7 Answers2025-10-18
I want to draw attention to the work of a number of lost or lesser-known women writers. Charlotte Mew’s poetry is full of Victorian/Edwardian repression – of madness, of sex, of loneliness. Her own life was tragically cursed and this emotion seeps into her work in so much of what she wrote. Her work is dark, and often that darkness is closed in, stifling. Most of all, however, it is social. Edna St. Vincent Millay’s sonnets are also notable. Some of them turn on a pinhead to reveal a weariness, a tiredness, of existence that is expressed with wonderful wit. But one of the most famous sonnets by Millay conveys a devastating, resigned, dark emotion: ‘I know that I am but summer to your heart / And not in volts a staggering power’ – I Know That I am But Summer (To your Heart) – a pressurised and potent form of despair.
11 Answers2025-07-06
Honestly, who's counting? The Rubaiyat is a collection of individual verses, some of which are more brilliant than others. I have no idea whether or not my edition of FitzGerald’s translation has 75, 101 or 110 verses, and quite frankly I don’t care. It’s a book that I open more or less at random in the hope of finding some insight or perspective, and of all the poems, some of which are quite lovely, one of my favorites is the moving finger writing thing, and having not the piety nor wit to cancel half a line. That one short quatrain contains more insight than the entirety of most novels. And so while the answer to this question is most likely 101, to me that is the least important thing about the book. It contains countless moments of deep insight, and that’s what matters.
4 Answers2026-05-05
318 pages in the first hardcover edition of this book, according to my last night’s shelf re-organizing. Large enough to immerse you in reading and yet you wouldn’t even notice how many pages there are in it – till the middle sections (ca. 120-180 pages) slightly lag behind, but believe me – it’s worth perseverance! This book was initially planned by its author as a novella but then the characters developed so much that he ended up enlarging it to this current volume size – and it does breathe! (Literally, I hadn’t intended to use this word).
3 Answers2026-04-25
Love how each new generation finds new relevance in Frost’s work. And since his works have begun to enter the public domain (e.g. the first half of Colloquy in Beat Salad was pub. this summer), they’re starting to pop up in all sorts of new contexts: a meme here, a Reading of Frost on TikTok there, even a few fragmentary lines scrawled in graffiti here and there.
Just the other day Frost’s late poems including ‘In the Clearing’ (1962) were placed in the public domain. Interesting to see people creatively re-working his material, as long as it’s done correctly (as seen in the punk song above or as a beautifully calm podcast below). I suspect Frost would have raised an eyebrow at such works.
8 Answers2026-04-19
This relates to permission, too. A good sad poem gives permission for the reader to feel what they’re suppressing to feel. It shows that this feeling exists, has a shape, and can be held for a moment or two. A sad poem gives the reader a safe space to feel something difficult. The tears come from feeling given to cry, from feeling validated, and often this is due to the unflinching honesty of the speaker. A poem doesn’t have to manipulate to do this – in fact, it can simply witness, and invite the reader to witness too.
9 Answers2026-07-29
From a purely textual scholarship perspective, the Hengwrt manuscript (which contains 22 tales in a particular order) is one of the earliest and most authoritative of all the manuscripts to survive to the present day. The Ellesmere manuscript (which contains 24 tales and is beautifully illustrated) is another highly authoritative manuscript, and modern editors have used the evidence of all these and other manuscripts to create the ‘canon’ of 24 tales that provides the standard edition of the text for readers today.
Most readers wouldn’t care that the specific number of 24 Tales was an editorial construct, based on close study of the several manuscript variants. Rather, they’ll thank the editors and translators for crafting a coherent, highly satisfying ‘beginning’ and ‘end’ in the form of the Parson’s Tale and Chaucer’s Retraction, to go along with the middle of the 24 interconnected stories.
4 Answers2025-12-01
My estimate for the number of chapters for The Classmate is over 1200, but it seems that the novel listing on each platform can vary quite a bit depending on the translation update schedule as well as whether or not side stories are included. I’m also reading ‘My Secret, My Bully, My Mates. Series’, a school life drama that explores past complicated relationships between a group of characters from a supernatural perspective. The constant push and pull of these hidden magical bonds between characters makes for a really high chapter-to-chapter tension read, and it is also really long for people looking for a long novel to get into.
4 Answers2026-06-07
I have no idea how long ‘The Lost Book’ is supposed to be. Every so often someone comes up with a new reference to ‘The Lost Book’ – some obscure passage in a private diary, a footnote in a biography – and for a while they go round telling everyone that it was 10 pages long, or 1,000. It’s all a great story, far better than any actual number. And it remains unknowable, just like Schrödinger’s novel – 10 pages long, 1,000 pages long – until someone opens it. And no one ever will.
4 Answers2025-06-28
'Gay Girl Good God' by Jackie Hill Perry is a short but powerful memoir of her life running at 208 pages in total. The book contains lots of meaningful chapters, blending her personal story with her journey and insights into her spiritual life. It is a really impactful read proving that short books can be really deep and full of good content – perfect for a quick, thought-provoking read.
9 Answers2025-08-30
The various stories and films of the past can be hidden versions of the Aeneid. This is The Matrix? The protagonist Neo is ‘the One’ destined for great things for the founding of a new Zion under the guidance of his prophet Morpheus. A long journey left behind in the ruined world of the Matrix. It would be a great Dido story had it not ended so tragically. I suppose what I’m trying to ask is that whilst many films are secret Aeneids, are there any that aren’t? All stories follow the foundational journey myth of the Aeneid.