friendships, small victories in design school, or late-night sewing sessions. Fans respond to those narratives on socials and in comment threads, so the trend feeds itself. And honestly, it's fun. There’s joy in the challenge of keeping her essence while swapping hooves for heels. Sometimes I pair references from 'Equestria Girls' with outfits I see on Instagram; other times I riff off vintage couture. It’s fan art and fashion critique wrapped in glitter—what’s not to love?

I get giddy thinking about Rarity-human cosplays because she’s basically a walking moodboard for glamour. For a convention I love starting with a signature gown look: imagine a fitted off-shoulder mermaid dress in pearly white or soft lavender, with panels of iridescent organza that catch light when you move. Add a sculpted collar or one-shoulder capelet trimmed with faux diamonds; that immediately reads Rarity without being a costume-stereotype. I usually sew a boned bodice and top-stitch subtle diamond quilting into the skirt to echo her cutie mark. If I want more casual or wearable, I go for a fashionista street outfit—high-waisted pencil skirt in deep purple, a silk blouse with exaggerated sleeves, and a statement belt with cluster rhinestones. Swap the heels for ankle boots if I’m walking a lot, but keep the dramatic curled wig and theatrical lashes. Small touches like a compact mirror prop, glossy lilac nails, and a few crystal brooches sell the character. For variety, try a vintage couture twist: 1950s tea-length dress with a full circle skirt, gloves, and a feathered fascinator. It’s playful, photogenic, and easy to sit in during panels. No matter what, focus on clean lines, polished makeup, and jewel accents — Rarity is about refinement above all, so aim for elegance rather than clutter.

When I turn 'Rarity' human in my head, I usually anchor everything to her signature traits first: the obsession with beauty, that dramatic flair, and a core of generosity. I pick a setting that lets those traits breathe — an atelier in a bustling city, a period dressmaker in a Victorian AU, or a modern fashion-school narrative where she’s learning to balance art with real-world pressures. From there I layer in sensory details: the smell of silk, the weight of a jeweled brooch, the tiny ritual of steam and pinning that replaces hoof-based grooming. Those small scenes make the humanization feel lived-in rather than just a costume change. Conflict follows character. I might give her a rival designer, a moral dilemma about using exploited materials, or a quest to craft a gown that heals someone emotionally — plots that let generosity and vanity pull in opposite directions. I also decide how much of the pony-magical element sticks: do I keep subtle magic (a lucky needle, an uncanny sense for color) or go full mundane and show brilliance as hard-earned skill? Balancing canon voice—her cadences, her love of drama—with believable human dialogue is the last step, and usually the one that gives the fic its heart. I love ending scenes with a small domestic victory, like a mended seam or a shared cup of tea, because that feels true to her spirit.

I get this image in my head of a live-action Rarity as someone impossibly chic but still full of heart — think gowns, couture-level tailoring, and a dramatic eyebrow arch that sells every line. My top pick would be Anya Taylor-Joy: she has that porcelain, otherworldly quality and can tilt into theatricality without losing sincerity. She could make Rarity's designer mania feel sympathetic rather than silly. Pair her with sharp purple highlights and vintage-inspired silhouettes and you’re halfway there. Gemma Chan and Emma Stone are the other two I keep coming back to. Gemma would bring poise, an elegant smile, and a refined presence that suits Rarity’s philanthropy and social grace. Emma has flawless comedic timing and the ability to be glamorous and hilariously self-aware — great for scenes where Rarity’s dramatic side takes over. For the visuals, imagine costume notes pulled from 'My Little Pony' color cues (ivory fabrics, violet accents) and a makeup approach that reads couture rather than cartoon. Casting Rarity is as much about playful extravagance as it is about warmth, and these actresses could do both.

The first human-Rarity artworks that stuck with me showed up almost as soon as 'My Little Pony: Friendship Is Magic' started airing in 2010. Within weeks to a few months people on places like deviantART and early Tumblr began experimenting with humanized versions of the Mane Six, and Rarity—being the fashion-obsessed, dramatic one—was an instant favorite to redraw as a glam human. I kept finding dated uploads from late 2010 and throughout 2011 when I hunted old gallery pages; the fandom’s visual creativity exploded fast. Those early pieces tended to be fan interpretations rather than a coordinated trend at first, but by 2011 you could see a clear wave of “humanized” or “human Rarity” posts on 4chan’s pony threads, Ponychan, and reposted on blogs like 'Equestria Daily'. The official pivot with 'Equestria Girls' in 2013 felt like the canon catching up to what fans had already been doing for years, but the grassroots art actually predates it. If you want to dig in, check deviantART upload dates and archived threads—it's a fun archaeology of style shifts and inside jokes.

I get excited just thinking about translating a character like Rarity from 'My Little Pony' into a human face — it's a costume and makeup happy dance for me. First, I build the silhouette: Rarity is all about sharp elegance, so I sculpt cheekbones and a narrow nose with cream contours and a dense brush, then set with translucent powder to retain a porcelain finish. For the eyes I create a dramatic, elongated almond using a soft brown to shape the crease and a bright periwinkle or icy-blue shadow on the lid; a sharp winged liner and stacked falsies (long outer lashes, shorter inner ones) give that doll-like, glamorous tilt. I always add a little shimmer concentrated on the center of the lid and inner corner to mimic gemstone glints. Brows get the Rarity treatment — high-arched and refined. I often bleach or slick back the natural brow hair and repaint a slim, exaggerated arch with a pomade in a cool plum-brown. For skin, I pick a satin-matte base with pearlescent highlighter on the high points (cheekbones, bridge of nose, cupid’s bow). Tiny rhinestones placed near the temple, the outer eye, or trailing down the cheek capture the gem motif without going full drag. A soft magenta or mauve lip in satin finish keeps the look elegant rather than theatrical. Add a structured purple wig with vintage curls and finger waves, and you’ve got human-Rarity that photographs like a fashion editorial. I usually finish with a long-lasting setting spray and a touch-up kit for photos or conventions.