How Many Best Witch Series Books Has Scholastic Published?

I've been diving deep into witch-themed books this year, and one publisher that consistently delivers magical content is Orbit Books. Their 2024 lineup includes 'The Witch's Coven' by Sarah Hawley, a fresh take on coven dynamics with lush worldbuilding. What sets Orbit apart is their knack for blending traditional witchcraft with modern twists—think potion-making meets startup culture. I also adore their 'Hexologists' series, which mixes detective noir with spellcraft. The way they curate authors who understand witch lore without relying on clichés is impressive. For readers craving depth beyond cauldrons and pointy hats, Orbit is my top pick. Another gem from them is 'Midnight Spells', a standalone novel with a time-loop mechanic that redefines 'witch hour'. It's clear they invest in unique voices rather than chasing trends.

I remember when my little cousin first started reading, Scholastic books were our go-to. The 'Clifford the Big Red Dog' series by Norman Bridwell was a huge hit. The simple sentences and vibrant illustrations made it easy for her to follow along. Another favorite was 'The Magic School Bus' series by Joanna Cole. The mix of science and adventure kept her engaged, and the vocabulary was just right for early readers. 'Goosebumps: Horrortown' by R.L. Stine was also a fun choice, though a bit spooky for some kids. These books are perfect for building confidence and a love for reading.

I fell in love with 'W.I.T.C.H.' back in middle school when my friend lent me the first volume. The series originally started as an Italian comic in 2001, and it quickly became a global hit with its magical girl adventures. As far as I know, the main series consists of 139 issues—divided into 12 story arcs—which is pretty impressive for a comic run! The art style and character dynamics kept me hooked, especially Will’s journey as the leader of the Guardians. There were also some special editions and spin-offs, like the 'W.I.T.C.H. Adventures' novels, but the core series is what really defined it for me. I still have a few volumes tucked away on my shelf for nostalgia’s sake. One thing that always stood out was how the series balanced fantasy and real-world struggles. The girls dealt with school, friendships, and family while saving the universe, which made it super relatable. The later arcs introduced darker themes, which I appreciated as I grew older. If you’re diving into it now, prepare for a binge—those 139 issues fly by once you get invested!

I can confidently say 'The Magic Tree House' series is the ultimate gateway drug for young readers. Mary Pope Osborne crafts these bite-sized adventures with such effortless charm—each book feels like slipping into a cozy, familiar world. The genius lies in how she balances education with excitement. My little cousin went from struggling with simple sentences to devouring entire chapters because she HAD to know how Jack and Annie would escape ancient Egypt or the Wild West. What sets this series apart is its rhythmic predictability. New location, historical hook, just enough danger to thrill but never terrify. The vocabulary scaffolds beautifully, introducing complex words through context rather than textbooks. I’ve seen kids who hated reading proudly lugging around their 'Tree House' collections like badges of honor. The nonfiction 'Fact Trackers' spin-offs are brilliant too—they sneak learning into the adventure without feeling like homework. The emotional connection is key. These aren’t patronizing 'baby books'—they treat young readers as capable explorers. When a third grader tells you they ‘researched rainforests because of the Amazon book,’ you know Scholastic nailed it. Twenty years later, I still remember the smell of the paperbacks from those monthly flyers. That’s legacy.

The 'All Souls' trilogy by Deborah Harkness, which begins with 'A Discovery of Witches,' consists of three main books. The first is 'A Discovery of Witches,' followed by 'Shadow of Night,' and concluding with 'The Book of Life.' These novels weave a rich tapestry of history, magic, and romance, centered around the love story between Diana Bishop, a witch, and Matthew Clairmont, a vampire. The series has garnered a massive following for its intricate plot and well-developed characters. Additionally, there are companion books like 'The World of All Souls' and 'Time’s Convert,' which expand on the universe but are not part of the core trilogy. If you’re diving into this series, you’re in for a treat with its blend of supernatural elements and historical depth. For those who enjoy detailed world-building and complex relationships, this trilogy is a must-read. The way Harkness intertwines real historical events with her fictional narrative is nothing short of brilliant. The series also explores themes of identity, power, and the clash between different supernatural factions, making it a compelling read for fans of fantasy and romance alike.

As a parent who’s always on the lookout for engaging fantasy books for my kids, I’ve spent a lot of time exploring Scholastic’s catalog. The 'Fablehaven' series by Brandon Mull is a fantastic blend of adventure, magic, and mythical creatures, and Scholastic does indeed publish books with similar vibes. One standout is 'The Spiderwick Chronicles' by Tony DiTerlizzi and Holly Black. It follows the Grace children as they uncover a hidden world of faeries and other supernatural beings right in their own backyard. The series has that same mix of danger and wonder, with a family-centric narrative that makes it relatable for young readers. Another great pick is 'The Menagerie' by Tui T. Sutherland and Kari H. Sutherland. It’s about a secret zoo full of magical creatures, and the kids who have to protect it from discovery. The tone is lighter than 'Fablehaven,' but it shares that sense of discovery and the thrill of uncovering hidden worlds. Scholastic also publishes 'Wings of Fire' by Tui T. Sutherland, which, while more dragon-focused, has the same epic storytelling and world-building that fantasy lovers crave. The way it explores themes of friendship and destiny echoes the deeper layers in 'Fablehaven.' For something a bit darker but equally immersive, 'The Novice' by Taran Matharu, part of the 'Summoner' series, is a great choice. It’s got demons, magic, and a boarding school setting—ingredients that make for a gripping read. Scholastic’s selection often leans into these fantastical elements, and their middle-grade to YA range is packed with books that capture the same spirit as 'Fablehaven.' Even 'Keeper of the Lost Cities' by Shannon Messenger, though not published by Scholastic, is often shelved alongside these titles in bookstores because of its similar appeal. Scholastic’s knack for finding stories with rich mythology and heart makes them a go-to for fans of Mull’s work.

The 'Winnie the Witch' series is such a nostalgic trip for me! Last I checked, there are about 13 books in the main series, starting with 'Winnie the Witch' in 1987 and continuing with gems like 'Winnie in Winter' and 'Winnie’s Midnight Dragon'. The illustrations by Korky Paul are half the charm—so chaotic and full of hidden details that kids adore. I love how each story balances humor with gentle lessons about problem-solving (and the consequences of casting spells carelessly!). If you’re diving into the series, don’t miss the later additions like 'Winnie’s Dinosaur Day', where she time travels—it’s wild how creative the plots get. The books are perfect for early readers, but honestly, I still flip through them for a laugh. The way Winnie’s cat, Wilbur, reacts to her antics never gets old.

I’ve been obsessed with 'A Discovery of Witches' since the first book dropped. The series is a trilogy, but it feels so much bigger because of how rich the world is. 'A Shadow of Night,' 'A Discovery of Witches,' and 'The Book of Life' make up the core story, but there’s also 'Time’s Convert,' which is a spin-off focusing on Marcus. Some fans debate whether it counts as part of the main series, but I see it as a bonus dive into the universe. Deborah Harkness writes these books with such detail—every page feels like stepping into a hidden magical history lecture mixed with a vampire romance. The way she weaves science, alchemy, and mythology together is insane. I’ve reread the trilogy twice just to catch all the little references I missed the first time. What’s wild is how the story expands beyond just Diana and Matthew. The side characters get so much depth, and the settings, from Oxford to Venice, are practically characters themselves. If you’re just starting, prepare for a binge. The books are thick, but they fly by because the pacing is so addictive. And if you finish craving more, the TV adaptation is a decent companion, though it obviously cuts some corners. Honestly, three books (plus one) never felt like enough—I’d kill for another sequel.