How Does James Christensen: The Greenwich Workshop'S New Century Artists Series End?

Lightning rips the sky open—then, darkness. The world shudders. On the edge. Endings taste like ash. Fate. Desire. Two strangers crash into each other as everything falls apart. Autumn Winters: heartbroken, haunted, hungry for something more. A name that doesn't fit her anymore. She runs from the ruins of her past, colliding with him. Bastion. A man with eyes like midnight storms. Dangerous. Beautiful. Not from here. His secrets coil around him, thick as the night. Chaos explodes. The city burns. Time turns lethal. Bastion offers survival—but at what cost? Autumn's trust is shattered glass, and every word he speaks slices deeper. Can she gamble her heart on a stranger when the world is ending? Or will she lose herself in the fire between them? Love is the last risk left. And it's everything.

My husband is poor. We've already been married for three years, but I've covered all our expenses during that time. Even when I'm interested in a cheap bag when we go shopping, he says it's too expensive. He tells me not to buy it. Later, I discover that he gives his first love a four-million-dollar diamond necklace for her birthday. It turns out he's not broke and heavily in debt—he's the heir to an affluent family with a net worth of billions of dollars.

During the long National Day holidays, I planned a Golden Highlands trip for the whole family. I even booked tickets for a luxurious train ride so we could enjoy the scenery. But on departure day, my husband and son vanished. I called my husband. I could hear an airport boarding announcement in the background. My voice trembled. "Where are you?" He panicked and mumbled that the company had an emergency before hanging up. I tried calling again, but the line was busy. The next day, he posted an update on his social media. In the photo, he stood beneath the snowy peaks of Wintercrown with one arm around his old love while the other held our son. The caption read: [If we had been a little braver back then...] A friend commented: [Where is your wife?] I stared at his reply: [She's sick and resting at home.] Three expired train tickets sat on the table as my eyes welled up with tears. A decade of marriage. A pack of lies. It was time to bring it all to a close.

In an East London lock up, two film makers, Jimmy and Sam, are duct taped to chairs and forced to watch a snuff film by Ashkan, a loan shark to whom they owe a lot of money. If they don’t pay up, they’ll be starring in the next one. Before the film reaches its end, Ashkan and all his men are slaughtered by unknown assailants. Only Jimmy and Sam survive the massacre, leaving them with the sole copy of the snuff film. The film makers decide to build their next movie around the brutal film. While auditioning actors, they stumble upon Melissa, an enigmatic actress who seems perfect for the leading role, not least because she’s the spitting image of the snuff film’s main victim. Neither the film, nor Melissa, are entirely what they seem however. Jimmy and Sam find themselves pulled into a paranormal mystery that leads them through the shadowy streets of the city beneath the city and sees them re-enacting an ancient Mesopotamian myth cycle. As they play out the roles of long forgotten gods and goddesses, they’re drawn into the subtle web of a deadly heresy that stretches from the beginnings of civilization to the end of the world as we know it. ©️ Crystal Lake Publishing

The three heirs of the Whitman family all claimed to love me. But their way of loving me was to keep me hidden. Alexander said New York's financial reporters were too aggressive and that making our relationship public would only put me in the middle of a media frenzy. Nicholas said people in the investment world were vicious gossips and he was afraid I'd become a target, so he never brought me to his partners' gatherings, private clubs, or holiday receptions. Leon said his music career wasn't established yet. Once he had a stage that was truly his own, he would acknowledge me in front of the whole world. I waited four years. This changed when Lillian Grant walked into their lives. Alexander walked her down the red carpet at the Manhattan Art Foundation gala. The next day, every entertainment outlet ran the same headline: "Eldest Whitman Heir Appears to Go Public with New Romance." Nicholas brought her to an investor reception, where his partners called her "the future Mrs. Whitman" right to my face. Leon was the most direct. He played a song at a twenty-thousand-person concert and told the livestream camera, "For the most important person in my life." The jumbotron cut to Lillian's seat. The day after the livestream. Alexander set a folder on the coffee table. "You're twenty-five now. We think it's time you had a life of your own." Nicholas continued, "This man comes from an ordinary background, but he has a stable job. He's been divorced once and has no children. " Leon slid the photo in front of me, smiling with the same easy warmth as always. "We've already met him for you. He's more than a good match." I didn't argue. I just picked up my phone and called the Whitman family attorney. What they didn't know was that the family trust Grandfather had established before his death made one thing perfectly clear. Whoever I chose would receive that twenty-seven percent block of voting shares and become the true power behind the Whitman family.

I had been dating a photographer for seven years, yet I didn't have a single decent photo of myself. "I only photograph scenery, not people," Nina Jensen said. She even said her last relationship ended because her ex-boyfriend kept asking her to take pictures of him. So for seven years, I stayed quiet. I never asked or brought it up. That was until today, when I came across the latest post from my influencer friend, Julian Locke. [Let me show off my photographer. She's been taking amazing photos of me for seven years for free!] One of the top comments is: [It's an honor to photograph my muse.] The profile picture was completely white. The tone felt familiar, and it sent a chill through my entire body. Turns out, it wasn't that Nina didn't take photos of people. She just never wanted to take mine. 'Nina. If I don't exist in your viewfinder, from now on, you don't exist in my world either.'