Which Indian Authors And Their Books Bridge Mythology With Contemporary Settings?

Seven Classic Faery Tales are given a very adult makeover. You are entering a world of myth, magic, and Immortals. Throw in the humans for the added spice of erotica and violence. Mix together and you have dark adult faery tales ........ Do not read if easily offended!

There are a lot of supernatural beings around us that we didn't know they're actually living or true. Once they are just a myth, a fantasy, a mere story, but then one day, you didn't realize it was standing right in front of you now. Avis Clove, just like a normal people, we have a lot of questions about the existence of gods or deities. And sometimes those questions don't meet their answers. She grew up knowing the stories of her grandmother about a two gods and one girl who's in between of the gods, and she believes it was just fantasy story that is just made up by her grandma. But, then she met the characters in that story, and the questions in her mind starting to find its answers. In this novel, about the three people who is fated to meet each other, but leads to the most unwanted happenings of their life. What will they do? What will Avis Clove choose? Will the love wins? Who will be the end game?

The Moon Goddess may have written the rules, but these she-wolves are tearing them apart. In this sweeping five-book saga, the Lycanthrope species—creatures of power beyond mortal imagination—dare to defy destiny itself. Mate bonds ignite passion and peril, but every she-wolf knows love can be a weapon as much as a gift. Tradition demands obedience. They choose rebellion. It begins with Ana, a Hybrid caught between worlds, whose collision with Romani, the ruthless Lycan Crown Prince, sparks a bond that could either save her—or destroy her. His dominance threatens to consume her, yet Ana refuses to bow. Every choice she makes twists the Goddess’s plan tighter, until fate itself trembles. From Ana’s defiance to the cunning of wolves who wield mate bonds like blades, each book unveils a battle where freedom clashes with love, rebellion with tradition, and power with vulnerability. The Goddess watches. The wolves fight back. And destiny will bleed before it breaks. This is not a tale of wolves who obey. This is the saga of wolves who refuse to surrender…

Jaiyana Chakravarti has spent her life buried in research, chasing ancient stories whispered through her family line—legends of a forgotten goddess-warrior whose blood still runs in her veins. Now, as a doctoral student conducting fieldwork for her dissertation, Jaiyana’s awakening to her true power with the help of the secretive Obscura Directorate—an organization that protects dangerous relics, forbidden knowledge, and the supernatural threats the world no longer remembers—comes just in time as her true enemy reveals himself. When a long-dormant Demon King rises to reclaim the world he once nearly destroyed, Jaiyana discovers the legends were never just stories. Her lineage holds the power to stop this ancient evil… but only if she learns to wield the celestial weapons crafted for her ancestor. And those weapons are locked within the Directorate’s vaults, requiring trials she never trained for and strength she isn’t sure she possesses. Kaplan, a white tiger shifter and the last heir of a warrior line once sworn to protect Jaiyana’s goddess-blooded ancestor, is sent to fulfill an ancient promise: he is her fated mate, battle partner, and equal. But the bond between them is not forced, it is a choice of love. And Jaiyana, who built her life on logic and independence, is not prepared for a destiny wrapped in prophecy, claws, and a breathtakingly gentle heart. As Jaiyana and Kaplan train under the Directorate’s watchful eye, their partnership deepens into a powerful love—one that strengthens the magic awakening inside her. But with the enemy growing bolder, and the Directorate divided on whether she can be trusted with the weapons she was born to wield, Jaiyana faces an impossible path: master her emerging power, earn the Directorate’s approval, and embrace a bond that could save—or shatter—both their worlds.

Since the death of her mother, Nikita Azarova has been traveling with her father, who is an archaeologist. On one research trip, her father brings her to an ancient city of Angkor, where she hopes to get a sense of connection with her mother's birthplace. Instead, something happens when they arrive at the Lost City. Soon, Nikita discovers the secret that leads her to activate the Lunar Gate and plunge herself into another realm where gods and demons exist. There are quests to prove courage and friendship tie, the love interests that test the young girl's naive heart. Everything that happens to Nikita is out of this world -literally.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.