Honestly, the character growth in those fics is usually trash. Hermione becomes a generic 'feisty' girl, and Fred is just a hot guy with red hair who makes jokes. They lose what made them interesting. Real growth would be Hermione's ruthless pragmatism clashing with Fred's chaotic good alignment until they forge a third path. But that requires actual writing, not just smut and fluff. Most writers aren't up for it.
It depends heavily on whether the author kills Fred off or not, which is a whole separate can of worms. If he survives, growth often revolves around him stepping out of George's shadow and dealing with the guilt of surviving a war where so many didn't. Hermione helps ground him, but the good fics make her part of the problem sometimes—her urge to 'fix' things can be overwhelming. His growth is learning to be his own man; hers is learning she can't logic her way through every emotional wound.
Sometimes the growth is more about Hermione reconciling her values with the Weasley family's warmth after the war, choosing a path less conventionally 'serious' than becoming Minister for Magic. Fred's role in that isn't to change her, but to show her a different kind of life is valid. The best handling I've seen makes their relationship a catalyst for change, not the entire cause of it.
Trying to write a convincing Hermione who'd end up with Fred is honestly the biggest hurdle. It's not just slapping them together after the war. I've seen too many where she's grieving and he's the 'fun' distraction, which feels cheap. The growth needs to be internal. Maybe Hermione learns to value spontaneity and joy as legitimate forms of resistance, not just book-smart planning. Fred, if he survives, has to confront the weight of loss and responsibility in a way George never fully can—Hermione would force that introspection.
A good example I read once had Hermione, post-war, struggling with crippling anxiety. Fred, dealing with his own PTSD masked by jokes, starts noticing her tells. His growth comes from learning when to drop the act and be serious, learning a new kind of care. Hers comes from allowing herself to be vulnerable with someone who isn't defined by the trauma they share with Ron or Harry. It's slow, messy, and sometimes they backslide, which makes it feel real. I drop fics that have them 'fixed' by love in three chapters.
Honestly, the most interesting dynamic explores how their opposing approaches to problem-solving clash and then merge. Fred’s chaotic innovation meeting Hermione’s structured brilliance could create something new for both of them.
A lot of writers just don't, which is my pet peeve. They keep Hermione as this shrill know-it-all and Fred as a permanent prankster, and the 'growth' is them having sex and suddenly being perfect for each other. Lazy. The few that nail it make Fred's humor a defense mechanism he gradually lets down around her, and Hermione's rigidity softens as she learns to apply her intelligence more creatively, less by-the-book. She might start helping invent products, not just study for exams.
I prefer when the growth is mutual and uneven. Maybe Fred matures faster in emotional availability because Hermione needs that, while Hermione takes longer to embrace fun for fun's sake. Their arguments should reflect their core differences evolving, not disappearing. A story that stuck with me had them founding a joke shop branch focused on educational toys—that's the kind of blended growth that feels earned.
2026-07-10 18:55:04
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Their Regret: I'm Not Your Luna Anymore
Chantinglove138
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Vera was the Alpha king's daughter. She was famous for rejecting the throne to make her own identity. But no one knew that she married her mate, Fred Clinton— An average Alpha, and dedicated 7 years of her life to help him. That's not all, she also put her wolf to sleep and introduced herself as a human so he wouldn't feel bad about having a stronger mate.
She thought life was good. She thought she had the best husband and son. However, on the sports day event of her son, her heart bottomed out to see him and her husband doting on his PA, a nineteen year old girl pretending to be cute.
When she confronted them, their words shattered her heart.
"Mommy, there's no need for you to overreact okay! Aunt Tory here was doing what you were supposed to do— Taking care of us. Stop throwing a tantrum and let us enjoy the movie." Those were her son's words when she yelled at them.
"Vera, I can't deny my feelings for Tory. She pulls me in like a magnet. Many Alphas have women beside their Lunas. Why are you so bitter about it? Accept her or the doors are behind you. It's your choice."
"You want that Vixen? Fine, I'll leave you both to be with her. Enjoy your lives."
Heartbroken, Verena left them. She revived her wolf and decided to pick up where she left 7 years ago— To make her own identity.
But when she meets a certain Alpha billionaire on the way, her life is not the same.
Artist Selena Chase unintentionally did something unforgivable to Dr. Cassandra York. That intimidating woman wanted to hear nothing from her but one No or two No's won't stop her.
She knew how to get her attention and that was by booking an appointment! There was no way that the doctor would refuse a 'patient'.
What she thought would be a normal session turned into a steamy one and nothing remained the same after that.
Soleil Summer is a rather ordinary 17 year old School girl, a bit shy and unassuming … at least until her world is turned upside down. First she meets the very handsome Luca, the New boy in school … and she also can’t help but notice the alluring King of the vampire goths.
And then of course there is the fact that on her 18th birthday a coven of witches comes to knock on her door.
Soleil is a witch, fated to kill the werewolves, what she doesn’t know is that her beloved Luca is a wolf and her mate, a mate she has to kill to break the ancient curse.
And in the background the dark one, an immense evil power lurks, and he has his eyes on Soleil.
This is a full series of 3 books in one … each New book starts with a chapter marked 1.
Warning: Every chapter starting with *The vampire* may contain violent murders and kinky sex
I choose you; I branded you; you are Mine! His wolf calls her his Luna, but Xavier hates witches. Still, they are bound by the past, by fate, and maybe something more.
Elina is a small-town witch who is ready to graduate and see the world, but when she starts having dreams about the Alpha of the largest pack in town, her world turns upside down. Mine! He screams at her, but she does not want to be his. "I will not spend my life living amongst dogs."
Xavier is hot-tempered and the next Alpha of the Chehalis pack; he has his life all planned out and his luna already chosen. Are is she? Because his wolf calls another woman his queen, and it's the mouthy little witch he can't stop thinking about.
Years later, after the death of his beloved mate Lilia, alpha Ashton (Ash to friends and family) was consumed with so much hatred that he went on a spread killing anything and anyone on his path, especially rogues since they were the ones that caused such pain to him.
Meanwhile, on the other side of town, quiet, naive, beautiful Hermoine was doing everything in her power to finish college so she could go and become the most successful designer , only for that dream to be cut short when one afternoon she was kidnaped by some strangers believing that she was a witch. That's when she was introduced to a world that she didn't know existed.
Can these two come together to bring justice to the people that wronged them while they are fighting to complete the mate bond before a power-hungry alpha with some witches kills them?
They stole everything from Selena Fortezza.
Her future. Her happiness. The life she was supposed to have.
Now, she has only one purpose... to make the Castellano family pay.
To destroy Italy's most feared mafia empire, Selena steps into a world where loyalty is bought with blood and betrayal is rewarded with death. Armed with a new identity and a carefully crafted plan, she infiltrates the Castellanos' inner circle, determined to get close to the one man standing at the heart of it all...
Draco Castellano.
Feared. Untouchable. Ruthless.
The heir to La Casa delle Ombre doesn't believe in mercy. He doesn't forgive. He doesn't lose. What begins as a calculated mission soon becomes a dangerous game neither of them expected to play. Every lie pulls Selena deeper into his empire. Every encounter chips away at the walls she built around her heart.
Draco should have been her target.
Instead, he becomes her greatest temptation. As enemies close in and deadly secrets begin to unravel, Selena realizes revenge isn't as simple as destroying a man who refuses to be broken.
Especially when that same man looks into her eyes and whispers...
"You walked into my world on your own, my moon. Don't blame me when you can't find your way out. Run if you want... I'll enjoy chasing you. The world is big enough to hide you, but not big enough to keep you from me because the moment you became my obsession, the rest of the world stopped mattering. In my world, you don't choose to leave... I decide when you're free."
In a world ruled by blood, power, and obsession, the line between vengeance and desire begins to disappear.
Because falling for your enemy is dangerous...
But trying to escape Draco Castellano?
That may be impossible.
I tend to skip any fic that makes Hermione too perfect right out of the gate. It’s lazy writing. The appeal for me is watching them both grow into different people than they were in the books, but it has to feel earned. A good writer lets Hermione’s flaws—her occasional rigidity, her moral certitude—actually cause friction with Harry, who’s more instinct-driven. That conflict is where the development happens. They learn from each other. Maybe she teaches him to plan, and he teaches her to trust her gut.
Too many stories just merge them into a super-couple who are instantly on the same page about everything. Boring. I want to see the arguments, the misunderstandings, the slow realization that their differences complement each other. The best development I’ve seen happens in wartime AUs, where the pressure forces them to rely on each other in new ways, stripping back their book roles until they’re just two scared, brilliant kids trying to survive. That’s when the character work feels real.
I was never on board with Fred and Hermione as a pair, honestly. The whole thing feels like it sprouted from a single throwaway line about Fred teasing her in 'Order of the Phoenix' and fans just ran with it. The emotional chemistry they try to build in fics is almost always about friction—the rule-follower versus the chaos-bringer. It's a classic opposites-attract dynamic, but applied to characters who barely interacted in canon.
A lot of authors make it work by aging Fred up in personality, having him be more serious and entrepreneurial post-war, which sort of defeats the point of his character. The emotional beats often hinge on Hermione being the one to pull him out of his grief over George, or Fred being the one who can make her loosen up and laugh. It's a sweet idea, I guess, but it feels more like a vehicle for Hermione-centric hurt/comfort than a genuine exploration of two people who would actually fit together. I've read a few decent ones, but it's never felt as organic as Ron and Hermione's bickering or even Harry and Hermione's friendship.