Who Plays Ezra Fitz In Pretty Little Liars?

Ezra Jack Keats drew inspiration from the vibrant, often overlooked beauty of urban life and the diverse children who inhabited it. Growing up in a poor immigrant family, he understood the struggles of marginalized communities, and his art became a bridge to their stories. His groundbreaking book 'The Snowy Day' featured Peter, one of the first Black protagonists in mainstream children's literature, because Keats believed every child deserved to see themselves in stories. He often sketched kids in his Brooklyn neighborhood, capturing their innocence and resilience. Keats’s own childhood love of art fueled his creative fire. His parents discouraged his passion, but he persisted, using a $25 scholarship to attend art school. Later, working as a comic book illustrator and muralist, he honed his eye for dynamic compositions and emotional depth. The 1954 Caldecott-winning 'A Letter to Amy' reflects his knack for blending realism with whimsy—rain-slicked streets and swirling pigeons mirror a boy’s nervous excitement. Keats didn’t just write books; he crafted windows into worlds where ordinary moments glowed with magic.

I adore how 'Ezra Jack Keats: A Biography With Illustrations' bridges the gap between education and entertainment for young readers. The book’s vibrant illustrations instantly grab kids’ attention, mirroring Keats’ own artistic style that made classics like 'The Snowy Day' so beloved. The text simplifies his life story without dulling its richness—highlighting his struggles as a child of immigrants and his groundbreaking role as one of the first authors to feature Black protagonists in mainstream children’s books. What makes it truly kid-friendly is its focus on creativity and resilience. Keats’ journey from a poor Brooklyn neighborhood to literary fame is told in bite-sized, inspiring anecdotes. The book also includes interactive elements, like sketches from his notebooks, encouraging kids to doodle their own stories. While some historical context might need parental guidance, the overall tone is uplifting and accessible, perfect for budding artists and readers aged 7+.

Ah, 'Pretty Little Liars', a thrilling rollercoaster! Aria's parents discovered her relationship with Ezra in the second season, specifically in 'Father Knows Best'. This shocking revelation comes when the car belonging to Ezra (Mr. Fitz) caught his parents' eyes at a Rosewood Founders Festival, leading them straight to the truth. Dayum, their reactions were quite something!

I still get that giddy feeling thinking about the first time I heard 'Green Green Grass' live — it was on 24 June 2022 at Glastonbury, and he played it on the Pyramid Stage. I was there with a couple of friends, and the moment the opening guitar riff cut through the early evening air, you could feel the crowd lean in. Ezra's live vocal had a brighter edge than the studio take, and he stretched a few lines to chase the sun slipping behind the tents. It was one of those festival moments where everyone around you knows the words even if the song had only just been released, and that shared singalong energy made the debut feel bigger than a normal tour stop. What stuck with me was how the arrangement translated to a huge outdoor stage: the rhythm section locked in, a bit more reverb on the chorus, and Ezra exchanging grins with the band between verses. The performance hinted at how he planned to present the song on the road — pop-forward but relaxed, a tune written for open-air atmospheres. After the show I kept replaying the memory on the walk back to campsite, and it’s one of those live debuts that made the studio version land for me in a new way. I still hum that chorus when I'm doing errands; it reminds me of warm nights and the thrill of hearing something new live for the first time.

Watching the 'Green Green Grass' clip, I learned it was filmed around Cabo San Lucas in Baja California, Mexico, and that instantly explained the sun-bleached palette and open-road vibe. The video leans into those wide, arid landscapes mixed with bright beachside scenes—think dusty tracks, low-slung vintage vehicles, and folks in sun hats dancing under big skies. I loved how the heat and light become part of the storytelling; the location is almost a character itself. I like picturing the crew setting up along the coastline and on long stretches of highway, capturing those effortless, carefree shots. It fits George Ezra’s feel-good, folk-pop sound: warm, adventurous and a little sunburnt. If you pay attention, you can spot local architecture and the coastal flora that point to Baja California rather than Europe. Personally, that mixture of desert road-trip energy and seaside chill made me want to book a random flight and chase that same golden-hour feeling.

I love the tiny, grounded characters that make 'Outlander' feel lived-in, and Mrs. Fitz is one of those quietly memorable presences. She first shows up at Castle Leoch — that rough-hewn, bustling stronghold where Claire lands not long after being swept through the standing stones. In both the book and the TV series she’s introduced among the household staff and clan women early in Claire’s time with the MacKenzies, appearing when Claire is being shown the ropes of 18th-century domestic life. The scenes at Castle Leoch are crowded with faces, and Mrs. Fitz is one of the practical, no-nonsense types who helps orient Claire to how things work in a Highland keep. What I like about her first appearance is how it immediately grounds the story: she’s not a grand plot mover, but she fills the world with texture. She’s part of the kitchen bustle, the gossip circle, the taciturn wisdom that older women often provide in historical settings. That first encounter sets up the social map for Claire — who to trust, who will be helpful, who represents the constraints of the era. Even if the name 'Mrs. Fitz' isn’t shouted across the courtyard like the main characters, her role is essential: she reminds you that the MacKenzie household is a network of relationships and duties, not just a backdrop for the lead romance and politics. Later on, whenever the story returns to clan life or to the domestic side of the narrative, I always notice the little threads that started at Castle Leoch — the way servants move, the gossip that spreads, the domestic loyalties. Mrs. Fitz’s first appearance there is a small but effective way the author and showrunners build authenticity. Those tiny domestic details are why the world feels so real to me, and that first glimpse of Mrs. Fitz at Castle Leoch is one of those quiet building blocks that I keep coming back to with a smile.

Bright and a little chatty here — I always love digging into the bit parts that give a show its texture. In the case of 'Outlander', the character often referred to by fans as Mrs. Fitz was portrayed by Maria Doyle Kennedy. I know, it feels like a small credit next to the big names like Caitríona Balfe and Sam Heughan, but actors like Maria bring a rich, lived-in presence to the world, even if their screen time is brief. Her performance adds weight to scenes where domestic life and social expectations meet the main characters’ turbulent journey, and that grounded texture is something I really appreciate when rewatching moments that could otherwise feel all spectacle. I’m the sort of viewer who rewinds for a second look when a familiar face appears, so spotting Maria Doyle Kennedy in 'Outlander' made me smile. She’s the sort of performer who elevates ensemble scenes; you notice the nuance in posture, the particular timbre of voice, the way she reacts to the leads — little choices that suggest whole off-camera histories. If you like tracking actors across projects, you might enjoy spotting her work elsewhere too. She’s had interesting roles in other period and contemporary pieces, and seeing the same actor in different contexts is one of those pleasures that makes rewatching shows feel fresh. All in all, I always end up appreciating the subtle artistry that seasoned actors like her bring to shows like 'Outlander', and it makes the world of the series feel more lived-in and believable — which, for me, is half the fun of bingeing.

Growing up devouring every page of 'Outlander', I always noticed how Mrs. Fitz quietly roots Claire to the life she left behind. In the backstory, Mrs. Fitz acts less like a flashy plot device and more like a steady seamstress of memory — the person who stitches mundane domestic details into Claire's history so that the reader understands what Claire is missing when she’s ripped away from the 20th century. Small things matter: the routines, the patients, the social expectations. Mrs. Fitz embodies those routines and expectations, and by interacting with Claire she helps define Claire’s competence, her medical identity, and her emotional attachments. On a deeper level, Mrs. Fitz is a mirror and a measuring stick. Through her, we see Claire's compassion and pragmatism reflected back; through the things Mrs. Fitz expects of Claire, we see the pressure Claire resists. That contrast sharpens Claire’s choices later, both practical and moral. Personally, I love how such a seemingly ordinary character can carry so much weight in shaping who Claire is — it’s quietly brilliant and emotionally satisfying.