Who Writes And Draws The One Punch Man Comics?

Man, talk about a saga — 'One-Punch Man' actually exists in a couple of different forms, so the volume count depends on which version you mean. The version most people think of is the Yusuke Murata–illustrated remake that runs in the weekly/online magazines; that one is collected into tankōbon volumes and by mid-2025 sits at just over 30 collected volumes (it’s been steadily releasing new volumes over the years). Publishers like Shueisha in Japan and Viz Media in English keep updating their pages, so the exact count can tick up whenever a new volume drops. If you’re referring to ONE’s original webcomic, that’s a bit different — it began earlier and wasn’t always compiled into standard tankōbon the same way, so its “volumes” are treated differently and are fewer if you look at official book releases. There are also spin-offs, digital-only editions, and omnibus releases that can change how many physical volumes you see on store shelves. Bottom line: for the Murata manga expect roughly 30+ volumes as of now; check your local publisher’s site for the most current tally. I still get giddy flipping through each new volume whenever it lands on my desk.

I've picked up copies of 'One-Punch Man' in so many places that my shelves look like a little map of my book-hoarding habits. If you want new English-language volumes, start with big bookstores like Barnes & Noble (US), Waterstones (UK), or Kinokuniya if you're lucky enough to have one nearby — they usually stock the latest volumes and sometimes omnibus box sets. Online retailers that reliably carry print manga include Amazon, the Viz Media shop (they publish the English release), Right Stuf Anime, and Bookshop.org for indie-store support. For Japanese editions I use CDJapan or YesAsia when I'm hunting for original tankobon or special editions. If you're after cheaper or out-of-print runs, check eBay, AbeBooks, Mercari, and local secondhand bookstores. Comic shops and conventions are great too: many dealers bring back issues and box sets, and you can physically inspect condition before buying. Pro tip — verify ISBNs and the publisher so you get the English translation (or the Japanese edition if that’s what you want). Happy hunting — there’s something so satisfying about cracking open a fresh manga volume on a rainy afternoon.

I got into 'One-Punch Man' because of the art overhaul — it was wild to see how something that started as a scrappy webcomic turned into a glossy powerhouse. To be specific: the original creator is ONE, who made the very first webcomic version that blew up online. The version most people think of when they say volume 1 of the published manga is the remake illustrated by Yusuke Murata, whose art reimagined ONE’s story with cinematic paneling and insane detail. What always tickles me is the creative partnership: ONE’s rough-and-raw storytelling—funny, blunt, and packed with weird charm—paired with Murata’s polished, hyper-dynamic visuals. That contrast is why 'One-Punch Man' works so well in both formats. If you track the history, ONE posted the original on his own site and later Murata redrew it for a formal manga release, which is what most printed volumes collect. If you’re hunting for volume 1, check whether you’re picking up the webcomic chapters or the Murata-drawn tankōbon — they share the same bones but feel very different. I still flip between both versions depending on my mood: sometimes I want the gritty, raw humor of ONE’s pages; other times I want to stare at Saitama’s perfectly simple face against Murata’s ridiculously detailed backgrounds.

I get this question all the time when I'm swapping recs with friends: yes, the comics and the anime of 'One Punch Man' feel pretty different, and in ways that actually make both worth checking out. On paper the core story is the same — Saitama vs ridiculously overpowered threats — but the original webcomic by ONE, the remake manga illustrated by Yusuke Murata, and the anime each bring different flavors. Murata's manga is a visual feast: cleaner, highly detailed, and he often expands fights and adds little character moments that the webcomic glossed over. The anime translates that into motion, music, and voice acting, which turns some jokes and boss fights into visceral, hilarious scenes. But pacing changes happen: the anime sometimes stretches or compresses arcs for TV flow, and season-to-season animation/studio differences affect how epic a fight looks. There are also some omitted panels or dialogue from the manga, and the webcomic has unique beats since ONE's rough art focuses more on quirky timing and tone. My habit is to watch a season for the soundtrack and spectacle, then flip to the manga to savor the art and extra details. If you want the raw, oddball origin, hunt down the webcomic too — it's charmingly scrappy and surprisingly generous with differences.

Ever since I stumbled upon 'One Punch Man', I couldn't help but dive into the creative minds behind it. The original webcomic was created by ONE, who started it as a self-published series in 2009. What's fascinating is how his rough, almost doodle-like art style contrasted with the explosive popularity of the story. It's a classic underdog tale—both for Saitama and ONE himself. The webcomic's success led to Yusuke Murata, a seasoned manga artist known for works like 'Eyeshield 21', stepping in to redraw it with polished, dynamic artwork. The collaboration between ONE's storytelling and Murata's art is pure magic; it's rare to see such synergy in the manga world. Digging deeper, ONE's writing is deceptively smart. He parodies shonen tropes while delivering genuine emotional beats, like Genos' backstory or Mumen Rider's sheer determination. Murata, on the other hand, elevates the action to cinematic levels—his fight scenes feel like they leap off the page. The anime adaptation by Madhouse (Season 1) and J.C. Staff (Season 2) further cemented its legacy. It's wild to think a webcomic born from one guy's passion became a global phenomenon. I still get chills rewatching Saitama's 'serious punch' against Boros.

I still get a little thrill when I think about the exact moment 'One-Punch Man' first popped up online. The very first incarnation was a webcomic by ONE and it debuted on July 3, 2009. That original version is rougher in art but packed with absurd charm and the deadpan humor that hooked so many of us. I discovered it after a friend pasted a panel into a forum thread and I chased the rest down, laughing into the night. A couple of years later the series got a second life when Yusuke Murata began the polished remake version on June 14, 2012, which brought 'One-Punch Man' to a much wider audience and eventually led to the anime adaptation in 2015. If you want the roots and raw comedy, start with ONE's 2009 webcomic; if you crave sleek, cinematic panels and intense fight choreography, Murata's 2012 version is your lane. I bounce between both depending on my mood — sometimes I want the nostalgic scribbles, other times I need those over-the-top splash pages to stare at while I sip terrible instant coffee.

I'm a huge fan who binges stuff into the night, and honestly, the world around 'One-Punch Man' is bigger than people realize. There aren't a bunch of long-running spin-off manga series centered on other heroes in the way some franchises do, but there are plenty of official side things that scratch that itch. First off, the original webcomic by ONE and the later redrawn manga with Yusuke Murata are two different experiences of the same story — both feel like separate branches in a way. Beyond that, you'll find short side-chapters and omakes tacked onto tankōbon volumes that spotlight goofy everyday moments for Saitama, Genos, and other heroes. There are also crossover bits, artbooks, anthologies, and a few special promotional comics that explore minor characters. If you want media spin-offs rather than comics, there's the anime (and OVAs) as well as the fighter game 'One-Punch Man: A Hero Nobody Knows'. For someone who loves collecting small character moments, those short manga extras and special chapters are my favorite hidden gems — they make the world feel lived-in without being full-blown series.

If you want the clearest path through 'One-Punch Man', I usually tell people to start with the Yusuke Murata manga remake. The art is gorgeous, the pacing is tightened up from the original webcomic, and the storytelling feels polished—start at chapter 1 (Volume 1) and read straight through the tankōbon/collected chapters in order. That gives you the main continuity that most readers follow today and matches what the anime adapts for the most part. After you finish what Murata’s done so far, I like to go back and read the original webcomic by ONE. It’s rougher visually but wildly creative, and you’ll spot plot and character differences that are fascinating. Read the webcomic either after the Murata manga or interleave it if you’re curious about alternate beats; it’s a nice way to see how an idea evolves. Also, if you care about adaptations, watch the anime seasons as you go—season 1 roughly covers early arcs up through the Boros fight. For buying/reading legally, check official digital/print releases from the licensed publishers so you support the creators. Have fun — the two versions are both delightful in different ways, and I bounce between them like a kid with two favorite snacks.

If I want to reread 'One-Punch Man' I usually go straight to the official digital sources—it's fast and helps the creators. The most reliable place for English readers is Viz’s Shonen Jump service and the Viz website, which host the official chapters and volumes of the Yusuke Murata remake. For a small monthly fee you get access to a ton of manga including 'One-Punch Man', and they release chapters close to the Japanese schedule. Besides that, I buy collected volumes on Kindle or Comixology when a nice sale pops up. Physical copies from bookstores like Barnes & Noble or indie comic shops are great for shelf pride, and they often have the paperback and deluxe editions. If you prefer borrowing, check your library app (OverDrive/Libby) since many libraries carry the volumes digitally or in print. Little tip: supporting official releases keeps the series healthy and more merch/prints coming, which is why I try to buy at least one volume every arc.

I still get a little giddy whenever I flip through a volume of 'One-Punch Man' and see Murata's panels—his work is the definitive face of the published manga. The basic truth is simple: the remake manga is a collaboration where ONE provides the original story and Murata redraws, reimagines, and expands it with his own spectacular art. So yes, the manga's visuals are Murata's—his line work, composition, and pacing are what you’re seeing page after page. That said, Murata doesn’t slavishly copy ONE’s webcomic frames; he transforms them. He often extends fights, adds new beats, refines character designs, and throws in cinematic angles or extra jokes that weren’t in the original. There are also color pages, covers, and bonus illustrations where Murata experiments, and occasionally guest artists or assistants will help, but the core comic that most readers buy follows Murata’s aesthetic almost entirely. If you’re coming from ONE’s raw webcomic, expect familiar bones but a gleaming, expanded body—Murata’s art elevates the emotional and action beats. The anime, meanwhile, interprets his designs differently depending on the studio, so don’t be surprised if that looks off from the manga sometimes.