Why Is 'In Watermelon Sugar' Written In Simple Prose?

The ending of 'In Watermelon Sugar' is a hauntingly poetic meditation on loss and rebirth. The narrator’s decision to walk into the sun after the destruction of iDEATH suggests a surrender to cyclical change—a theme woven throughout the book. Watermelon sugar, as both a material and a metaphor, represents fragile beauty and impermanence. The tigers, shadows of the past, are finally forgotten, but their absence leaves a void. The characters’ reliance on iDEATH’s artificial harmony crumbles, revealing the cost of avoiding conflict. By choosing the sun, the narrator embraces an uncertain future beyond the safety of routine, mirroring Brautigan’s own surrealist view of life as both whimsical and transient. What lingers isn’t just the imagery of melting sugar but the quiet courage in letting go. The ending doesn’t offer resolution; it dissolves like the novel’s landscapes, leaving readers to ponder whether renewal requires destruction. The tigers’ ghosts—unmentioned in the final pages—haunt the silence, making the sunlight feel less like salvation and more like another layer of the unknown.

Reading 'In Watermelon Sugar' feels like wandering through a dream that’s both beautiful and unsettling. It’s not dystopian in the traditional sense—no oppressive governments or war-torn landscapes. Instead, it’s a quiet, surreal dystopia where reality bends. The characters live in a world made of watermelon sugar, where the sun shines a different color every day, and the tigers whisper secrets. But beneath the whimsy, there’s a creeping unease. The iDEATH community—a place of eternal peace—feels more like a gentle trap, where individuality dissolves into collective harmony. The narrator’s detachment from the past and the ominous absence of the ‘forgotten works’ hint at something darker: a world where history is erased, and dissent is swallowed by sweetness. It’s dystopian in the way a lullaby can be haunting. Margaret Atwood’s dystopias scream; Brautigan’s whispers. The novel’s power lies in its ambiguity. It doesn’t warn of tyranny but of a subtler loss—the erosion of memory and meaning under the weight of passive contentment. The tigers, once fierce, are now stuffed relics. The factories that once made ‘things’ are gone. It’s a dystopia dressed in pastel, where the apocalypse isn’t fire but forgetting.

The main characters in 'In Watermelon Sugar' are a hauntingly simple yet profound trio. There’s the narrator, a quiet soul who documents life in iDEATH with poetic detachment, his words dripping with melancholy and wonder. Margaret, his former lover, is all fire and shadows—her grief over her brother’s death stains her every action, making her both magnetic and tragic. Then there’s Pauline, serene as still water, who finds solace in the narrator’s gentle presence. The surreal world revolves around these three, their relationships as fragile as the glass tigers they create. The narrator’s bond with Margaret is a dance of past regrets, while Pauline offers a fragile hope. Side characters like inBOIL and his gang, who rebel against iDEATH’s harmony, add tension, but the heart of the story is this triad—each a reflection of love, loss, and the search for meaning in a world where even sugar whispers secrets.

'In Watermelon Sugar' dives deep into surrealism by crafting a world that feels both dreamlike and eerily familiar. The setting itself—a post-apocalyptic commune where everything is made of watermelon sugar—defies logic but carries a strange, poetic beauty. The characters interact with this world in ways that blur reality, like talking tigers and buildings that grow like plants. Time flows oddly, and events unfold without clear cause-and-effect, mimicking the disjointed nature of dreams. The narrative style enhances the surrealism, with sparse, repetitive prose that lulls you into accepting the absurd. Dialogue often feels symbolic rather than literal, as if each conversation hides deeper meanings. The book doesn’t explain its rules, forcing readers to surrender to its whimsical logic. This refusal to conform to reality makes it a quintessential surrealist work, where the ordinary becomes magical and the magical feels mundane.

Richard Brautigan's 'In Watermelon Sugar' feels like a dreamscape born from the counterculture movement of the 1960s. The book’s whimsical, surreal tone mirrors the experimental spirit of the era, where writers and artists sought to break free from traditional narratives. Brautigan’s love for nature and simplicity shines through—the watermelon sugar world reflects his fascination with rural life and the beauty of the mundane. The novel’s fragmented, poetic style might also stem from his own struggles with identity and belonging. Brautigan often explored themes of isolation and connection, and 'In Watermelon Sugar' feels like an attempt to create a utopia where even the most ordinary things, like sunlight and fruit, hold profound meaning. The book’s quiet melancholy suggests it was influenced by his personal battles, making it a deeply introspective work.

In 'Getting a Sugar Mommy in Cultivation World', the rivals aren't just your typical jealous exes or petty nobles. The protagonist faces opposition from entire sects and ancient clans who see his relationship with a powerful cultivator as a threat to their own influence. The most notable rivals are the Moon Shadow Sect, a group of assassins who specialize in eliminating rising stars that disrupt the balance of power. They view the sugar mommy's protection as a barrier to their usual methods of control through fear and assassination. Then there's the Azure Dragon Clan, a lineage of dragon-blooded cultivators who believe their bloodline makes them superior to all others. They see the protagonist as an upstart unworthy of such a powerful patron and constantly scheme to undermine him. Their methods range from public humiliation during cultivation tournaments to outright sabotage of his spiritual resources. The political maneuvering gets even more intense when the imperial court gets involved, with certain ministers fearing the sugar mommy's growing faction might challenge the emperor's authority. The most personal rival is the Violet Phoenix Matriarch, a former disciple of the sugar mommy who feels betrayed by her master's new relationship. Her vendetta is deeply personal, mixing professional jealousy with what seems like unrequited romantic feelings. She uses her position as head of a major alchemy guild to cut off access to rare pills and reagents, forcing the protagonist to find alternative paths to power. What makes these rivals fascinating is how they represent different facets of the cultivation world - the cutthroat politics, the arrogance of ancient bloodlines, and the personal grudges that can last centuries in a world where power equals longevity.

In 'Getting a Sugar Mommy in Cultivation World', the MC's sugar mommy isn't just some wealthy patron—she's a terrifyingly powerful cultivator who reshapes the entire game for him. Her protection operates on multiple levels, starting with raw power. She casually crushes anyone foolish enough to threaten her protégé, using techniques that make mountains tremble. But it's not just about brute force; she manipulates the cultivation world's politics like a chessmaster. Ancient sects suddenly find their supply routes 'mysteriously' cut off if they harass the MC, and auction houses 'coincidentally' offer him priceless treasures at bargain prices. Her influence extends to mentorship, too. She doesn't just shield him—she elevates him. The MC gets access to cultivation manuals that would make immortal ancestors weep, and she personally adjusts his meridians during breakthroughs to prevent qi deviation. What fascinates me is how the novel subverts expectations: her 'protection' sometimes feels like controlled danger. She'll let him face life-or-death battles, but only after secretly planting a sliver of her divine sense in his soul to intervene at the last moment. The dynamic isn't just safety—it's curated growth through calculated risk, which makes their relationship way more interesting than typical power fantasies.

The protagonist's encounter with his sugar mommy in 'Getting a Sugar Mommy in Cultivation World' is a mix of sheer luck and survival instinct. Initially just a low-level cultivator struggling to make ends meet, he stumbles into her domain while fleeing from a group of rogue cultivators who nearly kill him. She appears like a celestial being—elegant, powerful, and utterly bored with the petty squabbles of the cultivation world. Instead of crushing him like an insect, she finds his desperation amusing and offers him a deal: serve her whims, and she’ll provide resources beyond his wildest dreams. Their dynamic isn’t just about cultivation resources, though. She’s a centuries-old powerhouse who’s seen everything, and his naivety entertains her. He becomes her pet project—someone to mold, tease, and occasionally protect when his recklessness gets him into trouble. The way their relationship develops is fascinating because it’s not purely transactional. She teaches him forbidden techniques, drags him into her political games, and slowly lets him see the loneliness behind her arrogance. By the time he realizes he’s in over his head, he’s already too deep in her world to walk away.