Is Loner Based On A True Story?

I've only heard that The Great Alone is loosely based on a news article that Hannah Gavestad read, but I've yet to find the article. This is probably just another piece of information that fans have latched onto, and it is far more likely that Hannah has read many stories and stitched together this one. Writers are much like sponges – they soak up lots of information about life, such as a conversation overheard, a photograph, or a historical footnote, and then eventually manage to extract every last bit of meaning from it to create a whole new story. The Great Alone feels like a fully-saturated tapestry made up of countless very fine real threads.

I randomly picked ‘A Country Christmas Story’ a few days ago to watch on a lazy December afternoon and immediately fell in love with it. Although ‘A Country Christmas Story’ is not based on a true story, you can easily imagine it was. Most of all, the very real characters will probably make you wonder who they are based on. There’s the awkward homecoming of the heroine and her ex-high school boyfriend. And how the whole town comes together for the annual Christmas play. It is true that the movie did an excellent job of portraying the lives of many people and bringing out the love and humor between them. It was a wonderful movie in the sense that it portrayed the true life of many people. It is an excellent example of a movie that stays with you long after it has ended. Even though it is not a true story it could have been and that is what makes it such a great film.

It reminds me of a Jack London short story. Real enough because he knew the country and the struggles therein like the back of his hand, yet heightened for dramatic purpose as all his stories are. The man lived a harsh, rugged life and wrote from that experience but was also a masterful storyteller. 'Running Wild' is written from someone with a good understanding of hardship, of being alone in the wild and how to write a good story about it. But the story itself isn’t particularly true to tell. It’s more about the mood of the tale, and the human interest.

What struck me so forcefully in this movie was the portrayal of the older sister, Vianne. Her story, that of reluctant quiet resistance to store up to protect children, to negotiate with the enemy within the walls of her home, was not depicted as that of a heroine of a war movie, all action, all bloodshed and heroics. Her story felt true to me. It is the true story of so much daily, positive, human-heroic action which remains hidden and is most often neglected by historians. Was there a Vianne? No, not under that name. But were there thousands of women all doing exactly the same sort of thing? Yes, there were. Her story could be the truest of them all and yet it remains largely a forgotten story. This novel is a rescue of that kind of experience.

When diving into the world of 'I Am Legend', it's fascinating to note that Richard Matheson's novel isn't based on a true story but offers a chilling reflection of real fears. Published in 1954, the tale explores themes of isolation and survival in a post-apocalyptic landscape where a virus has turned humanity into vampiric creatures. Matheson’s inspiration drew from societal fears of the era, particularly the specter of nuclear annihilation and its aftermath. It feels hauntingly relatable today, especially considering how global events can isolate individuals and reshape societies. What’s particularly intriguing is how Matheson captures the human psyche grappling with loneliness amid chaos. The protagonist, Robert Neville, represents humanity's resilience but also its vulnerabilities. For me, reading this novel opened a window to how fear can transform individuals—almost like mirroring the current global pandemic experience where isolation became a shared reality. It makes me wonder how many real-life legends we've yet to comprehend in our present world. In adaptations like the Will Smith movie, some elements were amplified while others were altered, providing fresh perspectives on fear and trust. It's not just another zombie flick; it’s a profound examination of what it means to be human in a world that has seemingly abandoned you. What’s your take on how artists interpret fears?

This question triggered a whole line of inquiry for me a while back. ‘Heidi’ by Johanna Spyri is not a biography of a real person, but a novel heavily influenced by the author’s own experiences of growing up in a rural village just outside of Zurich, and her love of the Swiss landscape. The fictional ‘Heidi’ is likely a combination of people and childhoods that Spyri knew and adored, and her portrayal of them is unflinchingly real. The core of the novel, the struggle between mountain life and city life, is also highly true to life, 19th century Switzerland. There’s no Heidi living with her grandfather in the mountains, but a great deal that is true about Heidi and her world in the novel, is based on reality. The story is a fictional one, but solidly based in fact.

This is a work of fiction, but written by someone who works in a related field. They have played out a fictional scenario to explore the difficulties of a dysfunctional therapeutic relationship, the prospect of manipulation within such a power imbalanced situation and then how this can be worst case scenario’d for a thriller. But the core of what has been written is rooted in serious ethical consideration of the immense vulnerability of a patient in therapy and the ways in which even the most well intentioned of therapists can fail in serious ways. So yes, this feels true.

I remembered that some movies had left a deep mark on me and that “The Edge of America” is not a documentary, even if it treats some real issues like the education gap in some parts of the country, the cultural pride and the role that sports can play to bring people together. Its characters are very believable and real, you can even imagine you meet them some day. The movie is very quiet but very powerful. There are no dramatic dialogues, it’s just very natural and real.

I get this one mixed up with The Book Thief because of all the fire imagery. But Incendiary is a completely different book written by a novelist, Chris Cleave, in 2005. It’s not a non-fiction book by a journalist reporting facts. The book depicts a terrorist attack on a London football stadium and it felt SO REAL after the real life attacks on London in the summer of that year. The protagonist’s unfiltered, raw voice of rage, of sorrow, and of dark and twisted humor is so real and therefore could be considered as ‘testimony’ to the way people are affected by such an atrocity. However, Cleave created this protagonist’s voice as a literary device. His story, although based on the real anxieties of early 21st century, is a work of fiction. Cleave explores how public fear and the way the media report it can have a very devastating effect on individuals within the storyline.

'Thornhill' isn’t nonfiction but is grounded in the real emotions of hardship and suffering. Written as a graphic novel that alternates between half-page blocks of prose and half-page blocks of wordless images, it has the feel of a documentary or of a trial where evidence is being pieced together. Although the story of Mary and her family in the 1980s is entirely fictional, her isolation mirrors many documented cases of neglect by institutions. The silences in the book are perhaps the most striking. Many pages consist only of shadows and body language to reveal extreme abuse. It is powerful and makes one think of the many real victims of abuse whose stories have gone untold. That this is the core of the book and not just a tag line of “based on real events” is what will linger long after finishing the book.