What Themes In Lincoln In The Bardo Stand Out On A First Read?
First time through George Saunders' novel, its surreal imagery and heartbreaking dialogue on love and grief really left an impression. What themes lingered for others?
2026-07-30 11:25:31
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MelodyDay
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What about the theme of witness? The entire novel is an act of witnessing—the ghosts witness Lincoln, we witness the ghosts, the historical texts witness events (often wrongly). In a situation of profound grief and trauma, sometimes the only thing you can do, the only moral act, is to bear witness. The ghosts who cluster around Willie are, in their flawed way, trying to witness his pain and Lincoln's. The novel itself becomes a monument to that act, insisting that these stories, these moments of suffering and love, be seen and heard.
2026-07-31 22:05:07
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Thomas
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The erotic and the spiritual getting weirdly tangled. Look at Hans Vollman and his massive, permanent erection—a literal manifestation of his unfinished earthly business, which was a unconsummated marriage. His spiritual stagnation is directly tied to a physical, sexual longing. Similarly, the Reverend's lustful thoughts are what he considers his fatal flaw. The book doesn't separate bodily desire from spiritual progress; it shows them as inextricably linked, with denial of one leading to stagnation in the other. It's a bold, bizarre, and deeply human take.
2026-08-01 18:20:48
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KanePrice
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The part that stuck with me wasn't even a big theme, just an image: Lincoln carrying his son's body, bending under the weight both physical and emotional. That single, simple action contained everything about parental love and loss for me. Sometimes the themes aren't in the big ideas, but in those quiet, devastating moments.
2026-08-02 19:15:38
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NoahSharp
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The ethics of interference. Should the ghosts try to help Willie? Is it right for them to project their own fears and desires onto him? Should Lincoln try to hold onto his son's spirit? The book is full of characters making well-intentioned but often misguided attempts to influence others' journeys. It presents a complex moral landscape where love can be selfish, and where the most ethical action might be the most painful: to step back and allow someone their own path, even into the unknown. That moral wrestling is central from the start.
2026-08-05 00:40:31
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RioMoore
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Yeah, the historical footnote thing threw me for a loop at first. Took me a good fifty pages to stop trying to 'correct' the account in my head and just go with the flow. Once I did, it clicked. It's less about what happened and more about how impossible it is to ever really know.
2026-08-05 19:37:11
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It was in the Era of Harmony, trillions of years ago, when Chaos first arrived.
To stop all existence from growing rampantly and exhausting all sustenance, the Creator of the universe took on Chaos as its body, the void as its vigor, and black holes as its jaw—a combination to create a world-ending coffin, devouring the seas and setting lands aflame, reducing all to ashes!
Later, millions of years ago, the gods waged wars against each other when the same coffin appeared out of nowhere, massacring their ranks and decimating the divine realm.
Since then, it had gone missing, but its name continued to echo throughout the universe, leaving both gods and demons in fear!
Millions of years later, a youth was buried alive and fused with the coffin where he was kept, and he became an undertaker whose name was heard throughout all worlds.
"I'm really bad at saving lives, but I'm quite good with ending them," he said quietly with a cool visage. "I possess the Coffin of the Gods, and I can send anything and anyone to their deaths: humans, worlds… or even the gods themselves!"
Mia D’Lorne thought heartbreak would kill her but getting hit by a car did the job faster.
One second she’s running from the sound of her boyfriend and sister fornicating, the next she’s standing in front of an abandoned bus station in what looks like purgatory. The bus that picks her up looks like a prop in a horror movie and she’s introduced to the world of the Soul Recycle Program.
To exist, she has to compete in a twisted afterlife show where the dead fight their way through nightmare worlds for the amusement of unknown and unseen spectators. The rules are simple. Survive or disappear for good.
Mia is joined by two strangers who are just as broken as she is. Axel Rivers, who has been dead for almost a century, and Bree DeBois, a control freak paramedic with more guilt than she can carry. Together they try to survive the challenges of the game.
As the trio do their best to keep from being erased, they begin to realize the Game is more personal than they imagined.
As long as I can remember, I've been plagued by strange dreams. He comes to me when I sleep, calling out to me with such love. His face is so familiar yet strange to my eyes. Every dream was just that, a dream, until a family heirloom was handed down to me.
With the book now open, the man I yearned to see in my sleep... is now real.
Thrown back into the 1800's I find myself having to solve the mystery behind the screams that haunted me, and the loving touch from my dreams.
How can I save the love that calls to me when my mind is torn between right and wrong? Or will the past make its way to my present world before I can stop it?
My dad died in a car crash.
On the seventh day after his death, I hear him whisper in my ear, "Amara, save your brother. There are cracks in the old stone bridge at the village entrance... It will collapse... He will die."
I immediately call my brother, Asher Langford, and he takes a different route out of the village.
But that afternoon, the police report that a murder took place on that road. The victim is Asher.
My sister-in-law, Delia Winslow, and I bury him in tears.
On the seventh day after my brother's death, I hear my dad's voice again. "Amara, keep an eye on Jasper. Don't go to the back of the hill. The dead trees there attract lightning... There will be a thunderstorm in three days."
That night, Delia locks my nephew, Jasper Langford, inside the house. But three days later, Jasper falls from a window on the 12th floor.
Delia goes insane after losing her husband and son consecutively in such a short time.
Holding back my grief, I leave my own son, Billy Calloway, with my husband, Felix Calloway, and help Delia lay Jasper to rest.
On the seventh day after Jasper's death, I see my dad holding Billy's hand and looking back at me with a sorrowful expression.
He says, "Amara... There are spirits looking for substitutes in the reed marsh in the village. Take care of Billy. Don't go..."
A lost soul summoned to relive the body of a dying woman finds herself in a quest of unraveling the secrets of her true identity. But what if she finds out that she is only existent in someone else's mind? Retrace the path you've taken. Don't let your mind betray you. Decipher the mystery. This is the life after death story of Lenore.
The constant blending of the comic and the tragic is the masterstroke. One ghost is worried about his wig; in the next moment, Lincoln is weeping over his son's body. That's life, and that's how grief operates in life. It doesn't pause the world. Absurdities and banalities continue, even on the worst days. The ghosts' silly preoccupations make their plight more relatable and their eventual moments of pathos more earned. It stops the book from being a somber dirge and turns it into a vibrant, chaotic, and deeply humane exploration. The portrayal says that grief isn't a separate, sacred space; it's woven into the ridiculous, mundane, and beautiful tapestry of existence.
My take is simpler: the book is about love as a force that transcends even death. The historical setting provides the highest possible stakes—a nation at war, a president in crisis—to test that idea. Is Lincoln’s love for his son stronger than his duty to the living? The bardo is the arena for that conflict. The historical facts set up the dilemma; the fiction explores it. So the ‘accuracy’ of the exploration is measured in emotional truth, not chronological detail.
Thematic density can be overwhelming. On the surface, it’s about grief and letting go. But it’s also about national grief (the Civil War), the nature of history, the stories we tell ourselves to survive, the prison of desire, and the communal nature of suffering. The ghosts are a microcosm of a nation clinging to its old ways (their 'sick-boxes' are like their graves, which are like the states trying to secede). That’s a lot of heavy lifting for a book that also contains poop jokes. Keeping track of all these layered meanings while just trying to follow who is speaking is a tall order. It’s a book that benefits from a second read or a class discussion, which isn’t something every casual reader is willing to invest in.
'Lincoln in the Bardo' is a literary masterpiece that scooped up some of the most prestigious awards in the book world. It won the Man Booker Prize in 2017, which is a huge deal—it’s like the Oscars for novels. The book also snagged the Goodreads Choice Award for Historical Fiction that same year, proving readers adored it just as much as critics.
What makes these wins special is how the novel blends historical depth with surreal storytelling. The Man Booker win especially highlighted its innovative structure, mixing ghostly voices with Abraham Lincoln’s grief. The awards cemented George Saunders’ reputation as a writer who can bend genres and emotions in unforgettable ways.
If you're looking for a deep dive into 'Lincoln in the Bardo', I'd recommend starting with literary blogs and academic journals. Sites like JSTOR or Project Muse often have scholarly articles dissecting the novel's themes of grief, historical reimagination, and Saunders' experimental narrative style. The book’s unique structure—blending historical quotes with ghostly dialogues—gets analyzed from multiple angles, like postmodernism or the intersection of fact and fiction.
For a more casual but insightful take, platforms like Goodreads or Medium feature reader essays exploring personal interpretations. Some focus on Lincoln’s paternal sorrow, while others unpack the bardo’s Buddhist influences. Podcasts like 'The Lit Up' occasionally cover it too, offering lively discussions on its emotional resonance. Don’t miss Saunders’ interviews; he often reveals layers even critics overlook.