Who Wrote Things We Do In The Dark And Other Works?

Okay, quick and chatty take: the title 'Things We Do in the Dark' points most readers toward Jennifer Hillier, who writes tense, twisty psychological thrillers — think close-knit communities, messy secrets, and slow-burn reveals. I got pulled into her work after reading 'Jar of Hearts' and then dove into this title because I was in full-tilt mystery mode.

Heads-up though: Kealan Patrick Burke also has a piece with the same name, but his version sits in a darker, more horror-leaning lane. So if you want domestic noir, go Hillier; if you want eerie short fiction, try Burke. I love both approaches because they show how the same title can promise very different flavors of unease — either the kind that crawls out of your neighbor’s living room or the kind that slithers under the floorboards. Personally, I’m still thinking about the characters’ choices long after I finished reading, which is exactly the kind of lingering buzz I want from a good late-night read.

If you mean the novel 'Things We Do in the Dark', that was written by Jennifer Hillier. I got into her work because I love tight, twisty thrillers with unreliable narrators, and this one absolutely scratches that itch. Hillier’s prose leans into psychological suspense—she’s great at building claustrophobic tension, messy characters, and those little reveals that make you flip pages late into the night.

Beyond 'Things We Do in the Dark', she’s also the author of 'Jar of Hearts' and 'Little Secrets', and those books share the same knack for dark domestic drama and morally complicated protagonists. If you like authors who dig under the surface of suburban life and pull out the ugly, satisfying truths, her back catalog is worth digging through. Personally, I found myself thinking about the endings for days afterwards—so if you enjoy books that linger, give her a shot.

If you’re hunting for the author of 'Things We Do in the Dark', the name most readers will recognize is Jennifer Hillier. Her version is a tense, domestic thriller that leans hard into unreliable narrators, small-town secrets, and the kind of twisty plotting that keeps book club conversations buzzing for weeks. I first bumped into her because someone recommended 'Jar of Hearts' after a true-crime binge, and then I chased down 'Things We Do in the Dark' because I wanted more of that claustrophobic, character-driven dread. Hillier’s voice tends to sit comfortably next to writers like Gillian Flynn and Paula Hawkins — dark, intimate, and with a knack for revealing how damaging ordinary relationships can become when lies are left to fester.

That said, titles get reused, and there’s at least one other writer who’s published under the same name. Kealan Patrick Burke — who writes unsettling horror and weird fiction — has a work titled 'Things We Do in the Dark' too, but it’s the kind of thing that leans more into eerie atmosphere and short-form dread than domestic suspense. So depending on whether you want the slow unspooling of hidden motives or a handful of sharp shocks, you’d pick one author over the other. I like keeping both in mind because they scratch different itches: one for psychological tension, the other for visceral, creepy moments.

If you want to branch out from either version, try pairing Hillier’s books with novels like 'Gone Girl' or 'The Girl on the Train' if you love the gaslight-and-betrayal vibe, or slide into Burke’s other stories for more weird-horror flavors. Personally, I enjoy comparing how different authors handle secrecy — some wrap it in family drama, others make it feel supernatural and uncanny — and 'Things We Do in the Dark' (whichever one you pick) is a great conversation starter. It left me with a lingering curiosity about how people rationalize the things they hide, which is a deliciously uncomfortable feeling to take to bed.

Short and chatty: yes, 'Things We Do in the Dark' was written by Jennifer Hillier. I grabbed it after seeing 'Jar of Hearts' pop up in a thriller roundup, and honestly, both books hooked me with that slow-burn dread. Hillier likes characters who keep making bad choices and then have to live with them—perfect for late-night reading when you want something gripping but also emotionally textured.

If you’re hunting for a dark, character-led thriller to hand to a friend, this one won’t disappoint. I still think about a few of her plot twists—great stuff for fans of moody psychological suspense.

Okay, quick and enthusiastic: the writer behind 'Things We Do in the Dark' is Jennifer Hillier. I picked up that book because someone recommended it next to 'Jar of Hearts', and the two have similar vibes—tense, personal, and a little bit unsettling in the best way. Hillier tends to focus on characters with messy pasts and secrets that don’t stay buried, which makes her stories feel immediate and emotional rather than just puzzle-box thrillers.

I like to listen to her stuff on long drives; the plots keep my attention and the reveals land with real impact. If you’re curating a thriller binge, slot 'Things We Do in the Dark' alongside 'Jar of Hearts' for a cohesive mood. It’s the kind of book that makes you check your phone less because you’re too invested in the next twist, which is exactly my kind of evening.

From a slightly more analytical angle, I’d say Jennifer Hillier wrote 'Things We Do in the Dark' and several other psychologically driven thrillers. Her work often examines how memory, guilt, and family dynamics shape choices, and she layers suspense with emotional consequences rather than relying solely on plot mechanics. That makes reading her novels satisfying on two levels: the immediate mystery and the slower burn of character revelation.

If you’re cataloging authors who bridge domestic drama and classic suspense, put Hillier next to the likes of Gillian Flynn or Paula Hawkins for tone comparisons, but note she has her own voice—more intimate and character-focused. Besides 'Things We Do in the Dark', 'Jar of Hearts' and 'Little Secrets' are good follow-ups that show how she revisits similar themes while varying perspective and pacing. My takeaway: she’s consistent at delivering tense, human stories that haunt more than once.