Thorin's hatred stems from two core elven sins: indifference and greed. When Smaug attacked, Thranduil had the power to help but chose not to—a passive cruelty that doomed Thorin's people to exile. Then, when Thorin seeks to reclaim Erebor, Thranduil blocks his path over jewels, confirming every negative stereotype dwarves hold about elves. It's this toxic combo of abandonment and transactional behavior that fuels Thorin's fury. What makes it tragic is how it blinds him; he can't see Bilbo's friendship with elves as proof things could be different. His arc is a cautionary tale about letting old wounds dictate new battles.
Ever notice how Thorin's animosity feels personal, not just cultural? That's because it is. Imagine being a kid fleeing Erebor, watching your home burn, and the nearest army of elves just... locks their gates. Thranduil's decision to prioritize his own people over refugees left Thorin with survivor's guilt and rage. It's the kind of betrayal that stains your worldview. Later, when Thranduil demands gems from Thorin's reclaimed treasure, it validates everything Thorin believes: elves see dwarves as beneath them, worthy only of exploitation when convenient.
Yet Tolkien never paints this as black-and-white. Legolas and Gimli's eventual friendship proves the feud isn't innate—it's nurtured by trauma and poor leadership. Thorin clings to his hatred because it's simpler than admitting both sides failed each other. That complexity is why 'The Hobbit' resonates; it understands how grudges become part of someone's identity.
Thorin's distrust of elves isn't just some petty grudge—it's steeped in generations of history and betrayal. The Elvenking Thranduil refused to aid the dwarves during Smaug's attack on Erebor, leaving them to suffer and scatter. That moment cemented Thorin's belief that elves were selfish and unreliable. But it goes deeper: the dwarves' creation myth paints elves as aloof and dismissive of their very existence, since Aulë made dwarves without Illúvatar's initial approval. Every interaction Thorin has with elves, from Thranduil's coldness to the general elven attitude of superiority, reinforces this bitterness. It's not just hatred; it's the wound of abandonment festering over centuries.
What fascinates me is how Tolkien uses this feud to mirror real-world tensions—how past grievances shape present conflicts. Thorin isn't wholly wrong, but his inability to move beyond it ultimately becomes his tragic flaw. The way he snarls at Rivendell's hospitality shows how pride twists perception. Yet you can't deny the elves' role in perpetuating the cycle—their isolationism and occasional condescension make reconciliation nearly impossible. It's a masterclass in how fantasy can explore the weight of history.
2026-05-07 09:07:09
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Mated To The Enemy Zareth
Veliciah
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I was trying to escape my abusive Alpha ex when I hit something with my truck.
It was not a deer, but a zareth.
Seven feet of muscle, claws, and a growl that can split open the sky. His kind are our sworn enemies from another realm with a screech that can make a werewolf’s brain explode.
I should have killed him. Instead, I looked into his yellow eyes… and the mate bond snapped into place.
Now I’ve dragged him home to hide him from my pack. He doesn’t speak. He doesn’t follow rules and he definitely doesn’t care that my bed is mine. My new "friend" doesn't care about personal space, but I am NOT going to be making babies with a monster.
Fighting the mate bond can't be that hard, right?
"What happens when you meet a tall and handsome elf king who has saved your life but kill your temper?"
~*~*~*~
"I'm more of a man in this house. Why can't you let me be on top?" Sean asked with a pout.
Oswin groaned, rolling his eyes and wondering just how much more innocent Sean could be. "It takes a heavy responsibility to be the top," he replied.
"Responsibility? Then it's perfect. I'm making more money, cooking,..."
"Sean. I'm talking about things like stretching and penetrating," Oswin explained as he ignored the bulge in his pants. "Do you even have experience?”
“Then teach me, your majesty.”
“With pleasure.”
~*~*~*~
It all starts when the elf king, Oswin Alvingham, mysteriously gets stuck in the human realm and loses his powers. As he roams the unfamiliar一dirty and low class if he is to describe Earth, he stumbles into Sean Cooper, a fresh graduate, and a full-time table-waiter, who gets bullied in the alley. Though Oswin's magical power is lost, his physical strength remains invincible. When he rescues Sean, the latter decides to take him in as gratitude. And that is where the mess begins. How can the king of the elf cope with his new life? How can Sean convince himself not to be evil enough to kick his savor out of his house? Most importantly, how do an average mortal and the noble upper-class immortal live together under the same roof and on the same bed?
~*~*~*~*
P.S:
1) This book contains mature and explicit 18+ scenes.
2) It also contains little graphic violence in some chapters, but I'll put a warning on the top of those chapters.
3) The ELF here is inspired by Lord of The Ring Series. Therefore, they are tall, slender and beautiful. Not tiny little beings like in children fairy tales.]
A banished princess had been staying in the mortal lands after her father, the King, dismissed her from the Immortal world because she fell in love with a mortal man. After the death of her husband, she frequently changes her home. After a few years, her cousin who accompanied her to the mortal lands told her that her mother was dying, which was shocking, since the elves were immortal and couldn't die. Princess Aelanor decided to go back to her home and meet her mother, but the journey made her realise that there was some dark plague going around which harms even the immortal races. She decided to go on an adventure to find the source of the evil, finding friendship and love along the way in the unlikeliest ways possible.
“We’re equals, remember? And you’re the king.”
He pulled her onto his lap, his right hand gripping her thigh. Their faces were so close, Violet could see the flecks of gold lingering in his irises.
“To me, you’re king, Violet Bellerose.”
***
Violet Bellerose lives in a jealous, elven world where everyone from royals to bounty hunters are after her unique ability to amplify magic to incredible heights. When she saves the Storm King from an assassin, Violet earns a post at his side as bodyguard, unaware they have begun to unravel each other’s secrets.
Forgotten lovers, turbulent powers, and a political marriage push and pull at king and bodyguard. Their bond must strengthen to withstand court rivalries and the enemies at their borders. With only each other to lean on, they face the Blood King together and labor through every obstacle to make it to their coronation.
The Elf King and His Bodyguard is created by Hayden Marlowe, an eGlobal Creative Publishing signed author.
While exploring the wilderness, my younger sister—Charlotte Forrester—and I accidentally stumble onto the territory of supernatural beings.
She grabs the hand of the noble, elegant male elf, her posture coy and intimate.
Before I can react, a wolfman with a scar on his face wraps his arm around my waist and leads me away.
Charlotte, who judges others by appearance, is unaware that the male elf—Elwin Duskwood—belongs to a tribe of half-elves. Half-elves are beautiful but possess no real capabilities. They are considered a marginalized group among elves and struggle to make ends meet every day.
On the other hand, the wolfman—Morgan Nightshade—is a mid-tier wolf tribe's Highlord. After giving birth to an extremely rare silver wolf for him, I have become the Highlady of the tribe. I'm respected by everyone in the tribe and feast on delicacies every day.
Meanwhile, Charlotte becomes emaciated after suffering from starvation for several months. When she sees how plump I am, she goes insane from jealousy. While the wolf tribe is entertaining guests at a banquet, she uses poison to kill me.
The next time I open my eyes, Charlotte and I are back at the moment we first entered the supernatural beings' territory by mistake.
Charlotte immediately hugs Morgan by the waist and kisses him. She showers him with flattery about his strength, calling him the man of her dreams.
I can't help but laugh out loud.
Silly Charlotte. As a wolfman, Morgan is ill-tempered, and he easily loses control of his emotions. He also becomes even more bloodthirsty after transforming. It's not all sunshine and rainbows being his mate.
But I never imagined the elves could be so… in that regard.
Eloise never thought that she would be chosen, even by her own family, she did not think that the Elf king would see her and genuinely care for her. Not like she cared for it though, or at least that was what
she told herself over and over.
She did not care, she had gotten over it. The betrayal from her parents, the back stabbing from
her sister and even worse, her mate.
With the chance to make things right, Eloise grabs at the opportunity, deciding not to waste her
time to the worthless piece of trash that was her mate and life was…
Perfect.
Except one small thing
people of the Elf realm were happy with the mating pair, the couple decides to do
everything in their power to fight against all
But what happens when love isn’t enough?
*
“look into my eyes” he grabbed my face, making me look nowhere else but at him.
“say it, say
that you want me and would not let me go” he begged, his voice carrying this harshness but his
eyes…
“say that you would not let me go or I swear by the heavens, I would not let you go until you do”
his hands on my thigh suddenly became too hot, making it impossible to breathe properly.
“Dren…
” my voice came out a whisper.
holding on to him not planning to let him go.
“I need you to get the hell out” I was breathing heavily,
“then say it” he carried my second leg around him, making the only thing holding him up the wall
and his huge frame.
“say it like you mean it” something in his eyes screamed hungry, making
me bite my lips in anticipation.
“say it my precious, don’t make me wait…
Thranduil's disdain for dwarves in 'The Hobbit' isn't just some petty feud—it's rooted in centuries of history and personal loss. The Elvenking’s people once had a close alliance with the dwarves of Erebor, but things soured when Thror, Thorin’s grandfather, refused to pay for the necklace of silver and pearls crafted by elven hands. To Thranduil, that wasn’t just a broken contract; it was a betrayal of trust between races. And let’s not forget the dwarves’ general stubbornness and love for hoarding treasure, which clashes with the elves’ more ethereal values.
Then there’s the fall of Erebor. When Smaug attacked, Thranduil’s forces marched to aid the dwarves—only to turn back at the last moment. Some say it was pragmatism; others call it cowardice. But from Thranduil’s perspective, the dwarves brought ruin upon themselves with their greed. Fast forward to Thorin’s company sneaking through Mirkwood, and you see that old resentment flare up. He imprisons them not just out of suspicion but because, deep down, he still sees dwarves as unreliable allies. It’s a fascinating mix of pride, trauma, and cultural clash that makes his character so compelling.
The departure of the elves from Middle-earth in 'The Lord of the Rings' is one of those bittersweet moments that lingers long after you close the book. Tolkien’s mythology frames it as a natural progression—they’re drawn back to Valinor, the Undying Lands, where they originally came from. Middle-earth is changing; the Age of Men is dawning, and the elves’ time of dominion is fading. It’s not just about power waning, though. There’s a spiritual weariness. After centuries of war, loss, and bearing the weight of their immortality, Valinor represents peace. The rings they wielded, especially the Three, were tied to Sauron’s One Ring. With its destruction, their magic fades, and so does their reason to stay. Galadriel’s arc captures this perfectly—she resists the call for ages but finally accepts that her chapter in Middle-earth is over.
What gets me is how Tolkien ties this to his larger themes of transience and longing. The elves aren’t being forced out; they’re choosing to leave because Middle-earth can no longer sustain their kind of beauty and grace. The mortal world is becoming rougher, more practical. Even Rivendell and Lothlórien, those last pockets of elvish splendor, are described as fading echoes. It’s poignant, really—like watching the last autumn leaf fall. The ships sailing into the West aren’t just a logistical exit; they’re a metaphor for endings and the inevitability of change.
Thorin Oakenshield's story is one of those epic tales that feels like it was carved straight out of mountain stone. He's the grandson of Thror, the last King under the Mountain before Smaug destroyed Erebor. After losing their home, his family wandered in exile, scraping by as blacksmiths and traders. The defining moment for Thorin was the Battle of Azanulbizar, where he fought so fiercely with an oaken branch as a shield that the name 'Oakenshield' stuck. Pride and stubbornness run deep in him—he carries the weight of his lineage like armor, which makes his quest to reclaim Erebor so personal. It’s not just about gold; it’s about restoring honor. But that same pride blinds him later, leading to the whole mess with the Arkenstone and the Battle of the Five Armies. Tragic, really—he’s a hero who almost becomes a villain of his own story.
What gets me is how Tolkien makes Thorin so layered. He’s not just a grumpy dwarf with a gold obsession; you see glimpses of his warmth, especially with Bilbo. That moment where he apologizes before dying? Gut-wrenching. It’s a reminder that even the proudest hearts can soften.