MasukI was born cursed. A Volana wolf, the rarest, most hunted bloodline in existence. My blood grants eternal life, which means I've spent every day since I was ten locked away by the one man who was supposed to protect me. My father didn't raise a daughter. He raised a weapon. He killed my wolf, stole my wolf, and when I had nothing left to give, he sold me. Not to a mate. To a contract. Bastien Voss Rourke doesn't do love. The most feared Alpha billionaire in the Northern Territories does deals. Clean. Calculated. Final. Three years as his contract mate in exchange for my freedom when the contract expires. No feelings. No bond. No future. I told myself I could survive it. I was wrong. Because somewhere between his cold commands and the rare, unguarded moments he forgot to be ruthless, I fell. Hard. Stupidly. Completely. Now the contract is ending. I'm standing in his penthouse with a pregnancy test in my hand and a smile I can't contain — and he's about to sign the rejection papers. He doesn't want me. He never did. But the heir growing inside me? That belongs to both of us. And when the truth about my blood, my lineage, and what I really am detonates across the pack world — Bastien will realize he didn't just reject a contract mate. He rejected his true fated bond. And some mistakes cannot be undone with paperwork.
Lihat lebih banyak"Congratulations, Miss Crest. You're eight weeks along."
I've been saying it to myself the whole drive home. Practicing it like a speech. "Bastien, I'm pregnant." Four words. I even tried different versions. Casual. Nervous. Smiling. I settled on smiling. I'm still smiling when I push through the lobby doors of Rourke Tower. The security guard at the front desk says good morning and I say it back without stopping because I cannot stand still right now. The elevator feels too slow so I take the stairs, one hand skimming the rail, the other pressed flat against my stomach over my coat. Eight weeks. There's something in there that is half me and half him and I don't know what to do with how much that means to me. Third floor landing. I can hear my own heartbeat. Fourth floor. I'm already thinking about his face. Bastien doesn't do surprised. He does controlled. He does measured. But maybe, just maybe, this will be the one thing that cracks that wall open a little. Maybe he'll reach for me the way he did that one night three months ago when he thought I was asleep and he tucked the blanket around my shoulders and stood there a second too long. Maybe this is the thing that changes us. Fifth floor. His office door is open. I slow down without meaning to. His voice carries through the gap, low and even, the way it always is when he's talking business. I've heard him close deals in that voice. Fire people in that voice. I know every shade of it by now. "Have the papers ready by end of day," he says. "The contract expires tonight. I want it clean." I stop walking. "Yes. Full settlement transferred to her account. Car arranged for ten." A pause. "No. There's nothing to negotiate. It's done." The call ends. The stairwell is quiet except for the sound of my own breathing. I look down at my hand, still flat against my stomach. The smile is gone. I don't know when it left. My mouth just quietly stopped doing it somewhere between the fourth floor and the fifth and now my face feels like it belongs to someone else. He's already done it. He didn't wait for tonight. He didn't even wait to see me first. I stand there for ten seconds. Maybe more. Long enough for my brain to catch up with my body, which already knew, because my chest hurts in a way that has nothing to do with the stairs. Then I turn around and walk back down. I don't run. I don't make noise. I walk the way my father taught me to walk through bad news, steady and quiet, like it isn't happening to you. Put your shoulders back. Keep your face still. Feel it later when you're somewhere no one can use it against you. I make it to the lobby. I sit down in one of the chairs near the window, the ones nobody uses because they face the wall. I set my bag on my lap and I look at my hands. Eight weeks. I think about the paper in my coat pocket, the one with the ultrasound printout. I thought about framing it. I actually thought that. I thought about his face when he saw it and whether he'd want to know if it was a boy or a girl and I built this whole small stupid world out of four words I was going to say on the fifth floor landing. I'm not telling him. The decision comes fast and clean, the way the real ones always do. Not out of spite. Out of survival. I know what it looks like when a door is closed. I grew up watching my father close them. You don't knock on a closed door and expect anything good. I'll leave tonight. I'll take what's mine, which isn't much, and I'll figure out the rest somewhere he isn't. "You look like someone ran over your dog." I turn my head. Soren Rourke is standing three feet away with his jacket half on and a coffee cup in each hand, watching me with that easy expression he uses to make people think he isn't paying attention. He is always paying attention. "I'm fine," I say. He looks at me for a moment. Then he holds out one of the coffees. "That's a lie," he says. "But okay." I take the coffee because my hands need something to do. He drops into the chair beside me, stretching his legs out, and he doesn't ask anything else right away. That's the thing about Soren. He waits. It's the one thing he and his brother have in common, except Bastien uses silence to shut people out and Soren uses it to let them in. "The contract's done," I say. "He already called his lawyer." Soren is quiet for a second. "I know." Something in his tone makes me look at him properly. Not the casual version of him. The real one, the one underneath the easy smile. "What do you know?" I ask. He stares at his coffee cup. Turns it once in his hands. "Six months ago," he says, "Bastien had a meeting with your father. Private. No staff, no record of it anywhere. I only know because I saw Gregor Crest leaving through the side entrance." He pauses. "Bastien came back from that meeting and within a week he started the termination paperwork." The lobby feels very still suddenly. "What did my father say to him?" My voice comes out flat and steady and I am grateful for every horrible year of practice that made it that way. Soren looks at me. "I don't know. But Lena." He stops. Starts again. "Before that meeting, things were different. You know they were." I know. I knew three months ago when Bastien stopped leaving the room the moment I walked into it. When he started staying for dinner. When he asked me once, just once, what I was reading, and then actually listened to the answer. I told myself I was imagining it. I told myself not to build anything out of nothing. But I built it anyway. Like an idiot. I built the whole thing in secret, in the space between who we were supposed to be and who it felt like we were becoming. And my father walked into that building six months ago and took a sledgehammer to the foundation before I even knew it existed. I stand up. My legs are steady. I'm proud of that. "I need some air," I say. "Lena." I look back at him. "Don't leave tonight," Soren says. "Not yet. Find out what he said." I don't answer. I push through the lobby door and step outside and the cold hits my face and I breathe it in, slow and deliberate. I press my hand to my stomach again, just for a second. Then something moves inside me. Not the baby. Something older. Something I haven't felt since I was ten years old, something my father paid someone to take from me, something that has been silent for thirteen years. It moves like a current under my skin, silver and electric, and it is gone before I can name it. But I felt it."She sang," Ivy says.She says it at breakfast on a Tuesday in January, quietly, the way she says things when she is not sure yet what they mean.Lyra is sixteen months old.She is in her chair at the kitchen table, eating with the focused efficiency she always brings to food, and she has been making sounds since she woke up. Not words. A sound that has a structure to it, the same sequence of notes repeated, different each time in a small way but recognizably the same underlying thing.I have been listening since seven.I knew what it was.I was waiting for someone else to name it."She is singing," I say."She has been doing it since she woke up," Ivy says. I heard it through the wall.Bastien comes in.He hears the sound Lyra is making and goes very still in the doorway for a moment.Then he looks at me."It is a song," he says.Yes, I say."It is the same song repeated," he says."Yes," I say.He listens for a moment. He is very good at listening, at the specific precision of someo
"She put it on the shelf herself," Bastien says.He says it from the doorway of Lyra's room on the Saturday morning after the journal reading, and his voice has the quiet of someone who has witnessed something he was not expecting and is not sure yet how large it is.I am in the hallway."What did she put," I say.Come and see, he says.I go into the room.Lyra is standing at the shelf.She is fifteen months old and she can reach the lower section now, the section where the photograph is, the section that was always going to be hers when she was tall enough.She is not reaching for the photograph.She has placed something on the shelf in the gap to the left of the photograph.I look at it.It is a rock.A small, specific rock, pale grey with a faint rose vein through the center, rounded at one end, the kind of rock that is too particular to have been picked up without intention.I crouch down beside her.She looks at me."Where did you get this," I say.She looks at the rock.She look
"She wrote about the garden," Ivy says.She says it three days after the journal arrives, on a Thursday evening, sitting in the library with the small notebook in her hands. She has read it twice alone. This is the third reading, the one she said would be for sharing.I am in my chair.Bastien is in his.Lyra is asleep upstairs.The building is at its nighttime quiet and the lamp is on."Tell me," I say.Ivy opens the journal to a page she has marked."She wrote this when I was six weeks old," she says. She says: I go to the garden before the house wakes up. The herbs are coming in and the morning is the only time I have that is completely mine. I go there and I breathe and I think about the two girls in the rooms above and I decide to stay one more day.The library is quiet."One more day," I say."Every entry starts the same," Ivy says. Not the words. The structure. She describes something real. The garden. The morning light. What the compound sounds like when it is waking up. And t
"He wrote again," Ivy says.She says it on a December morning, standing in the library doorway with an envelope in her hand, and her voice is doing the careful even thing it does when she is managing something larger than it appears.My father.I look at the envelope.This one is addressed to both of us.He has never done that before."When did it arrive," I say."This morning," she says. Soren left it on the library desk.I look at Bastien.He is in his chair. He looks at me with the expression that means this is yours to decide and I am here either way."Sit down," I say to Ivy.She sits.I opened the envelope.Two pages this time. The same formal paper. The same handwriting. Slanted and deliberate and completely his.I read the first page.It is addressed to me.He says he has been watching the Inter-Pack Governance Network's published work. He says he read the proceedings from the April conference. He says the speech I gave, which was published in the network's formal record, is t
"Ask him what he got."I say it out loud in the elevator on the way back up and the words taste exactly as bitter as I expected.Bastien is standing beside me, not touching me, watching the floor numbers rise. He has the card in his hand. He has been holding it since the stairwell and I have not as
"Stay behind me."I almost laugh. Not because it's funny but because this morning I was a contract mate with a packed suitcase and a car booked for ten and now Bastien Rourke is pulling me into a stairwell with his hand flat against the door and his entire body tuned to something I can't hear yet.
It's a council representative," Bastien says.He is looking at his phone, at the security feed thumbnail, and his face has done that particular rearrangement where something unexpected has arrived and he is deciding in real time what it means."Pack council?" Soren is already at the door."Inter-pa
"She knew," I say. "She knew the whole time."Nobody argues with me. That is how I know it's true.We are back in Nadia's office, all four of us this time, and Nadia is standing behind her desk with her hands flat on the surface and her eyes on me and the expression on her face is the specific expr






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