LOGINOne night. One kiss. One viral humiliation. Livia Harper built Theo Whitford’s dying company into a billion-dollar empire while carrying his child in secret. On their second anniversary, in front of two hundred cameras, Theo introduced his college sweetheart as “the woman I’ve always loved” and kissed her like Livia never existed. Twenty-four hours later Livia is Mrs. Alexander Kane (the most ruthless billionaire in America and Theo’s oldest enemy). The contract is simple: one year of fake marriage, seventy-five million dollars, and the total annihilation of Theo Whitford’s life. Rules: No feelings. The baby stays a secret. When the year ends, she disappears forever. But contracts weren’t made for the kind of fire that ignites when the woman who has nothing left to lose marries the man who’s never lost anything. Some vows are made to be broken. Others are made to burn the world down.
View MoreI peed on the stick at 6:12 a.m. because I couldn’t wait another second. I’d bought the test at 11:47 last night in the twenty-four-hour store on California Avenue, wearing sunglasses and Theo’s Stanford hoodie like some kind of criminal. The cashier didn’t even look up. I stood in the feminine hygiene aisle for ten full minutes pretending to compare brands while my heart tried to punch its way out of my ribs.
I slid down the bathroom wall and sat on heated Italian floor that cost more per square foot than my mom made in a month when I was growing up. I was twenty-nine, married to a man every magazine called “the future of tech,” and I was crying so hard I couldn’t breathe.
Eight weeks. I did the math in my head like I was back in my dorm at Stanford, hunched over problem sets at 3 a.m. with cold pizza and Red Bull. That night in Aspen after we closed Series B. Theo had carried me over the threshold of the cabin like an idiot, dropped me on the rug, kissed me until we forgot our own names. I remember laughing into his neck, whispering, “We did it, we actually did it.” Apparently we did more than close a round.
I pressed both palms to my stomach and just… felt it. A raspberry-sized human that already has a heartbeat. Theo’s baby. Mine. Ours.
I laughed. Then sobbed. Then laughed again until my ribs hurt.
Because God, I want this. Even if the timing is insane. Even if I’m terrified. I want it so much it scares me.
I met Theo at Stanford when I was twenty-two and still thought hoodies and messy buns were acceptable networking attire. He was the golden boy in every pitch competition, heir to Whitford Tech, the kid who already had a trust fund and still somehow managed to look tortured and beautiful. I was the scholarship girl from a nowhere town in Oregon who clawed her way into GSB on loans and spite.
I remember the first time he noticed me. We were in an Engineering Center basement at some startup mixer nobody wanted to be at. I was demolishing some VC’s half-baked blockchain idea in front of thirty people, no slides, just pure adrenaline and facts. I finished and the room went quiet. Then Theo, leaning against the back wall with a beer he was too young to have, started slow-clapping.
“Jesus Christ,” he said, loud enough for everyone to hear. “Marry me.”
The room laughed. I rolled my eyes and told him to get in line. Three months later he asked again, this time on one knee outside the business school, holding a ring pop because he said real diamonds would come later “when I’d actually earned you.” I said yes anyway.
Two years after graduation his mom died. Overnight he turned into someone I didn’t recognize: drinking at 10 a.m., missing calls with investors, letting the company his dad built rot. I watched him fall apart and I thought, I can fix this. I can fix him. So I did. I rewrote the cap table at 4 a.m. while he slept off hangovers. I cold-emailed every VC who’d ever ghosted him. I stood in front of hostile boards and smiled while they called me “the girlfriend” until I made them choke on the word. I turned a dying company into a unicorn while wearing his ring and pretending the late nights didn’t hurt.
And he loved me for it. He swore he did.
Tonight is our second anniversary gala. Two hundred people at the Rosewood, black tie, string quartet, the whole circus I planned down to the exact shade of peonies. I wrote both speeches, because Theo says my words land better. I was going to wait until after dessert, stand up, tell the entire room we’re having a baby, watch his face do that thing it used to do when he looked at me like I hung the moon.
I printed the ultrasound this morning on heavy cardstock. It’s tiny, just a blurry bean, but I cried when the tech pointed out the heartbeat flicker. I slid it into the secret pocket inside this midnight-blue dress (right over my heart like a total cliché). Theo used to live for clichés.
The dress cost fourteen grand. I know because I stared at the receipt for twenty minutes trying to justify it to the girl from Oregon who still flinches at price tags. The slit is high enough to make conservative board members swallow their tongues. I burned my neck twice doing this “effortless” low knot. I attempted a smokey eye three separate times and ended up looking like I lost a fight with a Sharpie.
I’m good at faking it now.
Theo’s been weird for weeks. Snappish. Sleeping in the guest room “because of the snoring.” Coming home at 3 a.m. smelling like someone else’s perfume (something sweet and heavy that makes my stomach turn even without pregnancy hormones). I found a long black hair on his coat last week and told myself it was from the dry cleaner. I’m great at lying to myself.
I keep waiting for him to notice I stopped drinking. Three weeks of ginger ale disguised as champagne and he hasn’t said a word. Tonight he will. Tonight everything rights itself.
My phone buzzes.
Theo: Traffic is a nightmare. Save me three dances and don’t let anyone else monopolize you in that blue dress. Dying here. Love you.
Love you. He still says it. That has to mean something.
I type back a heart and a kissing emoji because my hands are shaking too hard for real words.
The private elevator dings. Showtime.
I step into the foyer and the cameras hit me like a physical force. Flashes, shouted questions, someone grabs my wrist for a photo. I smile the way I practiced in the mirror a thousand times: chin tilted, eyes warm, untouchable. Inside I’m vibrating so hard I’m surprised the diamonds aren’t rattling.
I glide through the crowd on muscle memory. Handshakes, air kisses, compliments on the dress, on my skin, on how Theo and I are “the ultimate power couple.” I laugh in all the right places. I’m excellent at this now. I used to hide in bathroom stalls during these things, texting my mom that I didn’t belong here. Now I own the damn room.
I spot him instantly.
Theo. Leaning against the bar, golden and perfect in his tux, that half-smirk that ruined me the first time he aimed it my way. My chest still does the same stupid flip it did when we were twenty-three and broke and happy.
Then I see the woman next to him.
Red dress poured over curves money can buy. Hand on his arm like it’s home. Head thrown back laughing at something he said, throat exposed, hair sleek and black and longer than mine.
I don’t know her. I would remember a face like that.
My stomach drops so fast I taste bile.
Theo’s eyes find mine across the ballroom. For one heartbeat his smile is real, soft, the one he used to give me in the Stanford library when I fell asleep on his shoulder during finals week.
He lifts his glass.
I force my lips to curve, press my hand to the hidden pocket over my heart. The little ultrasound photo crinkles under my fingertips like it’s screaming.
I mouth, “I have a surprise.”
He winks.
Everything’s still okay.
I just have to get through my toast.
The morning after, I wake up in Alexander Kane’s guest wing at 6:14 a.m. The bed is arctic-white, ten-thousand-thread-count, and feels like a crime scene because I actually slept.There’s a single white rose on the pillow beside me. No note. Just the flower, dewy and perfect, like it grew there overnight.I’m still staring at it when my phone buzzes on the nightstand.Unknown number. San Francisco prefix.I answer.“Mrs. Whitford?” A nervous male voice, Theo’s lawyer. “Mr. Whitford would like to finalise the divorce today. He’s at the penthouse if you’re available to sign.”I hang up without replying and text Alexander one word: Now.He’s in the kitchen thirty seconds later, hair wet from his own shower, black T-shirt clinging to places I refuse to catalogue. He reads my face and doesn’t ask questions.“Want me to come up?”“No. I want you to wait in the car. If I’m not down in twenty minutes, come get me.”He nods once. “Take the obsidian letter-opener. Just in case.”I almost smile.
The Maybach glides to a stop in front of the Pacific Heights penthouse at exactly 11:12 a.m. The building still has my name on the deed. For now.Alexander kills the engine himself. No driver today. He wanted this moment private.He doesn’t open my door. He waits until I do it myself, like he’s testing whether I still can.I step onto the sidewalk in the nineteen-thousand-dollar white silk slip dress and the black diamond ring that feels like a loaded gun on my finger. My hair is blown out, makeup armor-grade. I look like a bride who just murdered the groom and wore the blood as highlighter.Cameras are already across the street (paparazzi spawned the second the marriage certificate hit the wires). Phones rise like rifles.Alexander rounds the car, two steps behind me, close enough that his shadow swallows mine. He’s in head-to-toe black, no tie, the white rose pinned to his lapel the only color on him. He doesn’t touch me. Not yet.The doorman (Marco, been here six years) sees me and
The bar is almost empty. Just low amber lights, a jazz trio packing up, and Alexander Kane at the far corner table like he owns the concept of dawn itself.He’s ditched the jacket. White shirt rolled to the elbows, exposing forearms corded with ink (black lines, Cyrillic letters, one thin white scar shaped like a crescent moon). He’s nursing something dark in a heavy crystal glass and watching the door like he already knows I’m coming.I walk straight to his table like I’m being pulled by a wire. No heels, wet hair twisted into a knot, wearing the black hoodie the concierge handed over with a whispered “Mr. Kane said you might need this.” My eyes are swollen, lips cracked from biting them bloody. I look like a crime scene.Alexander doesn’t stand. Just watches me with that unreadable stare and nudges the second glass forward (orange juice, two ice cubes, a single mint leaf floating like it’s mocking me).“Sit, Livia.”I sit.For a solid minute we do nothing but breathe the same air. H
The Maybach smells like money and something darker. Sandalwood, maybe. Or just predator.I’m shivering in my fourteen-thousand-dollar dress, barefoot, mascara crusty, clutching the broken heel like a weapon. Alexander Kane doesn’t speak until we’re three blocks from the Rosewood and I still haven’t looked at him.“You’re bleeding,” he says.I glance down. My palm is sliced open from the ultrasound photo edges. Blood smears across the cream leather seat. I don’t move to wipe it.“Good,” I mutter.He exhales through his nose (half laugh, half something else) and reaches forward to tap the privacy glass. It lowers an inch.“Hotel Vitale. Penthouse,” he tells the driver. “And kill the location tracking.”The glass rises again.I finally turn my head.Alexander Kane in person is worse than memory. Black suit, no tie, top button undone like he never finished getting dressed. Or like he’s always ready to ruin someone’s night. The streetlights stripe across his face, sharp cheekbones, the kin






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