Theo is sitting on my bed when I get home from The Grind House, and the wrongness of his presence in this room is so acute that my body does a full-system jolt that starts in my chest and radiates outward. For me now, this room belongs to belt buckles and cage-grips and 1:47 AM and the smell of leather, and Theo Gallagher sitting on my duvet with his elbows on his knees and his kind familiar face looking up at me with an expression I’ve been watching form for months is a foreign object in an ecosystem that will reject it.“Your mom let me in,” he says, and the sentence explains the logistics but not the energy he’s carrying, which is the energy of a man who has rehearsed something in his car and driven here before the rehearsal wore off.“Theo, you can’t just–”“I love you.”The words land in the room with no cushion. His eyes are steady on mine, and his hands are gripping his own knees the way Knox grips his knees when he’s saying something that costs him, except that Knox’s knuckles
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