What Was The First Fantasy Book Ever Written

I’ve been obsessed with fantasy books since I was a kid, and nothing has ever topped 'The Lord of the Rings' for me. J.R.R. Tolkien’s world-building is absolutely insane—Middle-earth feels so real, from the languages he invented to the histories of every little village. The way Frodo’s journey unfolds is epic but also deeply personal, and characters like Aragorn and Gandalf are just iconic. The battles, the friendships, the sheer scale of it all—it’s the kind of book that makes you forget you’re reading. I’ve reread it so many times, and each time I notice something new. If you want a fantasy that defines the genre, this is it.

As someone who's spent countless hours buried in fantasy literature, the origins of the genre fascinate me. The earliest recognized fantasy book is often considered to be 'The Epic of Gilgamesh,' dating back to around 2100 BCE. This ancient Mesopotamian poem features supernatural elements like gods and mythical creatures, laying the groundwork for fantasy. However, modern fantasy as we know it began taking shape in the 19th century with works like 'Phantastes' by George MacDonald in 1858, which is hailed as one of the first true fantasy novels. MacDonald's imaginative world-building inspired later authors like J.R.R. Tolkien and C.S. Lewis. Another early contender is 'The King of the Golden River' by John Ruskin in 1841, a fairy tale with strong fantasy elements. But it wasn't until the late 1800s and early 1900s that fantasy truly flourished with gems like 'The Wonderful Wizard of Oz' by L. Frank Baum and 'The Worm Ouroboros' by E.R. Eddison. These works set the stage for the rich, immersive fantasy worlds we love today.

As someone who has spent countless nights lost in the pages of epic fantasy, I can confidently say that the genre thrives on massive, immersive worlds. 'The Wheel of Time' by Robert Jordan (and later Brandon Sanderson) is a true titan—14 volumes, each packed with intricate politics, magic systems, and character arcs that span decades. It’s a commitment, but the payoff is unparalleled. Then there’s 'Malazan Book of the Fallen' by Steven Erikson, a 10-book series so dense with lore and philosophy that rereads feel mandatory. For something equally sprawling but with a darker edge, 'The Stormlight Archive' by Brandon Sanderson is shaping up to be another heavyweight, with each book exceeding 1,000 pages. And let’s not forget 'The Sword of Truth' by Terry Goodkind—11 books of relentless adventure and moral dilemmas. If you’re after sheer volume and depth, these series are the holy grail for fantasy devotees. They demand patience, but the worlds they build are unforgettable.

I’ve always been obsessed with the magic of a great opening line—it's like a hook that pulls you into another world. One of my favorite places to hunt for these gems is in classic literature. Books like '1984' by George Orwell ('It was a bright cold day in April, and the clocks were striking thirteen.') or 'Moby Dick' by Herman Melville ('Call me Ishmael.') have unforgettable first lines. I also scour Goodreads lists and book blogs where readers compile the best opening sentences. Libraries and bookstores often have displays featuring 'books with the best first lines,' which is a treasure trove for someone like me who judges a book by its first page.

As a lifelong sci-fi enthusiast, I've always been fascinated by the origins of the genre. The first sci-fi novel ever written is widely considered to be 'Frankenstein; or, The Modern Prometheus' by Mary Shelley, published in 1818. The story follows Victor Frankenstein, a young scientist who creates a grotesque but intelligent creature through an unorthodox experiment. The novel explores themes of ambition, humanity, and the consequences of playing god. After realizing the horror of his creation, Victor abandons the creature, which then seeks revenge due to its profound loneliness and rejection by society. The narrative is a gripping blend of Gothic horror and early science fiction, with deep philosophical undertones about the limits of scientific exploration and the ethical responsibilities of creators. Shelley's masterpiece was born out of a friendly challenge among literary friends during a stormy night in Switzerland, which adds to its legendary status. The novel's enduring relevance lies in its exploration of what it means to be human, a theme that resonates even in today's world of advanced technology and artificial intelligence. The creature's eloquent monologues about its suffering and desire for companionship make it one of literature's most tragic and complex figures, elevating 'Frankenstein' far beyond a simple horror tale.

As someone who's devoured countless fantasy series, I can confidently say 'The Wheel of Time' is a monumental achievement in epic fantasy. Robert Jordan crafted a world so rich and detailed that it feels alive, with cultures, histories, and magic systems that rival Tolkien's Middle-earth. The sheer scale of the story—spanning 14 books—is staggering, and the character development is some of the best I've ever encountered. That said, 'epic' is subjective. While 'The Wheel of Time' has grandeur and depth, other series like 'Malazan Book of the Fallen' or 'The Stormlight Archive' offer different flavors of epicness. 'Malazan' is darker and more complex, while 'Stormlight' has a cinematic flair. 'The Wheel of Time' excels in its meticulous world-building and intricate plot, but whether it's the 'most epic' depends on what you value in a fantasy series. For me, it's definitely in the top tier, alongside legends like 'The Lord of the Rings.'

As someone who has devoured fantasy books for years, I believe 'The Name of the Wind' by Patrick Rothfuss stands as a masterpiece. The prose is lyrical, the world-building intricate, and the protagonist Kvothe’s journey is utterly captivating. It blends magic, music, and mystery in a way few books do. Another favorite is 'The Stormlight Archive' by Brandon Sanderson—his magic systems are unparalleled, and the epic scale of the story is breathtaking. For those who prefer darker tones, 'The Lies of Locke Lamora' by Scott Lynch offers a brilliant mix of heists and wit in a gritty setting. And let’s not forget 'The Lord of the Rings' by J.R.R. Tolkien, the bedrock of modern fantasy. Each of these books brings something unique to the table, whether it’s depth of character, originality, or sheer storytelling power. If you haven’t read them, you’re missing out on some of the best the genre has to offer.

I've always been drawn to the gothic and psychological depths of Nathaniel Hawthorne's work, and 'The Scarlet Letter' stands out as his darkest masterpiece. The oppressive Puritan setting, the relentless public shaming of Hester Prynne, and the hidden torment of Reverend Dimmesdale create a suffocating atmosphere of guilt and secrecy. What chills me most is how Hawthorne peels back the layers of human hypocrisy—especially with Chillingworth’s vengeful obsession, which borders on monstrous. The scene where Pearl demands Hester reattach the 'A' to her chest still haunts me; it’s a raw portrayal of how society’s cruelty seeps into even a child’s innocence. The book’s exploration of sin, isolation, and the shadows of the human soul makes it unforgettably bleak.