LOGINThe bar is almost empty. Just low amber lights, a jazz trio packing up, and Alexander Kane at the far corner table like he owns the concept of dawn itself.
He’s ditched the jacket. White shirt rolled to the elbows, exposing forearms corded with ink (black lines, Cyrillic letters, one thin white scar shaped like a crescent moon). He’s nursing something dark in a heavy crystal glass and watching the door like he already knows I’m coming.
I walk straight to his table like I’m being pulled by a wire. No heels, wet hair twisted into a knot, wearing the black hoodie the concierge handed over with a whispered “Mr. Kane said you might need this.” My eyes are swollen, lips cracked from biting them bloody. I look like a crime scene.
Alexander doesn’t stand. Just watches me with that unreadable stare and nudges the second glass forward (orange juice, two ice cubes, a single mint leaf floating like it’s mocking me).
“Sit, Livia.”
I sit.
For a solid minute we do nothing but breathe the same air. He studies the cut on my palm, the dried blood under my nails, the way my left hand keeps drifting to my stomach like it’s magnetized.
“You came,” he finally says, voice low, almost gentle.
“I’m here to negotiate, Mr. Kane. Not beg.” My throat feels lined with sandpaper. “Twenty-five million is insulting. I want seventy-five.”
He doesn’t blink. “Done.”
I open my mouth. Nothing comes out.
He keeps going, calm as death.
“Seventy-five day-of-wedding wire transfer to an account in your name only. Cayman structure, zero visibility. Keep going.”
I wasn’t ready for him to roll over. I scramble.
“Full narrative control. Every story, every photo, every blind item, I approve or it dies unborn.”
“Already written into the contract.”
“The baby is off-limits. No leaks, no speculation, no cute little ‘Kane heir on the way’ headlines. You kill that noise at the source.”
He nods once. “My people are scrubbing the internet as we speak. By noon the only pregnancy mention will be the one you choose to make.”
I hate how prepared he is.
I lean forward until our faces are inches apart.
“One year exactly. Day 366 I’m gone. No extensions, no emotional blackmail, no ‘but we could make it work’ bullshit.”
His eyes flick to my mouth and back up. “Three hundred and sixty-five nights from the moment the judge says ‘I now pronounce you.’ After that you disappear with the money and I never darken your door again.”
I swallow. “And Theo?”
Alexander’s smile is slow, sharp, gorgeous in the worst way.
“I start with his board seats. Then his investors. Then his reputation. By the time I’m finished he’ll be lucky to get a job selling insurance in Fresno. You’ll get to watch every second. Up close and personal.”
He reaches into his inside pocket, pulls out a slim black folder, and slides it across the table.
Inside: marriage license already filled out in perfect calligraphy, two witness signatures I don’t recognize, and a prenup that’s exactly four pages long.
Page one: seventy-five million dollars. Page two: narrative control clause. Page three: iron-clad non-disclosure on the child. Page four: dissolution terms so clean they could cut glass.
I flip to the last line.
In the event either party develops genuine emotional attachment, the contract remains binding until the original termination date. No early exit. No renegotiation.
I look up. “You’re scared I’ll fall for you.”
“I’m terrified you won’t.”
The air between us crackles.
I tap the folder. “This is missing the part where I get to burn things.”
He reaches over, flips to a blank page at the back, and hands me a Montblanc.
“Write whatever you want,” he says. “I’ll sign it in blood if it makes you feel better.”
I stare at the pen.
I write one line in block letters:
THEO WHITFORD WILL BEG BEFORE THIS IS OVER.
I slide it back.
He signs beneath it without reading. His handwriting is sharp, impatient, beautiful.
Then he checks his watch: 5:59 a.m.
“City Hall opens at nine. I have the license, the judge, and the photographer. Wear whatever you want. Or don’t. I’ve seen you in worse.”
He stands, buttons one button on his shirt like he’s already moving on to the next war.
I grab his wrist (hard).
“Why me, Alexander? Actually why. Not the pretty revenge story.”
He looks down at my hand on his skin, then at me.
“Because eight years ago you stood in my boardroom and told twelve men making two million a year that their entire strategy was ‘adorable garbage.’ You were twenty-one, wearing a thrift-store blazer, and you never once looked at me for approval.” His voice drops. “I’ve spent every day since trying to figure out how to bottle that. This is the closest I’ll ever get.”
He pulls free, gentle but final.
“Ten a.m. Don’t be late, Mrs. Kane.”
He walks out.
I sit there until the bartender starts wiping tables around me.
At 6:47 a.m. I’m in the suite, ripping tags off the only white thing the personal shopper delivered: a backless silk slip dress that costs more than most people’s rent. Simple. Severe. Funerals and weddings look the same sometimes.
I do my own makeup with shaking hands. Winged liner sharp enough to cut. Red lipstick named “Vendetta.”
I call my mother. She picks up on the first ring, voice thick with sleep and tears.
“Baby, the videos…”
“I’m getting married in two hours,” I cut in. “Different groom. Tell you later.”
Silence. Then: “Do you need me there?”
“No. I need you safe. Delete everything. Go dark for a week.”
I hang up before she can ask questions.
9:43, I’m outside City Hall.
Alexander is leaning against a black Rolls, white rose in his lapel, sunglasses hiding whatever’s in his eyes.
He offers his arm. I take it.
The judge is waiting inside a private chamber. Two witnesses (his lawyer and a stone-faced assistant). The photographer is discreet, expensive, already paid to make us look untouchable.
Alexander slides the ring on my finger: platinum band, black diamonds, cold as the bottom of the ocean.
I slide his on: matching, thicker, heavier.
The judge says the words. We repeat them like we mean them.
“I now pronounce you husband and wife.”
Alexander kisses me (not soft, not hard, just inevitable). His hand cups the back of my neck like he’s done it a thousand times.
The camera catches it from three angles.
By 10:27 a.m. the marriage certificate is filed and the first headline hits:
ALEXANDER KANE WEDS THEO WHITFORD’S PREGNANT EX-WIFE IN STUNNING CITY HALL CEREMONY Shares of Whitford Tech down 19% pre-market.
I stare at my new ring while the notifications explode.
Alexander opens the car door for me.
“First stop,” he says, “your old house. Time to collect what’s yours.”
I smile for the first time all night.
It feels like sharpening knives.
(Livia’s POV)The hospital room has become our small universe by the afternoon of the second day.Sunlight slants through the half-closed blinds in warm golden bars across the bed, catching dust motes that drift lazily in the air.The monitors beep in a soft, steady rhythm, my heartbeat, Sandra’s heartbeat, the quiet pulse of life continuing. The scent of baby lotion mingles with the faint antiseptic smell that still clings to everything, and the bouquet of white roses Alexander brought this morning sits on the windowsill, petals perfect and fresh, their fragrance soft but insistent.Sandra is asleep in the bassinet beside me now, tiny fists curled near her face, mouth open in that perfect newborn O, breathing in those little puffs that I could listen to forever.Her dark hair has fluffed up slightly, soft waves catching the light, and her cheeks are flushed pink from nursing. She’s wearing the tiniest hospital hat, white with a single rose embroidered on the brim, someone in the nurs
(Livia’s POV)The first hour in recovery stretches into the second, and I’m still floating in that soft, hazy bubble where time doesn’t quite apply. The room is a quiet sanctuary, warm lights dimmed just enough to soothe, the steady beep of monitors a gentle lullaby in the background, the faint scent of baby lotion and hospital linens wrapping around us like a promise of safety.Sandra is asleep on my chest now, tiny breaths puffing against my skin, little hand still curled around my finger like she’s afraid to let go even in her dreams. Her dark hair has dried into soft waves, and her cheeks have settled into a warm pink that makes her look like a porcelain doll come to life. Every few minutes she makes a soft snuffle, a hiccup, a dream-smile that tugs at my heartstrings so hard I feel it in my soul.I can’t stop staring at her. Can’t stop tracing the delicate lines of her face with my eyes, memorizing the way her eyelashes flutter, the way her tiny nose wrinkles when she sighs. Afte
(Livia’s POV)They wheel me out of the operating room and into recovery, and the shift is immediate.The harsh lights soften to a warm glow, the frantic beeps slow to a steady rhythm, the sterile air warms with the faint scent of baby powder and fresh linens.It’s like stepping from chaos into a cocoon, a quiet space carved out just for us.Sandra is still on my chest.Warm. Tiny. Breathing in little puffs against my skin.Her weight is nothing and everything at once, six pounds, eight ounces of miracle pressing right over my heart, her little body rising and falling with each of my breaths.Her dark hair is drying in soft wisps, tickling my collarbone where it brushes.Her cheek is flushed pink, mouth slightly open in that perfect newborn pout, tiny tongue flicking out in sleepy reflex.Every few seconds she makes a soft snuffle, a hiccup, a sigh, like she’s already dreaming about the world she just entered, processing the lights and sounds and the feel of air on her skin for the fir
(Alexander’s POV)The moment they place her on Livia’s chest, the entire universe shrinks to the size of that tiny, furious bundle.Everything else, the beeping monitors fading into background noise, the clink of instruments being set aside, the low murmur of doctors and nurses finishing up, the harsh operating-room lights overhead, all of it dissolves into irrelevance.There is only her. Only this small, red-faced, perfect human being who just stormed into the world screaming like she already owns it.Sandra Harper-Kane.My daughter.I’m still holding Livia’s hand so tightly the nurse has to gently remind me twice to loosen my grip so the circulation monitor stops beeping. I do, barely but I don’t let go completely. I can’t.If I let go, I might float away. Or shatter into a thousand pieces. Or wake up and discover this was all a dream I don’t deserve.She’s so small.Six pounds, eight ounces. Nineteen inches. The numbers the nurse rattled off feel abstract until I see her, until I r
(Livia’s POV)The hospital doors slide open, and the bright fluorescent lights hit me like a physical force, harsh, unforgiving, washing everything in cold white.Everything moves too fast after that.Nurses swarm around us, hands gentle but urgent, voices calm and efficient in a way that’s both reassuring and terrifying.Someone takes my arm. Someone else slides a wheelchair under me before my legs give out.Alexander never lets go of my hand. His grip is iron-tight, fingers laced through mine, knuckles white. His face is pale, jaw clenched, but his eyes stay locked on me like I’m the only thing keeping him anchored.I think, this is really happening. Right now. No more waiting. No more buildup. Just the end of everything I’ve carried alone for so long.“Her water broke at home,” Alexander tells them, voice steady even though I can hear the strain. “Contractions every three to four minutes now. Strong. Getting stronger.”They nod. Wheel me down a long, sterile hallway. The lights str
(Alexander’s POV)The second Livia says “my water broke,” the world narrows to a pinprick.Everything else, penthouse, rain, the city, the empire we just took back, collapses into nothing. There is only her. Standing in a puddle in the kitchen, shorts soaked, spoon frozen mid-air, laughing that soft, shocked laugh that makes my stomach drop through the floor.My heart slams against my ribs so hard I taste copper. My vision tunnels. A cold sweat breaks out across my back, under my arms, along my hairline. It feels like someone poured ice water down my spine.I’m moving before my brain catches up. Legs heavy, like they’re wading through concrete. I lift her out of the mess, gentle, urgent, terrified I’ll hurt her and set her on the dry side of the island. My hands shake so badly I almost drop her.Don’t fall apart. Not now. Not in front of her.I run.Hospital bag. Slippers. Robe. Keys. Phone. I yank drawers open, slam them shut, the noise echoing in my skull like gunshots. My pulse is







