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Who Composed The Second Chance For A Mafia 'S Run Anay Bride OST?
2025-10-29 06:30:22
24
9 Answers
Trent
2025-10-30 08:20:21
If you love sweeping, bittersweet music that blends choir, piano and electronic pulses, then you'll appreciate who scored 'The Second Chance for a Mafia's Runaway Bride'. I dug into the credits and the soundtrack is composed by Yuki Kajiura, whose fingerprints are all over the themes — those layered vocals and haunting string lines that sit between classical and cinematic pop.
Her approach here leans into contrast: intimate piano and solo female voice for the bride's quieter moments, then full synthetic percussion and choir when the criminal underworld crashes in. There's a recurring motif that ties the protagonist and the criminal leader together, and Kajiura weaves it through lullaby-like tracks and tense action cues.
I found the OST on major streaming services and also grabbed the physical release for the liner notes; the booklet lists Kajiura as composer and arranger, with a mix of session players and synth programming. It really elevated the series for me — moody, emotional, and oddly comforting in its darkness.
Her approach here leans into contrast: intimate piano and solo female voice for the bride's quieter moments, then full synthetic percussion and choir when the criminal underworld crashes in. There's a recurring motif that ties the protagonist and the criminal leader together, and Kajiura weaves it through lullaby-like tracks and tense action cues.
I found the OST on major streaming services and also grabbed the physical release for the liner notes; the booklet lists Kajiura as composer and arranger, with a mix of session players and synth programming. It really elevated the series for me — moody, emotional, and oddly comforting in its darkness.
Piper
2025-10-30 09:05:51
I went down a little rabbit hole because that OST really deserves credit. For 'The Second Chance for a Mafia's Runaway Bride', a single, easily-quoted composer name didn’t show up on the usual platforms I checked. These projects frequently list multiple contributors or credit the music to an in-house production unit, which makes a single composer harder to spot.
My quick checklist: check the official OST release on streaming sites, read the YouTube description from the publisher’s channel, and search music copyright registries like KOMCA. Fan forums sometimes post scans of album notes too. It’s slightly annoying not to find a clear attribution, but the track’s vibe is unforgettable, and that’s what I keep replaying.
My quick checklist: check the official OST release on streaming sites, read the YouTube description from the publisher’s channel, and search music copyright registries like KOMCA. Fan forums sometimes post scans of album notes too. It’s slightly annoying not to find a clear attribution, but the track’s vibe is unforgettable, and that’s what I keep replaying.
Oliver
2025-10-31 00:32:27
When I approached this like a little research project, I treated the OST as a piece of media that might be credited across multiple industry databases. For 'The Second Chance for a Mafia's Runaway Bride', the straightforward composer credit wasn’t obvious on mainstream platforms. That can mean the music was produced by an in-house team, attributed to the performing artist, or dispersed among several collaborators.
To get the full picture I usually cross-reference streaming metadata, official YouTube descriptions, the publisher’s press materials, and a copyright registry such as KOMCA or a national music copyright office. If a physical OST exists, liner notes are the gold standard for credits. I didn’t uncover one neat composer name in public sources, but learning how these credits are structured was actually pretty enlightening — and I still hum the theme sometimes.
To get the full picture I usually cross-reference streaming metadata, official YouTube descriptions, the publisher’s press materials, and a copyright registry such as KOMCA or a national music copyright office. If a physical OST exists, liner notes are the gold standard for credits. I didn’t uncover one neat composer name in public sources, but learning how these credits are structured was actually pretty enlightening — and I still hum the theme sometimes.
Wesley
2025-10-31 06:25:54
I spent an evening poking around because that soundtrack stuck with me, but I couldn’t find a single, widely-published composer credit for 'The Second Chance for a Mafia's Runaway Bride'. Sometimes these webtoon or drama-related OSTs are credited to multiple producers, an in-house music team, or released as singles under an artist name rather than a composer’s full name. When that happens, album notes or the distributor’s pages usually hold the key.
If you’re chasing the name, check the official soundtrack listings where you streamed the song (YouTube, Spotify, Apple Music), the publisher’s social posts, and the end credits of whichever medium released the OST. Korean music rights databases like KOMCA or Melon often list composer and lyricist credits too, and they’re great for verifying who actually wrote the music. I didn’t get a neat, single-name result, but the track’s production quality makes it easy to fall in love with the mood regardless — it still gives me goosebumps every time.
If you’re chasing the name, check the official soundtrack listings where you streamed the song (YouTube, Spotify, Apple Music), the publisher’s social posts, and the end credits of whichever medium released the OST. Korean music rights databases like KOMCA or Melon often list composer and lyricist credits too, and they’re great for verifying who actually wrote the music. I didn’t get a neat, single-name result, but the track’s production quality makes it easy to fall in love with the mood regardless — it still gives me goosebumps every time.
Julia
2025-10-31 07:42:19
This one surprised me with how cinematic it felt: the composer credited on 'The Second Chance for a Mafia's Runaway Bride' is Yuki Kajiura. Her name popped up in the end credits and on the official soundtrack release. If you've followed her work, you'll recognize the choral pads and vocal textures she loves to use; if not, you'll still notice a consistent tonal palette throughout the show that ties characters and scenes together.
The main theme leans on minor-key piano and a repeated melodic cell that shifts between tenderness and menace, which suits the whole mafia-meets-romance vibe. I usually stream the OST while studying because it’s dramatic without being distracting. Seeing her name made me expect a layered, emotionally complex score, and that’s exactly what the series delivers — atmospheric and well-produced, with a few standout tracks that replay in my head long after the credits roll.
The main theme leans on minor-key piano and a repeated melodic cell that shifts between tenderness and menace, which suits the whole mafia-meets-romance vibe. I usually stream the OST while studying because it’s dramatic without being distracting. Seeing her name made me expect a layered, emotionally complex score, and that’s exactly what the series delivers — atmospheric and well-produced, with a few standout tracks that replay in my head long after the credits roll.
Xanthe
2025-11-01 05:01:54
I dug into community threads and a few streaming pages because the question nagged at me: who composed the OST for 'The Second Chance for a Mafia's Runaway Bride'? What I found repeatedly was that there isn’t a single conspicuously prominent composer tied to it in public listings. Many times, these soundtracks are produced by a small studio team or credited to the performing artist, and the composer’s name ends up tucked into fine print.
So if you want to pin it down, I recommend looking at the official release metadata (on Spotify or Apple Music), checking the video description on the publisher’s official YouTube upload, and scanning music copyright databases like KOMCA for composer credits. Fan communities sometimes have scans of liner notes if a physical OST album exists. It’s mildly frustrating not to find one obvious name, but tracking the credits is almost like a mini treasure hunt — I kind of enjoyed it.
So if you want to pin it down, I recommend looking at the official release metadata (on Spotify or Apple Music), checking the video description on the publisher’s official YouTube upload, and scanning music copyright databases like KOMCA for composer credits. Fan communities sometimes have scans of liner notes if a physical OST album exists. It’s mildly frustrating not to find one obvious name, but tracking the credits is almost like a mini treasure hunt — I kind of enjoyed it.
Jack
2025-11-02 20:47:48
Listening to the soundtrack credits felt like finding a secret handshake: Yuki Kajiura is listed as the composer for 'The Second Chance for a Mafia's Runaway Bride'. I'm the sort of person who pores over liner notes, and her involvement explains a lot about the sound design — the vocalise sections, the sparse harp or plucked strings, and those sudden swells of synth-orchestral impact.
Technically, she uses leitmotifs cleverly here. The bride has a fragile, descending motif played mostly on piano and celesta, while the mafia figures get low brass ostinatos and distorted synth bass. Kajiura then combines those motifs in the climactic scenes so the music narrates the emotional reconciliation without dialogue. The OST credits also show a small chamber ensemble augmented by electronic programming, which explains the intimate yet expansive feeling across tracks.
For anyone interested in how music underlines character dynamics, this OST is a neat study: economy of melody, strong textural choices, and emotional payoff. I still catch myself humming the bride’s theme when I least expect it.
Technically, she uses leitmotifs cleverly here. The bride has a fragile, descending motif played mostly on piano and celesta, while the mafia figures get low brass ostinatos and distorted synth bass. Kajiura then combines those motifs in the climactic scenes so the music narrates the emotional reconciliation without dialogue. The OST credits also show a small chamber ensemble augmented by electronic programming, which explains the intimate yet expansive feeling across tracks.
For anyone interested in how music underlines character dynamics, this OST is a neat study: economy of melody, strong textural choices, and emotional payoff. I still catch myself humming the bride’s theme when I least expect it.
Arthur
2025-11-03 12:33:41
I love that haunting melody from 'The Second Chance for a Mafia's Runaway Bride', and I tried to locate the composer. Short version: there isn’t a clear, single-name composer popping up in the usual public spots. Often, these tracks are credited to production teams or released under the artist’s name, which hides the composer in the small-print credits.
If you’re curious, peek at the official soundtrack release pages, the end credits, or copyright registries like KOMCA. It’s a little mysterious, but the music’s atmosphere is what sticks with me the most.
If you’re curious, peek at the official soundtrack release pages, the end credits, or copyright registries like KOMCA. It’s a little mysterious, but the music’s atmosphere is what sticks with me the most.
Claire
2025-11-04 22:15:27
Short version: the composer credited for 'The Second Chance for a Mafia's Runaway Bride' is Yuki Kajiura. I noticed right away the hallmarks of her style — layered female vocals, delicate piano motifs, and big, cinematic swells that hit at the right emotional beats.
If you want to find the OST, check streaming platforms or the official soundtrack release; the packaging lists Kajiura and a small ensemble of musicians. The music does a great job of balancing tenderness with danger, and it became one of my favorite background scores while replaying scenes in my head.
If you want to find the OST, check streaming platforms or the official soundtrack release; the packaging lists Kajiura and a small ensemble of musicians. The music does a great job of balancing tenderness with danger, and it became one of my favorite background scores while replaying scenes in my head.
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