Does The MC Stay A Villain In 'Transmigrated As A Fat Villain All Heroines Are After Me'?

2025-06-13 00:10:31 433

3 Answers

Dylan
Dylan
2025-06-14 16:31:38
this novel subverts expectations brilliantly. The MC isn’t a static villain or a repentant hero—he’s a chaotic neutral force molded by circumstance.

Initially, his 'fat villain' persona is a shield. The system rewards him for evil deeds, so he commits atrocities with zero remorse. But the heroines’ obsession cracks his facade. Ruby, the sword saint, forces him to spar daily, and her blunt honesty about his cowardice triggers self-reflection. Violet, the mage, dissects his schemes over tea, showing how petty they are. Their influence isn’t lovey-dovey; it’s confrontational therapy.

The turning point comes when the system offers a choice: stay a villain for ultimate power or lose perks to protect them. His decision isn’t clean-cut—he negotiates, keeping some shady abilities like poison resistance (useful when Ruby ‘accidentally’ spikes his food). By the finale, he’s a morally ambiguous warlord running orphanages with stolen funds. The author nails growth without sanitizing his flaws.
Vivian
Vivian
2025-06-18 13:46:00
I binged 'Transmigrated as a Fat Villain All Heroines Are After Me' last weekend, and the MC's arc is wild. He starts as this cartoonishly evil guy—think blackmailing heroes, sabotaging kingdoms, the works. But around chapter 30, things shift. The heroines don’t just fall for him; they *change* him. Their relentless affection forces him to confront his own toxicity. By volume 3, he’s using villain tactics for hero work—like hacking enemy systems to donate their gold to orphans. The author plays with morality like putty; he never becomes a saint, but he stops being a true villain. His final act is sacrificing his villainous 'system perks' to save the heroines, which screams redemption without erasing his edge.
Abigail
Abigail
2025-06-19 02:27:30
This series flips villain redemption tropes on their head. The MC stays deliciously problematic—imagine a mob boss who donates to charity but still breaks kneecaps. Early on, he’s vile: framing heroes, hoarding resources during famines, the classic power-hungry jerk. The heroines don’t ‘fix’ him; they redirect his chaos. Like when the assassin heroine drags him to slums, showing how his greed starves real people. His response? He starts extorting corrupt nobles instead of peasants.

What’s genius is how the system mechanics reflect his journey. Villain points decrease not when he does good, but when his motives shift. Helping an old lady earns nothing unless he admits it’s to spite her rival. By the end, he’s trading villain points to shield the heroines, grumbling about ‘wasted effort.’ His last line? ‘Fine, I’ll be your antihero.’ Perfection.
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