Behind them, the pen in her bag hummed once, faint and content.Ahead of them, the night stretched, full of nothing more threatening than closed cafés and overwatered plants in shop windows.They walked on, hand in hand, unafraid of the next stop.A few nights later, the city outside was hushed under a thin veil of mist. Streetlights blurred at the edges; car noise was a dull, distant hiss. In the apartment, the only light came from the lamp on Willa’s desk and the soft blue spill of her laptop screen.She sat forward in her chair, shoulders hunched in the way she’d promised herself to unlearn, fingers poised over the keys.The manuscript file was open.*Bus to Nowhere – Draft 4*.Chapter 32.The last one.On the page, Mara and her monster analog had survived their version of the game. The system had been torn down and rebuilt. The bus had become a symbol, not a sentence.There was one scene left.One line, really.The one that would tell readers what kind of story this had been all a
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