Is There An Official Soundtrack Track Titled One Last Kiss?

Hearing the opening piano and that soft, breathy vocal on 'One Last Kiss' still gives me the little electric flutter I get from the best anime endings. The lyrics were written by Hikaru Utada — yes, Utada herself penned and composed the song that plays over the credits of 'Evangelion: 3.0+1.0 Thrice Upon a Time'. She's the same artist behind earlier Evangelion pieces like 'Beautiful World' and 'Sakura Nagashi', so this felt like a very intentional homecoming. Why did she write those specific words? In my view, it’s a blend of franchise history and personal touch. Utada has a knack for turning big, cinematic emotions into small, intimate lines — regret, longing, a gentle closure — which fits perfectly with a film that’s wrapping up decades of story. The song works as both a farewell to characters and a personal goodbye to the long-running saga, and Utada’s lyric choices emphasize that mix of sorrow and acceptance. When I first heard the line that sounds like a last whispered apology, it landed like someone handing you a letter at the train station — simple, devastating, and somehow exactly right.

I get excited whenever someone brings up 'One Last Kiss' because there’s a couple of different songs with that title floating around, and which one you mean changes everything. If you’re talking about Hikaru Utada’s 'One Last Kiss' from the 'Evangelion: 3.0+1.0' movie, it’s been a huge internet favorite for covers. Tons of indie bands, uke/punk duos, and orchestral arrangers have uploaded their takes to YouTube and Bandcamp — from stripped-down acoustic band renditions to full-on rock and metal transformations. I’ve lost count of how many times I’ve gone down the rabbit hole at 2 a.m., chasing a haunting piano cover only to find a brass band version two pages later. Most of these are by independent musicians rather than big, mainstream groups, but there are some really inventive band arrangements that give the song a completely different color. If you meant a different 'One Last Kiss' — say a classic soul or pop track with the same name — the situation changes; older songs tend to have more documented, famous covers by well-known bands. Either way, the best places to look are YouTube (search filters set to 'covers'), Spotify (look for cover playlists and artist radio), and Bandcamp for indie band takes. I’d also check Reddit communities and set a TikTok/SoundCloud alert; a catchy cover often bubbles up there first. If you tell me which 'One Last Kiss' you had in mind, I can point to specific band covers and links I like.

If you're hunting down a vinyl copy of 'One Last Kiss', I’ve been down that rabbit hole and it’s part treasure hunt, part patience exercise. I started by checking the artist's official shop and the label’s store—labels sometimes do limited vinyl runs that only show up on their own storefronts. For this track tied to 'Evangelion: 3.0+1.0', Japanese retailers like Tower Records Japan, HMV Japan, and Universal Music Japan are prime spots. They often list limited pressings first and will ship internationally if you use their export options or a forwarding service. Beyond official shops, I live and breathe Discogs when it comes to vinyl. Put the release on your watchlist, set price alerts, and you'll get notifications when copies pop up. eBay and local record-store websites are good too; you can usually spot rare pressings like colored vinyl or picture discs there. For Japanese pressings specifically, try CDJapan, YesAsia, and Disk Union—those stores sometimes have exclusive editions, and collectors often resell through them. A couple of quick tips from my own mistakes: check seller ratings and the condition grading (NM, VG+, etc.), confirm whether the obi strip or insert is included if that matters to you, and be ready for import fees when buying from overseas. If the single sold out, keep an eye on Record Store Day drops and official reissues—I snagged a similar rarity that way. Happy digging; it’s way more fun when you find that perfect pressing with a little story behind it.

Sometimes the moment the chorus of 'One Last Kiss' swells, it feels like someone pulled the curtains on a scene I didn’t even realize I was watching. For a lot of fans I know, that chorus is shorthand for closure — not just between two people, but between chapters of life. When Utada’s voice hovers over that simple, aching hook it amplifies everything: longing, resignation, and a weird kind of peace. I’ve been in rooms where the track played and people went quiet, like they were checking their own hearts for loose ends. Beyond the literal lyrics, the chorus functions as a communal exhale. After hours of dissecting scenes, plot threads, or character choices in 'Evangelion: 3.0+1.0 Thrice Upon a Time', fans latch onto that chorus as the emotional punctuation. Some cry, some laugh, and some just sit with it on repeat for days. For me it’s become a private ritual — I press play when I need to accept that some stories end imperfectly but beautifully, and the chorus somehow makes that acceptable. It’s bittersweet, and it sounds like moving on.

I still get a little thrill when the opening piano of 'One Last Kiss' hits, and the easiest place I go to first is the artist's official YouTube channel. Most major artists and labels upload the full official music video there (sometimes under a VEVO-linked channel), so try searching YouTube for the exact title plus the words "official music video" — for example, "Artist name 'One Last Kiss' official music video" — and you'll usually see the verified upload at the top. Watching on YouTube also gives you quality options (1080p or higher if available), subtitles if they were added, and a comments section full of fans reacting in real time. If YouTube is blocked in your region, I often check Apple Music or iTunes next; they sometimes host official videos in their music video sections, and subscribers can download for offline viewing. Tidal and Amazon Music/Prime Music have been known to carry official music videos too, depending on licensing. Another tip: the artist's official website or social profiles will often link to the official video — that's the safest way to avoid low-quality rips. Streaming quality, regional restrictions, and whether you can download the video all depend on licensing, so if you want to keep it for offline watching, purchasing through iTunes or saving via an official streaming service that allows downloads is the cleanest route. Happy watching — the visuals pair so well with the song, don’t they?

People ask me about the key for 'One Last Kiss' all the time, and honestly my first tip is: it depends which version you mean and what’s comfortable for your voice. There are several songs called 'One Last Kiss', and artists often record in a key that suits their range — then guitarists transpose it on the fly. If you want to play along with the original recording, check the official sheet music or a reliable chord chart; if you want to sing it, pick a guitar key that keeps your voice happy. If you don't have the official chart, here's how I figure it out quickly: find the melody’s resolving note (the tonic) by humming along and matching it on the low E or A string, then see which open chord contains that note as the root. Most pop ballads end up sitting nicely in guitar-friendly keys like G, C, D, A or their relative minors (Em, Am). Using a capo is my little cheat — place it to match the studio pitch while playing simpler shapes. Tools I use often: a key-detection app, 'ultimate guitar' transcriptions as a starting point (but double-check them), and occasionally slowing the track in a DAW to confirm bass/root notes. If you tell me which artist’s 'One Last Kiss' you mean, I can give you a specific capo and chord set that’ll work for guitar and voice.

Whenever that bittersweet piano line from 'One Last Kiss' kicks in, I get that weird lump-in-the-throat feeling — which is exactly why I dug into where it appears on-screen. The version people usually mean is by Utada Hikaru, released in 2021 as the theme for the finale of the Rebuild of Evangelion movies. It’s tied to 'Evangelion: 3.0+1.0 Thrice Upon a Time', and you’ll hear it woven through the film’s closing moods and promotional reels. Utada’s voice and the nostalgic arrangement fit the film’s reflective, farewell tone like a glove. I’ve watched that movie a handful of times with friends, and every viewing the song reframes the ending just a little. It plays over the film’s emotional denouement and into the credits, so if you caught it in a scene it was probably during the final sequences or credit roll. People in anime communities loved how the track echoed earlier motifs — it feels like a musical full stop after all the chaos of the plot. If you want to hear the specific recording, look for Utada Hikaru’s single 'One Last Kiss' and the music video released alongside the film. For soundtrack purists, the film’s soundtrack and Utada’s single are separate releases, but both capture that melancholy-sweet vibe. I still get chills every time — it’s one of those songs that makes you rewind the scene in your head and linger on small details.

My phone buzzed like crazy when the clip of the live debut dropped, and honestly I was grinning before the first chord finished. Watching the opening note of 'One Last Kiss' hit the PA felt like someone pulled a curtain back on a private moment: the crowd went from breathless silence to this huge, collective exhale that turned into cheering and sobs. A lot of people I follow posted reaction videos — some were quietly crying into their jackets, others were fist-pumping, and a handful were already live-streaming themselves analyzing the vocal phrasing in real time. On Twitter and the fan forums, the tone was mostly reverent. People praised the rawness of the performance, noting little imperfections that somehow made it feel more human than the studio cut. Others loved the staging choices and said the lighting and camera work made the song hit deeper. Of course there were the usual technical grumblings — a few felt the mix buried harmonies or the bass was too forward — but those critiques tended to be paired with clips of instant covers, piano renditions, and orchestral takes fans were already making. Beyond immediate reaction, the debut catalyzed a creative burst: fan art, lyric translations, and TikTok edits went up within hours. For me, seeing strangers share their tearful moments and the quiet messages about what the song meant to them turned the whole event into something warm and communal. It felt less like a performance drop and more like a group exhale we all needed.