Library

Nine-tailed Book

A nine-tailed book is a mystical literary artifact often imbued with ancient wisdom or supernatural power, featuring sentient or transformative qualities that drive the plot, typically appearing in fantasy or folklore-inspired works.

My Nine-Tailed Husband

To cure my half-sister's illness, my brother took my beast bone—all because I was a half-beast and had a strong self-healing ability. Later, to make me suffer in her place, the tiger beast servant I had cared for joined forces with my brother and sent me straight into the Beast Den. The tiger said I didn't deserve to be his master, and the one he wanted to protect was my sister. In the end, I was tortured and died a terrible death. When I opened my eyes again, I was back on the very day I had to choose my beast servant.

10 Chapters

Mated To The Nine-Tailed Fox

A story between a nine-tailed fox and a human who met with a tragic fate led by their descendants. From the very beginning of their story, they're already bound to meet and fulfill Kagome's curse at the right time. Amaya and Hiroshima are the victim. Kagome is the reason the entire fox tribe has been cursed to turn into a horrible beast every midnight and wild every full moon. But Amaya is the chosen one to break the curse since her body is where Kagome's spirit has been sleeping for a long time. Will they be able to escape their world and learn to love each other despite the fact that they are not the same creature?

87 Chapters

My dear wife is a nine-tailed fox

Devlin, while on the run from his grandfather's control, accidentally obtained a necklace without him knowing that in it was a captive fox. After returning, his girlfriend Anthea had a life-threatening accident, he wore that necklace for Anthea, also from that moment, the spirit of the nine-chasing fox entered Anthea's body. That fox's name is Renata, she wakes up with a new identity and lives in a completely different society from five hundred years ago. After the accident Renata came back to life under the name Anthea, she didn't know anything about this girl so when she woke up everyone thought Renata was Anthea and thought Anthea lost her memory due to the accident. Devlin discovers that his girlfriend has betrayed him so he decides to keep Anthea by his side to avenge her, but after a while, he discovers that Anthea has turned into a different person after waking up, all habits and events Her understanding changes but it's strange that he tolerates all these changes even to fall in love with this strange girl in this familiar appearance. He became suspicious and discovered that Anthea was not human, he had accidentally seen Renata's nine fox tails on a full moon night, but he did not panic and threw Renata away. This was the first time Renata had seen someone who saw her true form without seeing her as a monster. The two of them gradually fell in love with each other, but the difference between humans and foxes caused them to go through a lot of hardship and suffering. Renata had never hoped to become a human like this. Where will their love go? Will Renata's sincere prayer move the angels to let her become human and live a normal human life?

8 Chapters

Nine Months

Dahlia Amelia was a frustrated Aspiring Writer that her work was claim and plagiarized by a well-known Author, Yuki. The One Who Own the Deadly Glance, was hit for almost three months and become the best seller that earn a billion dollar. Several famous entertainment industry offer the publisher to adapt the novel into a film. Even makes Dahlia more frustrated. No one believe that she is the one who wrote it. She was offered to become a script writer instead to her own masterpiece. Drayzen Storm was the only living Dragon shift-shifter for a hundred decades. He was curious how the writer find his identity as the novel used his real name. Reader and viewr was aware that the novel was all imagination made. But Yuki died in hand of Drayzen as the writer of the said Novel. Dahlia was about to witness the devious event, yet she choose to ignore them and even cry at Drayzen how frustrated she is not to fight her right on her own work. Drayzen find out that she was the real writer. After a month Dahlia find out that she was pregnant with Dryzen Child.

143 Chapters

The Red Tailed Fox

"Don't come closer to me Gabby," Steve shouted as he pushed her away. His other nature had taken over him and he could not control his desire to have fresh blood. Gabby was a few meters from him but he could smell the sweet scent of her blood and he was sure he could not control himself from hurting her. "Big brother, I can give you some blood to quench your thirst," She said as she tried moving towards Steve. Before she could blink, wings grew on his shoulders and he flew high up to the sky. Gabby knew that he was very angry and he had gone for a rampage so that he could calm down and she blamed herself for making him angry. Steve is a human -fox who is madly in love with his step sister Gabby. He later discovers that she is a half wolf too. Will Gabby fall in love with him? Will she accept a half human half fox for a boyfriend?

83 Chapters

Nine Months Surrogacy Contract

Abigail Reed, struggling to make ends meet and reeling from a recent breakup, considers a surrogacy program to improve her financial situation. After a night of partying with her best friend, what happens when Abigail finds herself in a compromising position with a mysterious and handsome stranger? Logan Everett, a billionaire with a reputation for despising women, was in search of a surrogate. What happens when he meets his surrogate and decides that he won't be letting her go anytime soon?

42 Chapters

How Does After We Fell Fit Into The After Book Series Order?

4 Answers2025-10-17 16:05:56

Count me in: 'After We Fell' is the third main novel in the 'After' sequence, coming after 'After We Collided' and right before 'After Ever Happy'. If you read the series straight through, it's basically book three of the core four-book arc that tracks Tessa and Hardin through their most turbulent, revealing years. This book leans hard into family secrets, betrayals, and more adult consequences than the earlier installments, so its placement feels like the turning point where fallout from earlier choices becomes unavoidable.

There are a couple of supplementary pieces like 'Before' (a prequel) that explore backstory, and fans often debate when to slot those into their reading. I personally like reading the four core novels in release order—'After', 'After We Collided', 'After We Fell', then 'After Ever Happy'—and treating 'Before' as optional background if I want extra context on Hardin’s past. 'After We Fell' changes the stakes in a way that makes the final book hit harder, so for maximum emotional punch, keep it third. It still leaves me shook every time I flip the last few pages.

How Does More Than Enough Rank On Bestseller Book Lists?

5 Answers2025-10-17 04:00:12

Wildly excited by the buzz, I followed 'More Than Enough' through its launch week like a hawk. It landed on major bestseller charts — showing up on the New York Times bestseller list and popping up in Amazon’s nonfiction best-seller categories as preorders converted to real sales. That kind of visibility isn’t just vanity; it reflects a mix of strong marketing, a compelling platform, and readers actually connecting with the book.

From my perspective as a habitual reader who watches lists for recs, the book didn’t just debut and vanish. It tended to stick around on several lists for multiple weeks, and also showed up on regional indie lists and curated retailer charts. Media spots, podcast interviews, and book club picks boosted its presence. If you track bestseller movement, you’ll notice the patterns: big push at launch, sustained interest if word-of-mouth is good, and occasional resurgences when the author appears on a talk show or a major publication features an excerpt. Personally, I loved seeing it hold momentum — felt like the book earned attention the way a great soundtrack takes over a scene.

Is The Family Fang Book Different From The Movie?

5 Answers2025-10-17 19:44:27

Plunging into both the pages of 'The Family Fang' and the film felt like talking to two cousins who share memories but remember them in very different colors. In my copy of the book I sank into long, weird sentences that luxuriate in detail: the way the kids' childhood was choreographed into performances, the small violences disguised as art, and the complicated tangle of love and resentment that grows from that. The novel takes its time to unspool backstory, giving space to interior thoughts and moral confusion. That extra interiority makes the parents feel less like cartoon provocateurs and more like people who’ve made choices that ripple outward in unexpected, often ugly ways. The humor in the book is darker and more satirical; Kevin Wilson seems interested in the ethics of art and how theatricality warps family life.

The film, by contrast, feels like a careful condensation: it keeps the core premise — fame-seeking performance-artist parents, kids who become actors, public stunts that cross lines — but it streamlines scenes and collapses timelines so the emotional beats land more clearly in a two-hour arc. I noticed certain subplots and explanatory digressions from the book were either shortened or omitted, which makes the movie cleaner but also less morally messy. Where the novel luxuriates in ambiguity and long-term consequences, the movie chooses visual cues, actor chemistry, and a more conventional rhythm to guide your sympathy. Performances—especially the oddball energy from the older generation and the quieter, conflicted tones of the siblings—change how some moments read emotionally. Also, the ending in the film feels tailored to cinematic closure in ways the book resists; the novel leaves more rhetorical wiggle-room and keeps you thinking about what counts as art and what counts as cruelty.

So yes, they're different, but complementary. Read the book if you want to linger in psychological nuance and dark laughs; watch the movie if you want a concentrated, character-driven portrait with strong performances. I enjoyed both for different reasons and kept catching myself mentally switching between the novel's layers and the film's visual shorthand—like replaying the same strange family vignette in two distinct styles, which I found oddly satisfying.

How Does The Good Father Movie Differ From The Book?

5 Answers2025-10-17 03:12:23

Reading the novel then watching the film felt like stepping into a thinner, brighter world. The book spends so much time inside the protagonist's head — the insecurities about fatherhood, the legal and emotional tangle of custody, the petty resentments that build into something heartbreaking. Those internal monologues, the slow accumulation of small humiliations and self-justifications, are what make the book feel heavy and deeply human. The film collapses many of those interior moments into a few pointed scenes, relying on the actor's expressions and a handful of visual motifs instead of pages of reflection.

Where the book luxuriates in secondary characters and long, awkward conversations at kitchen tables, the movie trims or merges them to keep the runtime tidy. A subplot about a sibling or a longtime friend that gives the book its moral texture gets either excised or converted into a single, telling exchange. The ending is another big shift: the novel's conclusion is ambiguous and chilly, a slow unpeeling of consequences, while the film opts for something slightly more resolved — not exactly hopeful, but cleaner. Watching it, I felt less burdened and oddly lighter; both versions work, just for different reasons and moods I bring to them.

How Does The Anime Adaptation Of The Cartel Differ From The Book?

5 Answers2025-10-17 13:07:24

Holding the paperback after a long anime binge, I kept replaying scenes in my head and comparing how each medium chose to tell the same brutal story. The book 'The Cartel' breathes in a slow, dense way: long paragraphs of police reports, internal monologues, and legalese that let you crawl inside characters' heads and the bureaucracy that surrounds them. The anime, by contrast, has to externalize everything. So what feels like ten pages of moral grumbling and background in the novel becomes a single, tightly directed montage with a swelling score and a close-up on an aging cop's hands. That compression changes the rhythm — tension gets condensed into spikes instead of the book's grinding, sleep-deprived march. I felt that keenly in the middle episodes where the anime omits entire side investigations from the book and instead focuses on two or three central confrontations for visual payoff.

Visually, the adaptation adds a layer the novel can only suggest. The anime uses a muted palette and long camera pans to make violence feel cold and almost documentary-like, whereas the prose can linger on a character's memory of a childhood smell while violence happens elsewhere. This means some secondary characters who are richly sketched in the novel become archetypes on screen — the trusted lieutenant, the morally compromised mayor, the lost kid — because the medium favors silhouette over interiority. On the flip side, animation gives certain symbolic beats more power: a recurring shot of a rusting trailer, a bird flying over a demolished town, or the way rain keeps washing traces away. Those motifs were present subtextually in the book but they sing in the anime because sound design and imagery can hammer them home repeatedly.

Adaptation choices also change moral tone. The novel luxuriates in ambiguity, letting you stew in conflicting loyalties; the anime edges toward clearer heroes and villains at times, probably to help audiences keep track. And then there are the practical shifts: characters combined, timelines tightened, and endings slightly altered to land emotionally within an episode structure. I appreciated both versions for different reasons — the book for its patient, poisonous detail and the anime for its brutal, poetic compression. Watching the animated credits roll, I still found myself thinking about a paragraph from the book that the series couldn't quite match, which is both frustrating and oddly satisfying.

Who Wrote The Book Titled Ruin Me And Why Is It Popular?

5 Answers2025-10-17 04:19:26

Spotted 'Ruin Me' on a shelf and couldn't help but dive into why that blunt, emotional title keeps popping up. There isn't a single definitive author tied to the name—'Ruin Me' is a title that's been used by several writers across genres, from indie romance to psychological thrillers. What unites these different books is the promise of high stakes: love that risks everything, a character bent on self-destruction, or a revenge plot that upends lives. Those themes hit hard because they compress drama into two simple words that feel personal and immediate.

From a reader's perspective, popularity often comes from a mix of storytelling and modern discovery channels. Strong protagonists, intense chemistry, push-pull dynamics, and cliffhanger chapters make the pages turn; then social platforms, passionate review communities, and striking covers amplify word-of-mouth. Audiobooks with compelling narrators and serialized promotions from indie presses also boost visibility. Personally, I love how the title itself acts like a dare—it's intimate, dangerous, and irresistible, which explains why multiple books with that name can each find their own devoted audience.

Where Can I Buy Illustrated Editions Of The Book Of Healing?

4 Answers2025-10-17 05:52:08

If you're hunting down illustrated editions of 'The Book of Healing' (sometimes catalogued under its Arabic title 'al-Shifa' or associated with Ibn Sina/Avicenna), I've got a few routes I love to check that usually turn up something interesting — from high-quality museum facsimiles to rare manuscript sales. Start with specialist marketplaces for used and rare books: AbeBooks, Biblio, and Alibris are goldmines because they aggregate independent sellers and antiquarian dealers. Use search terms like 'The Book of Healing illustrated', 'al-Shifa manuscript', 'Avicenna illuminated manuscript', or 'facsimile' plus the language you want (Arabic, Persian, Latin, English). Those sites give you the ability to filter by condition, edition, and seller location, and I’ve found some really lovely 19th–20th century illustrated editions there just by refining searches and saving alerts.

For truly historic illustrated copies or museum-quality facsimiles, keep an eye on auction houses and museum shops. Major auction houses such as Sotheby’s and Christie’s sometimes list Islamic manuscripts and Persian codices that include illustrations and illuminations; the catalogues usually have high-resolution photos and provenance details. Museums with strong manuscript collections — the British Library, the Bibliothèque nationale de France, the Metropolitan Museum, or university libraries — either sell facsimiles in their stores or can point you toward licensed reproductions. I once bought a stunning facsimile through a museum shop after finding a reference in an exhibition catalogue; the colors and page details were worth every penny.

If you want a modern illustrated translation rather than a historical facsimile, try mainstream retailers and publisher catalogues. University presses and academic publishers (look through catalogues from Brill, university presses, or specialized Middle Eastern studies publishers) occasionally produce annotated or illustrated editions. Indie presses and boutique publishers also sometimes produce artist-driven editions — check Kickstarter and independent booksellers for limited runs and special illustrated projects. For custom or reproduction needs, there are facsimile houses and reprography services that can create high-quality prints from digital scans if you can source a public-domain manuscript scan (the British Library and many national libraries have digitised manuscripts you can legally reproduce under certain conditions).

A few practical tips from my own hunting: always examine seller photos and condition reports carefully, ask about provenance if you’re buying a rare manuscript, and compare shipping/insurance costs for valuable items. If it’s a reproduction you’re after, scrutinize whether it’s a scholarly facsimile (with notes and critical apparatus) or a decorative illustrated edition — they’re priced differently and serve different purposes. Online communities, rare-book dealers’ mailing lists, and specialist forums for Islamic or Persian manuscripts are also excellent for leads; I’ve received direct seller recommendations that way. Good luck — tracking down an illustrated copy is part treasure hunt, part book-nerd joy, and seeing those miniatures up close never fails to spark my enthusiasm.

Which Loveboat Taipei Scenes Differ From The Original Book?

4 Answers2025-10-17 14:05:25

I dove into both the book and the screen version of 'Loveboat, Taipei' back-to-back and ended up noticing a bunch of scene-level shifts that change the pacing and emotional focus.

In the novel, Ever's inner world is front-and-center: long stretches of rumination, self-doubt, and cultural friction are unpacked slowly. That means several quieter scenes—like the late-night conversations in the dorm hallway, the little family flashbacks, and the poetry workshop critiques—get space to breathe. On screen, those moments are trimmed or turned into montages, so the emotional beats feel sharper but less layered. For instance, the workshops and the rooftop gatherings feel condensed; the book gives a slow build to certain confessions, while the adaptation sutures a few scenes together to keep the visual momentum.

Side characters also get streamlined. The novel spends more time on friend-group dynamics and secondary arcs that show how the summer program reshapes relationships, but the adaptation pares those down to focus on Ever and her romantic tension. A few subplots—especially ones that deepen family expectations or explore cultural identity in layered ways—are shortened or implied rather than shown fully. I missed some of those softer, awkward scenes that made the book feel lived-in, though I have to admit the film’s tighter emotional throughline makes it easier to watch in one sitting. Overall, the core beats remain, but the texture shifts from introspective to cinematic, which left me nostalgic for the book’s quieter moments while appreciating the adaptation’s energy.

Who Discovered The New Power In The Book Series Timeline?

5 Answers2025-10-17 20:45:32

I was totally hooked the moment that revelation landed in the middle of the timeline — it felt like the floor pulled out from under the whole plot. In the internal chronology of 'The Shifting Epoch', the new power is formally credited to Lord Elias Verne because his public demonstration during the Sundering Era is the first event most scholars and characters recorded. Elias gets the statue, the ceremony, and the official plaques in the capital. That’s what the timeline shows on paper.

But reading carefully, and loving the messy bits, I saw the hints that the power was actually discovered earlier by a lower-profile figure: Mira Tal, a ledger-keeper from the Outward Markets. Her journal entries, tucked into a footnote in the middle books, describe the experiments and accidental rituals that produced the phenomenon Elias later polished into spectacle. So in my head the thrilling truth is that the timeline separates discovery from discovery's fame — Mira found it, Elias made it history, and the books delight in that messy, human gap. It still makes me grin whenever the credits roll in my head.

What Inspired The Aisle Nine Soundtrack?

5 Answers2025-10-17 23:17:08

Midnight fluorescent lights, the squeak of a cart wheel, and the tiny beep of a scanner—that odd collage is exactly how I imagine the bones of the 'Aisle Nine' soundtrack. I got hooked on the idea that everyday sounds can feel cinematic when you sit with them long enough. The composer seems to have taken humble, domestic noises and stretched them into textures: slow synth pads that mimic hums from HVAC units, percussive clicks that echo barcode scanners, and an undercurrent of warm, slightly hissy tape saturation that makes the whole thing feel lived-in. It’s like they turned a grocery run into a nocturnal mood piece.

What I love most is how the music balances nostalgia and unease. There are nods to lush 80s synthscapes—those long, reverb-drenched leads that give scenes weight—alongside minimalist piano lines and occasional field recordings. The melodies are sparse but memorable, repeating like a phrase stuck in your head while the arrangement evolves around it: a slow-building bass here, a wash of reversed keys there. That tension between the banal and the cinematic mirrors the game's quiet storytelling.

On a personal level, the soundtrack makes me want to wander aisle after aisle at 3 a.m., headphones in, cataloguing tiny details. It’s comforting and slightly uncanny at once, and it clings to me long after I stop listening.