Library

Why Does A Crease Ruin Glossy Book Cover Photography?

2025-09-02 18:03:42 86

4 Answers

Kate

2025-09-04 05:55:32

A crease ruins glossy cover photography for me in almost an emotional way; it interrupts the visual story. I’ll often look at an album or novel cover like a mini-poster, following lines and color transitions the artist planned. A fold carves a literal boundary through those flows and creates highlight and shadow on top of the printed artwork, which tricks the camera into seeing two different surfaces where there should be one.

From a workflow perspective, I prioritize capturing as much information as possible: shoot RAW, use cross-polarized lights if I’m obsessed about removing specular reflection, and bracket exposures to preserve highlight detail near the crease. In post, I do frequency separation to treat texture and color separately — heal the specular streaks on the low-frequency layer and clone texture on the high-frequency layer so grain and gloss remain believable. Also, sometimes I’ll rescan the cover flat if the book allows it; scanners flatten reflections but can introduce other issues like banding, so it’s a trade-off. Ultimately a crease is a physical change to the surface — photography can hide it, but it’s often better to prevent or replace the damaged copy than to fight forever in Photoshop.

Delilah

2025-09-05 13:40:24

On a simpler note, a crease behaves like a tiny fold in a mirror: glossy covers reflect light directionally, and a fold redirects that reflection into a bright stripe or deep shadow that screams at the camera. That streak both distracts and destroys detail where the printer’s ink catches the fold, so you lose the intended look of the cover.

If you just want a quick fix, try positioning your light so the reflection skirts off-camera or use a large diffuser to soften specular highlights. A circular polarizing filter can reduce the glare if the angle lines up, but it won’t erase geometry changes from the fold itself. If all else fails, a flatbed scan or a different physical copy will save more time than endless retouching; sometimes swapping the book is the most practical move.

Quentin

2025-09-06 05:44:43

When I’m in a rush posting a glossy paperback, I’ll admit I’ve lost sales because of a single fold across the art. Technically speaking, a crease creates two main problems: it changes how light reflects (you get those bright mirror lines or dark gutters), and it slightly distorts the printed surface so textures and ink look inconsistent. The human eye zeroes in on contrast and lines, so that small reflection becomes the first thing people notice.

My quick remedies are: smooth the cover gently (I use a microfiber and a flat, clean surface), shoot with diffuse light from a big source so specular highlights are softened, and tilt the book to redirect the reflection away from the frame. A circular polarizer helps but isn’t a miracle — on tight creases the geometry still betrays you. If a crease is baked into the material, sometimes scanning at high resolution and fixing it digitally is faster than elaborate lighting setups. I try to keep things natural, though—nothing screams ‘fake’ more than over-retouching.

Noah

2025-09-06 12:55:05

I get a little annoyed when a perfect glossy cover gets wrecked by a crease — it’s like someone pressed a wrinkle into a mirror. For me, the biggest issue is how light behaves: glossy surfaces act like tiny mirrors and a crease is literally a change in the angle of those microscopic mirror facets. That abrupt slope shift concentrates specular highlights and creates a bright streak or dark shadow that the camera happily records as a hard line across your image.

When I photograph books for my shelf shots or for listings, that line draws the eye away from the artwork and ruins the sense of continuity the designer intended. It can also blow out highlights or create loss of detail right where the crease hits printed color, so the photographed hue and saturation look wrong compared to the rest of the cover. Practically, I try to shoot with a big softbox at a grazing angle to minimize hot spots, use a polarizer if the lighting allows, and take multiple exposures to blend. If the crease is unavoidable, I do careful retouching in RAW — clone and healing with attention to grain and specular falloff — but even then it's rarely as convincing as an uncreased native cover. If the book matters to me, I’d rather reshoot with better lighting or swap out the copy than wrestle a stubborn fold into submission.

View All Answers

Related Books

Hot Under Cover

Aaron Venandi is an Enforcer that dangles his fingers in the Mafia World. He is a typical bad boy that surrounds himself with fast cars and easy women. He lives his life on the edge and is drawn to anything that presents danger. Summer is a sweet girl that works as a waitress in some town in the middle of nowhere. She is innocent and untouched and presents everything that Aaron wants. One day while taking their business to the ends outside of town, they get lost and end up in a dinky toy diner where Summer works. But bad weather leaves them stranded, they are forced to stay there for hours. This is where Aaron gets drawn to Summer. Aaron will do anything to have this girl in his life, but he does not know how to get back to the diner, so he sets out to find her. But Summer holds a big secret, when Aaron finds out, he is face to confront her or keep it to himself. What is the one thing that Summer will keep hidden with her life? Will this rip Aaron and Summer apart?

31 Chapters

Why Mr CEO, Why Me

She came to Australia from India to achieve her dreams, but an innocent visit to the notorious kings street in Sydney changed her life. From an international exchange student/intern (in a small local company) to Madam of Chen's family, one of the most powerful families in the world, her life took a 180-degree turn. She couldn’t believe how her fate got twisted this way with the most dangerous and noble man, who until now was resistant to the women. The key thing was that she was not very keen to the change her life like this. Even when she was rotten spoiled by him, she was still not ready to accept her identity as the wife of this ridiculously man.

9.7

62 Chapters

Why Me?

Why Me? Have you ever questioned this yourself? Bullying -> Love -> Hatred -> Romance -> Friendship -> Harassment -> Revenge -> Forgiving -> ... The story is about a girl who is oversized or fat. She rarely has any friends. She goes through lots of hardships in her life, be in her family or school or high school or her love life. The story starts from her school life and it goes on. But with all those hardships, will she give up? Or will she be able to survive and make herself stronger? Will she be able to make friends? Will she get love? <<…So, I was swayed for a moment." His words were like bullets piercing my heart. I still could not believe what he was saying, I grabbed his shirt and asked with tears in my eyes, "What about the time... the time we spent together? What about everything we did together? What about…" He interrupted me as he made his shirt free from my hand looked at the side she was and said, "It was a time pass for me. Just look at her and look at yourself in the mirror. I love her. I missed her. I did not feel anything for you. I just played with you. Do you think a fatty like you deserves me? Ha-ha, did you really think I loved a hippo like you? ">> P.S.> The cover's original does not belong to me.

107 Chapters

WHY ME

Eighteen-year-old Ayesha dreams of pursuing her education and building a life on her own terms. But when her traditional family arranges her marriage to Arman, the eldest son of a wealthy and influential family, her world is turned upside down. Stripped of her independence and into a household where she is treated as an outsider, Ayesha quickly learns that her worth is seen only in terms of what she can provide—not who she is. Arman, cold and distant, seems to care little for her struggles, and his family spares no opportunity to remind Ayesha of her "place." Despite their cruelty, she refuses to be crushed. With courage and determination, Ayesha begins to carve out her own identity, even in the face of hostility. As tensions rise and secrets within the household come to light, Ayesha is faced with a choice: remain trapped in a marriage that diminishes her, or fight for the freedom and self-respect she deserves. Along the way, she discovers that strength can be found in the most unexpected places—and that love, even in its most fragile form, can transform and heal. Why Me is a heart-wrenching story of resilience, self-discovery, and the power of standing up for oneself, set against the backdrop of tradition and societal expectations. is a poignant and powerful exploration of resilience, identity, and the battle for autonomy. Set against the backdrop of tradition and societal expectations, it is a moving story of finding hope, strength, and love in the darkest of times.But at the end she will find LOVE.

Not enough ratings

160 Chapters

Ruin Me, Ruin Himself

On the day of the wedding, Galen Shaw forces me to crack walnuts with my bare hands for his so-called female buddy. My expression goes cold, and I refuse outright. "My hands are for holding a scalpel, not cracking walnuts for her!" He only chuckles and orders someone to hold me down. Then, he glues the walnuts to my palms himself. One by one, he slams them against the ground. "You cheated while studying medicine. Now that you've married me, forget about ever being a doctor again!" I grit my teeth through the pain. My fingers are aching, but I try to explain. "I went abroad to study medicine for you!" His so-called female buddy sneers in a shrill voice. "All that talk about the Shaw family's hereditary disease is nonsense! Galen has been perfectly healthy for over 20 years. Don't tell me you just want another excuse to cozy up with your precious senior?" The moment those words leave her lips, the faint thought of having someone bandage my hand disappears. A shadow crosses Galen's face. "Looks like you haven't learned your lesson!" He throws me into the basement and locks me there for three days. By the time I crawl out, my hands are completely ruined. Later, when Galen's hereditary disease finally surfaces, the doctor tries to comfort him. "This disease may be terminal, but there is still a way. Dr. Robinson has just returned from overseas. She's the only one in the world who can perform this surgery. "I hear that she's your wife."

10 Chapters

Under the Cover of Darkness

After circumstances throw two drastically different people together an extraordinary love blooms in the middle of the Miami nightscape. * * * Carson Miller was doomed - in his opinion - to spend the rest of his life as the lonely, billionaire CEO of Miller Inc., but a chance encounter with an intriguing masked woman leaves his head spinning and his heart falling.

30 Chapters

Related Questions

Which Lighting Highlights A Crease In Theatrical Costumes?

4 Answers2025-09-02 21:32:28

Lighting that really makes a crease pop is almost always about direction and hardness — think of a low, raking side light that skims the surface. When I’m in the booth or lurking by the wings I’ll push a narrow, hard-edged source (an ellipsoidal or a focused Fresnel with shutters) so the light grazes the fabric. That grazing angle creates a strong specular highlight on shiny fibres and a dark shadow in the fold, so the crease reads instantly from the house. Fabric matters too: satin or taffeta will flash white where the crease catches the beam, while matte wool will show a softer, subtler line. I like using a kicker or rim from stage-left or -right combined with low front fill — that contrast is the secret. During tech I always insist on a few moments with the actors in costume while I cycle the side keys; you can see the difference instantly. If you want dramatic texture, don’t soften everything with diffusion; leave one source hard and directional and the crease will tell the story, just like a costume detail in 'The Phantom of the Opera' coming alive under a spotlight.

Do Collectors Accept A Crease On Vintage Movie Posters?

4 Answers2025-09-02 09:52:50

Honestly, if you hand me a vintage poster with a soft crease I won't gasp and run—I've got a shelf full of love-worn pieces that prove condition is a spectrum, not a binary pass/fail. A faint center fold from being rolled or folded decades ago is super common, especially on one-sheets from the 1930s–1960s, so many collectors factor that into price rather than rejecting the item outright. If the poster is rare—say an original 'Star Wars' one-sheet or a pre-code 'Casablanca'—even heavy creases can be tolerated by serious collectors because rarity and provenance sometimes trump condition. That said, creases do reduce value: light creases might shave off 10–30% versus a clean copy, while deep, fiber-busting creases or those with color loss or splitting can cut value dramatically. My practical rule: disclose the crease clearly if I sell, consider professional pressing or conservation if the poster is valuable, and remember that for display purposes a crease is often a character mark rather than a deal-breaker.

How Does A Crease Affect Costume Realism In Film?

4 Answers2025-09-02 21:10:36

Honestly, the tiniest crease can sell an entire backstory in a single close-up. I love how films use creases like shorthand: a pressed, knife-sharp crease down a suit leg screams military precision or corporate polish, while faint, irregular wrinkles on a shirt cuff whisper late nights, rough journeys, or a character who couldn’t be bothered to look immaculate. Fabrics matter—linen folds and reads very differently than silk or wool—so costume people choose textiles knowing how the camera will treat them. I think of the contrast between the immaculate uniforms in 'The Grand Budapest Hotel' and the scuffed, rumpled gear in 'Mad Max: Fury Road'; each crease choice supports a whole aesthetic. Beyond storytelling, creases are practical continuity markers. A sudden disappearance of a familiar fold between shots pulls me right out of a scene. Wardrobe teams keep reference photos and even sketch where intentional creases should be; stunt doubles get their own wrinkle maps. Sometimes editors and VFX artists subtly reduce unwanted creasing, but over-smoothing risks making a character feel like a mannequin. For me, the best costumes are those that look lived-in in just the right way—creases included—because they let characters breathe and feel believable on screen.

What Makes A Crease Show Up In Manga Panel Art?

4 Answers2025-09-02 18:08:06

When I look at a crease in a manga panel, I treat it like a tiny map of forces: where fabric folds, where skin tugs, where light gives up its secrets. I usually break it down into three layers in my head — the structural fold, the shadow that defines it, and the highlight or absence of tone that sells the depth. First, the fold's shape comes from the body and action underneath. A crease across a sleeve often follows the elbow or shoulder like a riverbed, curving and shortening when the arm flexes. Line weight is everything here: a thinner inner line for softer cloth, and thicker outer strokes or tapered ends to imply depth. Then I add shadow — either cross-hatching, a dark stroke, or a small screentone patch — which tells the eye whether the fold is a valley or a ridge. Finally, details make it feel real: tiny wrinkles around seams, the way stretch lines radiate from buttons or belts, and subtle highlights where the light hits the peak of a fold. I steal ideas from pages of 'One Piece' for exaggerated motion and from 'Vagabond' for more restrained realism, and I practice by folding actual shirts while sketching them from life. If you want a quick trick, draw the largest structural fold first, then erase the unnecessary lines — it keeps the crease believable without overworking it.

How Can Set Dressers Prevent A Crease On Prop Maps?

4 Answers2025-09-02 11:28:13

I’ve had maps that looked like tiny topographic novels—folded, creased, and stubborn—so I learned a couple of simple habits that stop creases before they start. First, prevent folding: whenever possible I order or print maps on heavier stock or ask for them mounted on foam core or matte board. That gives the surface enough stiffness that it won’t take a permanent fold. If you can’t get heavier stock, I roll maps around a stout tube and slide them into a protective sleeve; rolling gently avoids sharp creases and makes transport way easier. If a crease already exists, gentle humidification followed by pressing works great. I make a mini humidification setup with damp blotters (not wet) in a sealed tray, let the paper relax for a bit, then lay the map flat between clean blotters and weight it with a smooth board and even weights overnight. For on-set use, laminating or using a sheet of clear acrylic or plexi over the map keeps actors from folding it and looks clean on camera. Little tricks like hinge-taping the map to a clipboard or mounting it on a lightweight board help too—keeps continuity tidy and my stress level lower.

How Do Animators Draw A Crease For Expressive Faces?

4 Answers2025-09-02 20:45:05

Whenever I'm sketching expressive faces, creases are like punctuation marks: they tell the eye where the emotion lives. I tend to start with the big gesture—where the brows go, how the mouth tilts—and then place creases as secondary landmarks that support that motion. For a laugh, the nasolabial crease and smile lines push outward with short, curved strokes; for pain or concentration, sharper vertical lines between the brows and a tight forehead crease help sell tension. Line weight matters a lot: light, broken strokes read as soft skin folding, while a single confident dark stroke reads as a hard fold or deep furrow. I've found it useful to think in layers: main volumes first (skull, brow ridge, cheek), then skin folds, then subtle shadow. On paper I use overlapping lines and a few quick thumbnails to test read at small sizes. If you're studying, flip through 'The Animator's Survival Kit' or pause on expressive moments in 'Spirited Away' to see how creases appear and disappear with motion. My little trick is to animate the crease itself in rough tests—draw it thicker at extremes and let it thin during transitional frames. That breathing quality sells flesh much more than static lines ever will.

When Does A Crease In A Script Margin Alter Character Intent?

4 Answers2025-09-02 09:58:45

A crease in the margin can feel tiny, like a coffee stain, but sometimes it's a punctuation mark louder than the text. I once read a worn script with a deliberate fold at the end of Scene Two and it made me pause — that crease signaled that whoever handled the script had marked a moment to breathe, or to pivot. When I'm holding a script, physical marks become part of the voice: a tear at a line can mean an actor shortened their inhale there, a bend can mean an intentional pause. Those physical choices creep into performance. Practical rule I follow: a crease alters intent when it carries context. If it's accompanied by other markings, a spoken note, or repeated across rehearsal scripts, it becomes an editorial decision. If it's a random fold from pocketing the page, it's noise. I also watch for placement — a crease directly beside a stage direction or a single line is more likely deliberate. In short, the crease earns meaning when people treat it like meaning, and it's amplified by rehearsal behavior and director focus.

Can A Crease Enhance Wardrobe Storytelling On Camera?

4 Answers2025-09-02 08:41:23

Totally — a crease can be a tiny, almost sneaky storytelling tool on camera. I love how a simple pressed line down the front of a trouser or the soft fold on a sleeve can suggest discipline, sloppiness, age, or recent movement without a single word of dialogue. When a camera catches that sharp crease, light skims along it and creates a thin highlight and shadow that naturally draws the eye; it becomes a directional cue pointing toward a face, a hand, or the scene’s emotional spine. I've seen this used brilliantly in shows like 'Mad Men' where immaculate creases scream control and era detail, and in quieter films where rumpled creases sell exhaustion or improvisation. For me, the key is intention: an intentional crease (freshly ironed, starched) reads as authority or ceremony, while a broken, uneven crease reads lived-in, vulnerable, or rebellious. Fabric choice matters too — a crisp wool holds a narrative line differently than washed linen. If you’re styling or shooting, test the crease under the lighting and get movement rehearsal; a crease that looks perfect on a hanger can vanish mid-shot or form strange shapes when a body moves. I like to think of creases as pen strokes on a character’s silhouette — small marks that end up saying a lot about who they are.

Why Does A Crease Ruin Glossy Book Cover Photography?

4 Answers

Related Books

Related Questions

Which Lighting Highlights A Crease In Theatrical Costumes?

Do Collectors Accept A Crease On Vintage Movie Posters?

How Does A Crease Affect Costume Realism In Film?

What Makes A Crease Show Up In Manga Panel Art?

How Can Set Dressers Prevent A Crease On Prop Maps?

How Do Animators Draw A Crease For Expressive Faces?

When Does A Crease In A Script Margin Alter Character Intent?

Can A Crease Enhance Wardrobe Storytelling On Camera?

Popular Question

How To Filter Free Online Books On Amazon By Ratings?

Where Can I Stream Wild Robot Watch Legally?

How Does The Canterbury Tales 1972 Compare To Other Versions?

What Are The Major Plot Twists In 'Elden Ring: The Shattering'?

How Is 'Mog' Portrayed In Recent Movies And Books?

Why Does The Berserk Comic Ending Divide Longtime Readers?

Does The 50 Shades Ebook Have An Audiobook Version?

Where To Find Unique Fingers In Fallout 3?

How To Sideload Novels Onto Amazon Kindle Paperwhite 7th Generation?

What Movies Are Based On Arthur Conan Doyle Doctor Novels?

Popular Searches More