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The Kiss That Ended Everything

Author: Amelia Hart
last update Last Updated: 2025-11-27 07:39:09

I don’t remember leaving the stage.

One second I’m staring at Theo’s mouth on hers, the next I’m shoving through bodies, past trays of champagne, past people calling my name like it still belongs to me.

I need a bathroom. Any bathroom. Somewhere I can lock the door and scream without two hundred phones recording it.

I find the private one behind the ballroom (meant for brides and VIPs), slam the lock, and fall against the door.

Then I throw up.

Not dramatic little heaves. Full-body, soul-ripping vomit. Ginger ale and the three bites of toast I managed this morning splatter the floor. My knees hit the tiles so hard the pain shoots up my thighs, but I don’t care. I’m shaking too hard to stand.

The baby. Oh God, the baby.

I curl over the toilet like I can protect it from what just happened.

My phone is blowing up in my clutch (buzzing against my hip like a trapped wasp). I yank it out with wet fingers.

312 new notifications.

The top one is a push alert:

BREAKING: Whitford Tech CEO Theo Whitford announces college sweetheart Amara Quinn as “the woman I’ve always loved” in shocking on-stage kiss at anniversary gala. Wife Livia Whitford flees in tears. Video inside.

There’s already a video.

I click it because I’m weird.

It’s worse in slow motion. Theo’s hand sliding into Amara’s hair. Her nails digging into his tux. The way he smiles into the kiss like he’s been starving for it.

Comments are flooding in.

I drop the phone. It clatters on the marble.

Another wave of nausea hits. I barely make the toilet this time.

When it passes I’m on my hands and knees, dress pooled around me like spilled ink, diamonds cutting into my collarbones. I catch my reflection in the mirror across the room.

Fourteen-thousand-dollar dress. Smeared lipstick. Mascara rivers. The girl from Oregon looks back at me like she’s saying, Told you so.

I laugh. It comes out broken.

My phone starts ringing (Theo’s ringtone). I reject it. Again. Again. Then a text.

Theo: Babe where are you? We need to talk. Come back out here.

Babe.

I stare at the word until it stops making sense.

Another text, same thread.

Theo: People are asking questions. Just come smile and we’ll figure it out later.

Smile.

I type with shaking thumbs.

Me: Figure what out? That you just tongue-fucked your ex in front of the entire Valley while I was about to tell you I’m pregnant?

The three dots appear. Disappear. Appear again.

Theo: …You’re pregnant?

No heart emojis. No exclamation points. Just those two words and a period.

I almost throw the phone at the mirror.

Instead I open T*****r (now X, whatever) and type the handle I swore I’d never make public.

@LiviaActually Verified in two minutes because chaos moves fast.

I attach the ultrasound photo (the one that’s been crumpled in my fist so long the edges are soft).

Caption: 8 weeks today. Surprise, @TheoWhitford. Happy anniversary.

Send.

The internet explodes so hard my phone freezes.

I turn it off. Shove it into my clutch like it’s radioactive.

I need to get out of here. Out of this dress, this hotel, this life.

I splash water on my face, fix what I can. Lipstick’s gone, eyes are red, but the ice-queen mask is sliding into place because it’s the only thing I have left.

Someone knocks (soft, hesitant).

“Livia?” Female voice I don’t recognize. “Are you okay? People are…”

“Fuck off,” I snap. My voice sounds like gravel.

Silence.

I grab paper towels, wipe the floor as best I can. Leave the mess for someone else to find. I’m done cleaning up after Whitfords.

When I open the door, three women jump back. Phones lowered, guilty.

I walk past them like I’m made of steel.

The hallway is packed. People part like I’m contagious. Whispers follow me.

I hear Amara’s laugh from the ballroom (high, triumphant). Theo’s lower murmur answering her.

I keep walking.

Past the coat check. Past the valet. Into the lobby where the cold San Francisco air hits my wet cheeks like a slap.

I have no plan. No car (mine is with the driver who works for Theo). No wallet (left it in the clutch with the phone I can’t look at).

I’m barefoot now (heels dangling from my fingers) because one snapped on stage and I kicked the other off somewhere.

A black Maybach stops at the curb. Tinted windows. Engine purring like a predator.

The back window slides down two inches.

A voice I haven’t heard in eight years (low, amused, dangerous) floats out.

“Get in, Livia.”

Alexander Kane.

Of course it’s Alexander fucking Kane.

The man whose internship I turned down because Theo said, “He’ll own you, body and soul. I want you with me.”

The man who’s been quietly buying Whitford Tech stock for eighteen months. I know because I’m the one who noticed the filings.

The man whose eyes always found me across rooms like he was waiting for something.

I’m shaking with cold and rage and the kind of exhaustion that feels permanent.

He leans forward just enough for the streetlight to catch his face (sharp cheekbones, dark hair, that stupidly unfair mouth). Same Alexander who watched me dismantle his board at twenty-one and offered me a job on the spot.

The window lowers another inch.

“I’ve been waiting for Theo to fuck up this badly for years,” he says, soft. “Get in. Let me buy you a drink and we’ll start burning his world down.”

I should say no.

I should call my mom, my lawyer, anyone.

Instead I open the door and slide into the warm leather.

The car pulls away before I even close the door.

And I don’t look back.

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  • The Kane Contract: Vows of Venom   Divorce Papers & Ultrasound

    The morning after, I wake up in Alexander Kane’s guest wing at 6:14 a.m. The bed is arctic-white, ten-thousand-thread-count, and feels like a crime scene because I actually slept.There’s a single white rose on the pillow beside me. No note. Just the flower, dewy and perfect, like it grew there overnight.I’m still staring at it when my phone buzzes on the nightstand.Unknown number. San Francisco prefix.I answer.“Mrs. Whitford?” A nervous male voice, Theo’s lawyer. “Mr. Whitford would like to finalise the divorce today. He’s at the penthouse if you’re available to sign.”I hang up without replying and text Alexander one word: Now.He’s in the kitchen thirty seconds later, hair wet from his own shower, black T-shirt clinging to places I refuse to catalogue. He reads my face and doesn’t ask questions.“Want me to come up?”“No. I want you to wait in the car. If I’m not down in twenty minutes, come get me.”He nods once. “Take the obsidian letter-opener. Just in case.”I almost smile.

  • The Kane Contract: Vows of Venom   Homecoming in Red

    The Maybach glides to a stop in front of the Pacific Heights penthouse at exactly 11:12 a.m. The building still has my name on the deed. For now.Alexander kills the engine himself. No driver today. He wanted this moment private.He doesn’t open my door. He waits until I do it myself, like he’s testing whether I still can.I step onto the sidewalk in the nineteen-thousand-dollar white silk slip dress and the black diamond ring that feels like a loaded gun on my finger. My hair is blown out, makeup armor-grade. I look like a bride who just murdered the groom and wore the blood as highlighter.Cameras are already across the street (paparazzi spawned the second the marriage certificate hit the wires). Phones rise like rifles.Alexander rounds the car, two steps behind me, close enough that his shadow swallows mine. He’s in head-to-toe black, no tie, the white rose pinned to his lapel the only color on him. He doesn’t touch me. Not yet.The doorman (Marco, been here six years) sees me and

  • The Kane Contract: Vows of Venom   The Price

    The bar is almost empty. Just low amber lights, a jazz trio packing up, and Alexander Kane at the far corner table like he owns the concept of dawn itself.He’s ditched the jacket. White shirt rolled to the elbows, exposing forearms corded with ink (black lines, Cyrillic letters, one thin white scar shaped like a crescent moon). He’s nursing something dark in a heavy crystal glass and watching the door like he already knows I’m coming.I walk straight to his table like I’m being pulled by a wire. No heels, wet hair twisted into a knot, wearing the black hoodie the concierge handed over with a whispered “Mr. Kane said you might need this.” My eyes are swollen, lips cracked from biting them bloody. I look like a crime scene.Alexander doesn’t stand. Just watches me with that unreadable stare and nudges the second glass forward (orange juice, two ice cubes, a single mint leaf floating like it’s mocking me).“Sit, Livia.”I sit.For a solid minute we do nothing but breathe the same air. H

  • The Kane Contract: Vows of Venom   Leather and Vengeance

    The Maybach smells like money and something darker. Sandalwood, maybe. Or just predator.I’m shivering in my fourteen-thousand-dollar dress, barefoot, mascara crusty, clutching the broken heel like a weapon. Alexander Kane doesn’t speak until we’re three blocks from the Rosewood and I still haven’t looked at him.“You’re bleeding,” he says.I glance down. My palm is sliced open from the ultrasound photo edges. Blood smears across the cream leather seat. I don’t move to wipe it.“Good,” I mutter.He exhales through his nose (half laugh, half something else) and reaches forward to tap the privacy glass. It lowers an inch.“Hotel Vitale. Penthouse,” he tells the driver. “And kill the location tracking.”The glass rises again.I finally turn my head.Alexander Kane in person is worse than memory. Black suit, no tie, top button undone like he never finished getting dressed. Or like he’s always ready to ruin someone’s night. The streetlights stripe across his face, sharp cheekbones, the kin

  • The Kane Contract: Vows of Venom   The Kiss That Ended Everything

    I don’t remember leaving the stage.One second I’m staring at Theo’s mouth on hers, the next I’m shoving through bodies, past trays of champagne, past people calling my name like it still belongs to me.I need a bathroom. Any bathroom. Somewhere I can lock the door and scream without two hundred phones recording it.I find the private one behind the ballroom (meant for brides and VIPs), slam the lock, and fall against the door.Then I throw up.Not dramatic little heaves. Full-body, soul-ripping vomit. Ginger ale and the three bites of toast I managed this morning splatter the floor. My knees hit the tiles so hard the pain shoots up my thighs, but I don’t care. I’m shaking too hard to stand.The baby. Oh God, the baby.I curl over the toilet like I can protect it from what just happened.My phone is blowing up in my clutch (buzzing against my hip like a trapped wasp). I yank it out with wet fingers.312 new notifications.The top one is a push alert:BREAKING: Whitford Tech CEO Theo W

  • The Kane Contract: Vows of Venom   The Toast

    I’m halfway across the ballroom when the lights dim for the first speech of the night. Some senator drones on about innovation and job creation while I weave through the crowd, smile glued on, heart hammering so loud I’m scared people can hear it.I just need to find Theo. Touch him. Feel his hand on my back the way he used to do when these events made me want to hide under a table. One squeeze and everything will settle.But he’s still at the bar with Red Dress. She’s leaning in now, saying something against his ear. He throws his head back and laughs, the same laugh he used to give me when I did something ridiculous like try to cook him dinner and set off the smoke alarm.I stop walking. People bump into me, murmur apologies, keep moving. I’m frozen, staring like some pathetic stalker.Get it together, Livia.I force my feet forward. The senator finishes. Applause. Then an editor who once called me “Theo Whitford’s brilliant accessory” in print takes the stage.“And now, the woman w

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