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Barbie Rapunzel Barbie Rapunzel

“Zelle, don’t worry, I’ll protect you!” Zach caressed her hair as tears fell on her cheeks. “Y-you—you are not my knight in shining armor… This is not a fairytale!” Aaron held her hand away from Zach. “I can be your prince if you want to...” Zelle fell on her knees bursting into tears, “Please stop! I—I don’t want to see you two in one of those boxes too!” 18 people she cares about… 18 days left before her 18th birthday… Each day onward she receives bloody gifts containing disembodied parts… Which candle our Little Zelle will blow on the day of her birthday? “Happy Birthday to me…” ~~~~ * Original Novel * Original Book Cover * Copyrights Reserved

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47 Chapters

Torn by Obsession

Rafael DeLuca is a man forged in blood and betrayal. Once the rightful heir to a powerful mafia empire, he lost everything when his family was slaughtered in an act of treachery. For years, he rebuilt his power from the shadows, rising as the most feared mafia strategist in the underworld. Now, the time for vengeance has come, and his enemy’s greatest weakness is within his grasp—Sophia Romano. Sophia has spent her life in a gilded cage, unaware of the sins that stain her last name. Sheltered and untouched by the violent world her father commands, she believes she is destined for an ordinary life. But when she is kidnapped by a man as dangerous as he is captivating, her world shatters. Rafael is her captor, her tormentor, and her only protector in a world far darker than she ever imagined. What begins as a calculated act of revenge soon turns into something Rafael never anticipated—obsession. Sophia’s innocence should make her easy to break, yet her quiet defiance ignites something primal within him. He tells himself she is only a pawn, a means to an end, but with every glance, every forbidden touch, she threatens to unravel his carefully crafted plans. As hidden truths come to light and past betrayals resurface, Rafael is forced to make an impossible choice: will he sacrifice the one woman who has become his greatest weakness, or will he forsake his vengeance for a love that could destroy them both? In a world where love is as deadly as betrayal, Rafael and Sophia will have to decide—will their obsession ruin them, or will it be the only thing that saves them?

200 Chapters

Un amour inattendu

-Je ne veux pas d'une relation en ce moment. -Qui t'a parlé de relation?minaude Elyn au creux de son oreille qu'elle mordille au passage. Laisse-moi m'occuper de toi. -C'est vraiment ce que tu veux? lui demande Hendrick. À une seule condition. ajoute-t-il sans attendre de réponse. -Laquelle? demande Elyn intriguée. -Ce sera juste charnel entre nous. Pas de place pour les sentiments, encore moins pour l'amour. Elle déglutit devant autant de froideur dans sa voix. -Marché conclut. ***** Planté devant l'autel le jour de son mariage, Hendrick atterit dans un bar pour faire passer sa frustration et sa colère, où il va faire la connaissance d'Elyn. Après des nuits passées ensembles, ils continuent à se voir chacun dans un but précis. Elyn; pour de l'argent parce qu'il est juste un client, et Hendrick pour le plaisir. Mais est-ce vraiment juste du sexe entre eux ou l'amour s'en est mêlé? Une seule règle, pas de place pour les sentiments, encore moins pour l'amour...

9.6

62 Chapters

THE DEVIL'S BRIDE

Sensitive content I told you before Reading read at your own risk this is the first story I'm writing I hope you guys will enjoy it please please please if you're not above 18 and if you hate things like rape torture etc do not read I repeat do not read but for my darlings who love this type of books this is for you

9.6

7 Chapters

EX-husband, She Comes Back!

Avery is a full housewife without a job and a child, she has always harbored the desire to be a painter and always fully had her husband's support but everything came crashing down when she caught her husband and her adoptive sister having an affair. On the very night, she caught her husband, Jake couldn't leave Avery alive due to the fact they had to keep their affair for him to be able to become the heir, he and Isabella conspired and had Avery killed by assassins. * * * Avery woke and found herself in a popular actress's body whose name was Eileen, she realized her soul had transmigrated into Eileen's body but still had both her and Eileen's memories. The very first day she found herself in Eileen's body, she realized she was already married to an unknown man. With high hopes, Avery was taken by surprise on her consumption night when she found her so-called husband lying in a coma. “ How are we supposed to enjoy this night together in this state, dear husband?”

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74 Chapters

Ex wife; Return of the sassy heiress

Blurb When Isabella found out her husband whom she devoted her life to, after making him successful chose another woman over her and not just any other woman, her step sister whom always told her they execute a perfect couple. She was betrayed and in the midst of argument, she left but was killed the same night by an unknown assassin. She was reborn to the time where she was a tycoon businessman only daughter. There was a new beginning, she remembered her past. The same year, day and time was when she was born and the same fate await her, just because she was born as a wealthy woman didn’t mean she’ll escape her fate. She needed to change her fate and find her murderer. But not when everyone around her is her enemy until she met him, Rodrigo.

26 Chapters

Does Barbie Die In Under The Dome

2 Answers2025-01-31 13:58:35

In 'Under The Dome' series, our tough guy Dale 'Barbie' Barbara does not meet a lethal end. He does go through quite a tumultuous journey in the domed town of Chester's Mill, though, dealing with quite a number of uncomfortable and dangerous situations. Yet here's the thing - Barbie's very survival skills and just that steely courage keeps him alive.

Barbie, portrayed brilliantly by Mike Vogel, is an Army veteran with a ton of survival skills, leadership qualities, and resilience. His character goes through a lot, from being a drifter to being held captive, and even standing trial for murder. In the middle of all this chaos, he forms a sweet yet bitter relationship with Julia Shumway, played by Rachelle Lefevre.

What Are The Original Rapunzel Brothers Grimm Plot Differences?

4 Answers2025-08-26 12:04:17

There’s a lot packed into the old Brothers Grimm 'Rapunzel' once you start stacking variants side-by-side, and I love how messy folk tales are. In the Grimms’ version the story opens with a husband-and-wife craving a garden plant called rapunzel (rampion), the wife steals it from a witch’s garden while pregnant, the witch claims the baby, names her Rapunzel, and locks her in a tower with no stairs. A prince discovers Rapunzel by hearing her sing and climbing her hair. They secretly meet, fall into a physical relationship that leads to pregnancy, the witch catches them, cuts Rapunzel’s hair and casts her out into the wilderness, and the prince is blinded when he falls from the tower. Rapunzel gives birth to twins, wanders for years, then her tears restore the prince’s sight and they reunite.

What’s different in other versions is eye-opening: Italian 'Petrosinella' (Basile) and French 'Persinette' (de la Force) predate the Grimms and have darker or more cunning heroines, with trickery and magical items playing bigger roles. Modern retellings like Disney’s 'Tangled' sanitize and rework motives — the plant becomes a healing flower, Rapunzel becomes a kidnapped princess with agency, the sexual element is removed, and the ending is more explicitly romantic. Also, scholars file the tale under ATU 310 'The Maiden in the Tower', which helps explain recurring bits (tower, hair, secret visits), but each culture emphasizes different morals: punishment, motherhood, or female cleverness. If you want the gritty original feel, read the Grimms and then compare Basile — it’s fascinating how the same skeleton can wear wildly different clothes.

Which Motifs In Rapunzel Brothers Grimm Inspired Retellings?

4 Answers2025-08-26 09:17:43

There’s something about that locked tower image that always hooks me—the immediate visual of someone elevated and unreachable is basically a storytelling cheat code. In the original 'Rapunzel' the tower motif works on so many levels: it’s literal imprisonment, a rite-of-passage container, and a symbol for social isolation. Writers keep lifting that motif because it so easily becomes metaphoric space for childhood leaving, gendered confinement, or spiritual retreat.

Beyond the tower, a few other motifs get recycled in almost every retelling. Hair as both lifeline and sexual symbol (the long hair that becomes a rope), the witch or guardian who controls access, the cutting of hair as a turning point, and the blindness-and-restoration arc where the lover loses sight and then regains it through tears. There’s also the pregnancy/twin-born exile motif in the Grimms’ version that injects bodily consequences and lineage into the story, which modern authors twist into narratives about motherhood, inheritance, or trauma. As a fan, I love how these elements can be riffed—hair becomes magic in 'Tangled', the tower becomes a workshop or refuge in other takes, and the witch can be a villain, a protector, or something messier in between.

How Did Rapunzel Brothers Grimm Influence Disney Adaptations?

4 Answers2025-08-26 00:23:17

Growing up, the Grimm tale of 'Rapunzel' always felt like the scary cousin of bedtime stories to me — full of moral knots and sharp edges. When I watch Disney's 'Tangled' now, I see how those knots were lovingly untangled and rewoven into something brighter and more expansive. The original story gives Disney core plot beats: a girl taken by a witch, her impossibly long hair, isolation in a tower, a lover who climbs to her and then a traumatic fall. But Disney rearranged motives and tone. The witch becomes 'Mother Gothel,' a manipulative, almost maternal villain rather than a morally absolute forest witch; Rapunzel isn’t punished for her parents’ bargain, she’s stolen, which makes her more sympathetic and active.

Beyond plot, Disney transformed symbols. Hair in the Grimm tale is a tool — a rope and a symbol of possession and punishment — while in 'Tangled' it’s literal magic and a metaphor for inner light and choice. Also, the Grimm ending is harsher (blinding, exile, twins born in the wilderness); Disney softens that into a redemptive reunion and a romantic finale. They added humor, sidekicks, and songs to broaden emotional textures, and in doing so made the story wearable for modern family audiences. Personally, I love both versions: one for its raw folklore grit, the other for its emotional polish and technical wow factor.

Where Did Rapunzel Brothers Grimm Set The Tale Geographically?

4 Answers2025-08-26 01:57:25

If you slip into the Brothers Grimm 'Rapunzel', you step into a deliberately vague, old‑world German landscape rather than a pinpointed town. The Grimms place it in the sort of medieval, feudal setting you'd expect from many of their tales: a garden with a forbidden patch of rampion (the rapunzel plant), a tower standing alone in the woods, and a prince who wanders through a forested realm. It’s told in that classic fairy‑tale voice—'once upon a time'—so geographic specifics are intentionally fuzzy, meant to feel like any German countryside rather than a modern map coordinate.

The tale appears in their 'Kinder‑ und Hausmärchen' (KHM no. 12) from the early 19th century, and while the Grimms collected and popularized it in Germany, the story itself has cousins in Italy ('Petrosinella') and France ('Persinette'). For me, the charm is partly that vagueness: the tower could be in a Hessian forest near where the brothers lived, or it could be in an imagined, archetypal German kingdom—either way, the setting feels cozy and wild at once, like a place you’d visit in a storybook rather than on a road trip.

When Were Rapunzel Brothers Grimm First Published In German?

4 Answers2025-08-26 23:02:20

I'm a bit of a book nerd who loves old editions, so this question makes me smile. 'Rapunzel' as told by the Brothers Grimm first appeared in German in 1812 — it was published in the first volume of their collection 'Kinder- und Hausmärchen' (often translated as 'Children's and Household Tales'). That first edition gathered many folk tales the Grimms had collected and edited from oral sources and earlier written versions.

What I find fascinating is how the Grimms tinkered with the tales across later editions; the 1812 text isn't exactly the same as the versions they published decades later. They revised language, moral tone, and sometimes plot details up through the mid-19th century. So when people talk about the 'original' Grimm text, it's worth asking which edition they mean.

If you like comparing versions, tracking the 1812 'Rapunzel' against later editions or against earlier literary cousins like 'Persinette' can be really rewarding — it's like watching a story grow up in public.

What Symbolism Does Rapunzel Brothers Grimm Use For Hair?

4 Answers2025-08-26 10:03:54

There's something almost stubborn about the way the Brothers Grimm give Rapunzel that impossibly long hair — it refuses to be just a pretty detail. To me, her hair reads as a physical tether between two worlds: the enclosed, interior life of the tower and the dangerous, messy outside. It's literalized connection, a rope that carries longing, secrets, and the possibility of escape. When the witch calls 'Rapunzel, let down your hair,' it's an invocation of access and intimacy at once.

At the same time I see hair as a chronometer in the story. It grows while Rapunzel is cut off from the world, marking time and maturation, and cutting it becomes a violent punctuation — loss of freedom, innocence, or the ability to be seen in the same way. Modern takes like 'Tangled' try to flip this: hair as empowerment and identity rather than merely an object. But in the Grimm version, hair sits in that uncomfortable middle ground where desire, surveillance, and control all coil together — beautifully symbolic and a little unsettling, which is probably why I keep coming back to it.

Why Did Rapunzel Brothers Grimm Include Themes Of Punishment?

4 Answers2025-08-26 10:11:04

I used to read 'Rapunzel' at bedtime with a flashlight when I was a kid, and even then the punishments jumped out at me. On one level the Grimms were preserving oral tales that originally served as warnings: stealing rampion gets you stripped of your child, sneaking visits lead to exile, and sneaking around gets the prince blinded. Those harsh consequences mirror how communities used stories to enforce rules—don’t steal, don’t disobey, don’t breach social boundaries. For a rural, pre-industrial audience such rules mattered for survival and order.

Beyond that, the Grimms themselves reshaped stories to suit early 19th-century middle-class morals. Over successive editions Wilhelm and Jakob tinkered with tone, often inserting clearer punishments and Christianized language so the tales read like moral lessons for children. So what you’re seeing in 'Rapunzel' is a blend: older oral motifs that rely on punitive justice plus editorial choices that amplified those punishments to teach conformity. It’s grim, literally and figuratively, but also narratively satisfying—punishment creates stakes so the eventual reconciliation and healing feel earned.

Who Collected The Rapunzel Brothers Grimm Fairy Tale Originally?

4 Answers2025-08-26 00:10:39

I've always been the kind of person who dives into the backstories of stories, and 'Rapunzel' is one I love tracing. The version most people think of was collected and published by Jacob and Wilhelm Grimm — the Brothers Grimm — in their landmark collection 'Kinder- und Hausmärchen' (first edition 1812). They gathered tales from oral storytellers across Germany and then shaped them into the form we now recognize.

What fascinates me is how the Grimms didn't invent these stories so much as record and edit them. 'Rapunzel' in their book (KHM 12) reflects oral traditions but also pulls on older written variants from Europe, like Giambattista Basile's 'Petrosinella' and Charlotte-Rose de Caumont de La Force's 'Persinette'. I like imagining the Grimms at a kitchen table, scribbling notes while an anonymous village storyteller recounted hair, towers, and lost princes. It makes reading their collected tales feel like eavesdropping on history, and each version I find gives me some new detail to treasure.

How Did Rapunzel Brothers Grimm Portray Female Agency In Story?

4 Answers2025-08-26 11:07:34

I got hooked on fairy tales long before I knew the word 'patriarchy', and when I went back to the Brothers Grimm 'Rapunzel' as a teen it felt both familiar and strangely restrained. On the surface, Rapunzel seems passive: locked in a tower, visited by a prince who climbs her hair, punished by the witch, and then reunited by fate. That reads like a classic damsel plot where male characters make most of the moves. But once I slowed down and looked at what the story actually lets Rapunzel do, a different picture emerges.

She isn't a schemer, but she exerts influence in quieter, domestic ways. Her singing is magnetic, she forms attachments with both the prince and the witch, and when she's cast out she survives pregnancy and raises children in the wilderness. Those are acts of resilience and caretaking that suggest a kind of agency rooted in endurance rather than daring. The cutting of her hair—performed on her by the witch—is symbolic of how her body and sexuality are controlled, yet Rapunzel's later reunion contributes to the healing of the prince, implying mutual recognition rather than pure rescue.

I also like to compare the Grimm text to older and newer variants. Basile's 'Petrosinella' gives the heroine more cunning; Disney's 'Tangled' gives Rapunzel proactive escape skills and a personal quest. The Grimm tale sits somewhere in between: constrained by nineteenth-century morals but quietly giving Rapunzel power through survival, emotion, and motherhood. It's messy and human, and every time I read it I catch another small, stubborn spark of autonomy in her choices.