Where Can I Read 'Assassination Days' Online?

The protagonist in 'Assassination Days' is a ruthless yet oddly charismatic killer named Kaito Shirai. He’s not your typical antihero—this guy blends into crowds like a ghost, then strikes with surgical precision. What makes him fascinating is his moral ambiguity. He doesn’t kill for money or revenge; he views assassination as an art form. The story dives into his twisted psychology, showing how he justifies each kill as 'removing stains from the world.' His backstory reveals a childhood forged in violence, which explains his detachment. The contrast between his calm demeanor and brutal efficiency makes him unforgettable.

The ending of 'Assassination Days' hits like a gut punch. After all the bloodshed and betrayals, the protagonist finally corners the mastermind behind the killings—only to discover it’s his estranged brother. Their final duel isn’t just about skill; it’s a clash of ideologies. The brother believes chaos purges weakness; the hero argues for justice. In a twist, the protagonist spares him, proving mercy isn’t weakness. The last scene shows him walking away from the assassin’s life, sunlight breaking through the clouds—symbolizing hope. Side characters get closure too: the hacker ally opens a legit tech firm, and the informant retires to a quiet village. The ending balances resolution with lingering questions about redemption.

I've been digging into 'Assassination Days' lately, and the author is the elusive but brilliant J.C. Holloway. Holloway has this gritty, no-nonsense style that makes every page feel like a punch to the gut. The way they weave political intrigue with raw action is unmatched—think John le Carré meets Tarantino. What's wild is how little public info exists about Holloway; some fans speculate it might be a pseudonym for a former intelligence operative. The book's authenticity in tradecraft details fuels that theory. If you like this, check out 'The Silent Protocol' by K. Mendoza—another shadowy author with similar vibes.

I've been following 'Assassination Days' since it first dropped, and it's definitely a standalone gem. The story wraps up neatly without any cliffhangers or loose ends that would suggest a sequel. The protagonist's arc completes in a satisfying way, with all major conflicts resolved by the final chapter. That said, the world-building is rich enough that the author could easily spin off into prequels or side stories if they wanted to. The combat system and political intrigue are so well-developed that fans keep begging for more content in the same universe. For now though, it remains a self-contained masterpiece with no official sequels announced. If you enjoy this style, check out 'The Killer's Diary'—another great standalone in the assassin genre.

The plot twist in 'Assassination Days' hits like a truck halfway through. The protagonist, who's been hunting a notorious crime syndicate, discovers his mentor is actually the mastermind behind it all. This revelation flips everything on its head—all those missions weren't about justice but eliminating rivals. The mentor's betrayal isn't just personal; it exposes how deep corruption runs in their organization. What makes it brutal is how the protagonist's skills were honed specifically for this role, turning him into the perfect pawn. The second half becomes a cat-and-mouse game where the hunter becomes hunted, with allies questioning every move he makes. The twist recontextualizes earlier scenes, making re-reads chilling.

I recently finished 'Assassination Vacation' and loved how Sarah Vowell turns morbid history into a darkly hilarious road trip. She visits some truly bizarre spots, like the Mutter Museum in Philadelphia, which displays presidential assassin Charles Guiteau’s brain in a jar. There’s also the Dry Tortugas, where Dr. Samuel Mudd, who treated John Wilkes Booth, was imprisoned. The weirdest? Probably the Oneida Community, a utopian cult that made silverware and somehow connects to Lincoln’s killer. Vowell’s knack for finding these oddball locations makes history feel alive and strangely relatable, like peeling back America’s weirdest layers.

Sarah Vowell's 'Assassination Vacation' is this brilliant mashup of road trip diary and history deep dive. She literally traces the paths of Lincoln, Garfield, and McKinley's assassinations, visiting museums, monuments, and even the weirdest roadside attractions connected to them. What makes it special is how she turns dusty history into something alive—like when she describes standing in Ford's Theatre and getting chills imagining Booth's footsteps. Her humor cuts through the gloom; she calls assassination sites 'murder tourism' but treats the subject with respect. The book's genius is making you feel like you're riding shotgun on her bizarre pilgrimage, learning more about America's dark corners than any textbook could show.

In 'American Tabloid', James Ellroy crafts a brutal, hyper-paranoid version of the JFK assassination that feels more like a criminal conspiracy than a historical event. The novel strips away any mythic grandeur, framing it as the inevitable outcome of a cesspool of FBI corruption, mafia vendettas, and CIA black ops. Ellroy’s Kennedy isn’t a martyred hero but a reckless playboy whose enemies—Hoover, Marcello, and rogue spies—circle him like sharks. The actual shooting is almost an afterthought, eclipsed by the grotesque backroom deals and betrayals that set the stage. What chills me most is how Ellroy implies everyone’s complicit. Even the 'good guys' have blood under their nails. The prose is lightning-fast, all staccato sentences and gutter slang, making the chaos feel visceral. The book suggests Oswald was just a patsy in a much dirtier game—one where power brokers treated democracy like a rigged card table. It’s history as a noir nightmare, drenched in whiskey and gun smoke.