LOGINRonan’s POV
We come down the valley road at a flat run and I know before we clear the gate that I’m already too late for something.
The Thornhollow house has too many lights on for the hour. Wrong lights, too. Not the front hall where a man greets an Alpha, but the back, the kitchen wing, the servants’ end, all of it burning at once like somebody’s been searching room to room.
“That’s not a house waking up,” Rhys says. “That’s a house missing something.”
Garrick’s guard meets us in the yard. Four of them, spread wide enough to be a line, which is a decision somebody made on purpose.
“Alpha Blackwood.” The one in front has the sense to keep his hands visible. “Alpha Thornhollow asks that you wait in the parlor. He’ll come to you when he’s able.”
“Move.”
“Alpha, I’ve been told…”
“You’ve been told to stand in front of me,” I say. “You’ve done it. Nobody’s going to say you didn’t. Move.”
He moves.
Rhys makes a sound behind me that’s half laugh and half warning, and then we’re inside, and the smell of the place hits me all wrong.
Fear. Not the usual thin layer this house wears like paint, but fresh, sharp, four or five people’s worth, and running underneath it something that has no business in a pack house at all. Cold metal. Chemical. The particular nothing smell of a room that’s been scrubbed on purpose.
And under that, faint and going fainter, her.
“East,” I say. “The east passage. Now.”
The corridor to the servants’ wing is narrow enough that Rhys has to come behind me. Third door on the left is standing open, and I know it’s hers before I reach it, because the whole doorway is soaked in six years of her.
The room is a wreck. Mattress against the wall, shelf swept bare, a tin cup on its side under the window.
She isn’t in it.
“Ronan.”
Rhys is crouched by the bed frame with two fingers on the boards. He holds them up and there’s a smear of something dark and tacky on the tips.
“Not much,” he says. “Not enough to worry. But it’s fresh.”
“Whose?”
“Not hers.” He wipes his fingers, sniffs, grimaces. “Older. A woman, and she’s been handling herbs so long it’s in her skin.”
Maren, I think. The binder.
“Alpha Blackwood.”
Garrick is in the corridor behind us with his shirt half tucked and his hair wrong and no charm on him anywhere, and for the first time since I walked into his territory I’m looking at a man telling me the truth by accident.
He’s terrified. And it isn’t of me.
“You’re inside my house without invitation,” he says.
“You’ve had a man here tonight who isn’t pack.”
“That’s my business.”
“You opened the east passage.”
Garrick’s head comes up. “Who told you that?”
“You had a binder in that room this morning,” I say, walking at him, and he backs up the way men like him always back up, one step at a time while telling themselves it’s dignified. “You had her locked in. And now she’s gone, and so is the binder, and so is your visitor, and you’re standing in a corridor at dawn looking like a man who’s just realized he’s been holding the wrong end of something for six years.”
“Get out of my house.”
“Where is she?”
“I don’t know.” It comes out of him cracked and fast and completely honest, and he hears it himself and his face crumples with it. “I don’t know. She’s not in the passage, she’s not in the yard, and neither is he, and he wasn’t supposed to take her, he was only supposed to look at her, that was the arrangement, that was the whole arrangement…”
“Arrangement with who?”
“You don’t understand what they are.”
“Then explain it.”
“You can’t fight it, Blackwood.” Garrick laughs and there’s nothing in it. “You think you’re the biggest thing in this valley. You are. That’s the joke. You’re the biggest thing in this valley, and they don’t even live in valleys. They have people in three councils. They have people in yours.”
Rhys goes very still at that.
“Name them,” I say.
“I don’t know their names!” Garrick shouts it. “Do you think men like that give you a name? They gave me a schedule. They gave me a number every month and a boy who collected the ledger sheets and a promise that if the numbers kept coming, my sister stayed breathing and my pack stayed mine. Six years. Six years and it was working, it was working, and then you walked in here and stood in my hall and put your nose in the air like a dog at a door, and now they’ve moved.”
And there it is. All of it. The whole ugly shape of the last six years, handed to me by a coward at dawn because he’s finally more frightened of them than he is of me.
“You sold her,” I say.
“I saved her.”
“You buried her alive and called it saving.”
“She killed our parents!” Garrick’s voice tears on it. Then something goes out of his face, all at once, and he says, much quieter, “That’s the story.”
“Say the rest.”
“No.”
“Garrick.”
“She didn’t kill them,” he says.
The corridor is very quiet.
“He did. The tall one. I came in and he was standing over our mother with a knife in his hand and Wren was on the floor behind him with her wolf half out of her and no idea where she was, and he looked at me, and he asked me one question.” Garrick’s hands are shaking so hard he presses them flat against the wall. “He asked me whether I’d like to be Alpha.”
I don’t hit him. I want to. There’s a version of the next four seconds where I put him through the plaster and it would be the easiest thing I’ve ever done.
“And you said yes,” I say.
“I said yes.”
Rhys’s voice comes from the end of the corridor, tight and strange. “Ronan.”
He’s at the passage door with it wide open and the gray morning coming through. On the flagstone step, weighted under a river stone with a hole worn through the middle, there’s a folded sheet of expensive paper.
I know the seal before I’m close enough to read it. Three lines, crossing at a single point.
Inside, four lines, no signature.
The arrangement is concluded. The property has been recovered. Make no inquiry, and your pack will be permitted to continue. Inquire, and it will not.
And underneath, in different ink, added after, in handwriting I have never seen before but recognize instantly as belonging to a man who smiles while he writes.
Alpha Blackwood. You noticed her in one afternoon. We have been looking for eleven years. Ask yourself how you knew.
Ronan’s POVArticle nine gets stamped at eight in the morning by a clerk who can’t look at me while he does it.“You understand this is entered in the public record, Alpha.”“I do.”“And that a claim of this nature cannot be withdrawn by the claimant, only dissolved by the claimed party before a full council.”“I know what I’m signing.”Rhys, behind me, says nothing at all, which is the loudest he’s been in fifteen years.We cross the water at noon with eleven men, which is either an escort or an army depending entirely on how the day goes. The far bank is quiet. There’s a boat tied off badly, a house with no smoke, and a woman sitting on a stump in front of it with a pipe she isn’t smoking.“You’re the Alpha,” she says.“I am.”“You’re late.”“You’re the binder.”“I am.” She stands up. Maren, then, and she comes barely to my chest and looks at me the way a farrier looks at a horse. “You’ve a paper in your coat.”“I have.”“Article nine?”“Yes.”“Hm.” She spits into the grass. “Then
Wren’s POVI make them argue about it in front of me, which is new.“Absolutely not,” Maren says.“She said run,” Isen says. “Nell surfaced for four seconds after eleven years and she used them on a warning, and you want to sit in this kitchen and wait for morning.”“I want the girl to have a day. One day, Isen. She learned her mother’s name this morning.”“She doesn’t get a day. Nobody’s ever given her one, and I’m not able to be the first.”“Then say the true reason.”“That is the true reason.”“Say the other one.”“Fine.” Isen slaps the table. “The other reason is that my wife spoke this morning and I would sell this entire valley for another four seconds of it. There. Is that ugly enough for you?”“It’ll do,” Maren says.I put my cup down.“I’ll do it,” I say.Both of them start talking at once and I let them go for a moment, because I’ve spent six years being the quietest thing in every room and it turns out there’s a particular pleasure in being the reason people are shouting.“
Ronan’s POV“Say it out loud,” Rhys says, “so you have to hear yourself say it.”We’re in Garrick’s own study with the door shut and his own brandy on the desk between us, and he’s locked in a room at the end of his own corridor with two of my men on it, which is illegal in about four different ways.“I’m claiming her.”“Under what.”“Pack claim. Article nine. A standing Alpha may extend claim over an unbound wolf in danger of trafficking across a border, and that claim carries the right of pursuit into neighboring territory without a council hearing.”“Article nine,” Rhys repeats. “Which was written for cargo runs and orphans, and which requires the wolf in question to be, and I’m quoting the actual document here, of the claiming Alpha’s household or intended household.”“Yes.”“So say the other part.”“Rhys.”“Say the other part,” he says, “because in about nine hours a clerk in Blackthorn Vale is going to read your paper out loud in front of witnesses, and I would rather you heard
Wren’s POVThey keep her in a root cellar under a house with no smoke.Isen goes down the steps first with a lamp. Maren comes last, which puts me between them, and I have enough of my wits left to notice that neither of them planned it any other way.The cellar is cold and dry and smells like earth and old apples. Someone has put a real bed down here, and a chair beside it, and a shelf with a cup on it, and all that care makes what’s on the bed worse instead of better.She’s a woman about forty. Small. Grey at the roots and dark at the ends. Her hands are folded on top of a blanket that has been tucked in by someone who does it every day, and her eyes are open, and she is not in the room with us at all.“Nell,” Isen says. “I’ve brought somebody.”Nothing.“Eleven years?” I ask.“Eleven in the spring.”“Does she eat?”“If you put it in her mouth.” He sets the lamp down. “She walks, if you walk her. She sleeps when it’s dark. She’s a body doing the things a body does, and everything el
Wren’s POVThe man who knows my name comes down to the water like he has all morning to do it.He’s fifty, maybe. Broad through the shoulders and gone soft over it, gray coming in at the temples, a coat that was expensive about a decade ago. Nothing about him is frightening. That’s the part my body objects to, because everything in me is standing up and screaming and it can’t tell me why.“Get in the boat,” Maren says behind me.“You said your mother’s people.”“I said a lot of things. Get in the boat.”“Maren.” The man stops six feet from the bank and puts his hands in his pockets. “You look old.”“I am old.”“You look it, though. That’s the difference.” He tips his head at me. “Does she know?”“She knows nothing.”“You’ve had six years.”“I’ve had six years of keeping her alive,” Maren says, “which is more than anyone standing on that bank can say.”They’re talking over my head like I’m furniture. Six years of that, and something in me has evidently run out, because I hear myself sa
Wren’s POVI wake up with my cheek against wet wood and no memory of falling asleep, which is becoming a theme in my life that I would very much like to stop.Everything smells like river.“Don’t sit up fast,” Maren says. “You’ll go over the side and I’m not going in after you.”She’s a shape against gray sky, sitting at the back of a flat boat with a pole across her knees. Reeds go past on both sides, taller than she is. My hands are in front of me, not tied, and there’s a wool coat over me that isn’t mine and smells like the herbs in her skin.“What happened.”“You don’t remember.”“No.”“Good,” Maren says. “That’s the dose working. It’ll wear off by tonight and then you’ll wish it hadn’t.”I get myself upright anyway. My head swings once and settles.“Where’s Garrick?”“In his house, I expect, telling a very large man a great many things six years too late.”“Where’s the thin man?”Maren’s pole comes out of the water, drips, goes back in. “Somewhere behind us, and not far enough,







