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Pattaya, after which is stereographic plurality

 

Based on what I saw today in the reflectionof tall trees on the river, there’s a Barthesian notionof swirling things trying to drink the water,their spreading tension the surface of claw-printsand misty roars in silver. I tried to identify themin their uniform art of consciousness—namely:floating markets, shipbuilders, dreams and deltas,river ports of morrow, fish-spark confessions,a falling tear. All of these worth surrounding theonly mirror held by the invisible hand of water.This mirror in the heart of the river reflecteda figure of the literary life with strange curvedhorns on its head. It was not at first easy to look at.I saw it and admittedly got confused with its mis-understood image. But every time it moved thingsstopped swirling. A moment of silence shone.And slowly there was a sight painted with pleasure,a riverine hospitality from Okkervil to Thailand.

 

 

 

 

 

 

 

 

 

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