LOGIN~ Ivy ~I wiped a smudge of yellow paint off my thumb with a wet rag. I was cleaning my brushes in the small kitchen when the heavy front doorbell rang. It was not the soft chime of the guest house bell. It was the loud, double ring from the front doors of the main terrace at Knight Manor.I set the wooden brush down on the counter. Mrs. Hughes was in town getting groceries, and Ethan was finishing his rounds at the hospital. I walked through the wide hallway, unlocked the heavy wooden latch, and pulled the front door open.My feet froze against the stone floor.Standing on the terrace steps were my parents.Arthur Monroe wore his dark charcoal business suit, but the collar was crooked, and his tie sat loose against his neck. He looked thinner, his face pale and lined with deep creases. Next to him stood my mother, Victoria. She wore a beige coat with a fur collar, holding a designer leather purse tightly against her ribs with both hands.For two seconds, my breath caught in my throat
~ Ethan ~I tapped my fingers against the edge of the steel table. Three stacks of printed papers lay side by side under the bright white desk lamp in the basement records archive.On the left was the official ambulance report from the night of the charity gala. On the right was the emergency dispatch log from the city police department. In the middle was a copy of Chloe Bennett’s mobile phone billing record from that exact same night.I took a black pen and drew a straight circle around the first timestamp.10:41 p.m.That was the time the security cameras caught Ivy hitting the marble floor in the hallway outside the ballroom.I moved my pen to the dispatch log.10:52 p.m.That was the exact minute the first emergency call reached the city operator. The call had come directly from Chloe’s mobile number.I stared at the two numbers. I subtracted forty-one from fifty-two.Eleven minutes."Eleven full minutes," I muttered under my breath.A cold feeling settled in my stomach. Eleven mi
~ Ivy ~The studio smelled of linseed oil, fresh canvas, and black coffee.I stood in front of my wooden easel, holding a wide palette knife coated in deep cobalt blue paint. Afternoon sunlight came through the front window, shining across the polished floorboards and the half-finished commission resting on the stand. My green apron was smeared with gray and gold smudges from yesterday's work.A small brass bell chimed above the front door.I set the palette knife down on the edge of my glass mixing tray, wiped my fingers on a clean cotton rag, and turned around, expecting a client from the arts quarter.The person standing in the doorway was not a client.My breath caught in my throat. I stood completely still by the easel, my hands holding the rag tight against my apron.Lily stood just inside the threshold.She looked thinner than the last time I saw her. Her blonde hair was pulled back into a low ponytail, but several loose strands hung around her pale face. She wore a beige trenc
~ Ivy ~The screen of my phone lit up the dark bedroom.A name flashed in bold black letters right in the center of the glass: Lily.My fingers went cold. The steady, buzzing hum of the ringtone sounded like an alarm going off in the quiet room.I did not move. I sat on the edge of the mattress, my hands gripping the cotton sheets so tightly that my knuckles turned white. My chest grew tight, making it hard to pull air into my lungs.For twenty-seven years, that name had meant everything in the Monroe house. Lily was the golden child. Lily got the pink dresses with the shiny pearls. Lily got the praise, the private schools, and the gentle smiles from our parents. When Lily ran away to avoid marrying Julian Vance, our father did not hunt her down with anger. He just turned to me, his disposable daughter, and sold me to save his company instead.The phone buzzed against the nightstand. Four times. Five times.I kept my hands locked on the mattress. I stared at the flashing letters until
~ Ivy ~ My phone buzzed on the workbench, face-down, and I let it go to voicemail before I even looked at the screen. Old habit. Numbers I didn't know used to mean trouble, and some habits don't leave just because the trouble stopped. I wiped the paint off my hands and picked it up anyway. One new voicemail. I pressed play. "Hello, Miss Monroe, this is Gerald Ashford, calling on behalf of—" I didn't let him finish. My thumb found the delete button before he got to the second sentence, and I stood there holding the phone like it might ring again on its own. My hands were shaking. Just a little. Enough that I noticed. Maya looked up from the canvas she was stretching in the corner. "Everything okay?" "Fine." I set the phone down screen-first, like that would help. "Just old business trying to become new business." "That's not an answer." "It's the only one I've got right now." I forced a smile, and Maya let it go, because that's the kind of friend she was. She didn't push. She j
~ Ethan ~I typed one line and then just sat there looking at it. *Chloe Bennett — timeline, night of the fall.* Ten words. It took me almost twenty minutes to write them.The hospital was quiet this late. Most of the lights on my floor were off except mine. I had told myself I was staying to catch up on charts. That was true, but it wasn't the real reason. The real reason was sitting in a folder I hadn't opened in over a year.I opened it now.Ivy's admission file. Her intake photo was the first thing that came up, and I made myself look at it instead of clicking past it. The bruising along her jaw. The cut above her eyebrow. Her eyes in that picture didn't look scared anymore. They looked like she'd already given up on being scared, like she was too tired for it. I had seen that look on other patients before. It never got easier.I closed my eyes for a second, then opened them and kept working.I pulled the original police report next. It was short. Too short. Two pages for a woman







