Does Aemond Targaryen Become King?

The power struggle between Aemond and Aegon in 'House of the Dragon' is one of those twists that had me glued to the screen, debating with friends for weeks. Aegon II ultimately becomes king after the death of his father, Viserys I, but it’s far from a smooth coronation. The Greens, led by their mother Alicent and Otto Hightower, push Aegon’s claim aggressively, arguing that as the firstborn son, he should inherit the Iron Throne despite Viserys’s earlier support for Rhaenyra. The show does a brilliant job of showing how messy and brutal succession can be—especially when dragons and egos are involved. Aemond, though undeniably a formidable figure with his bond to Vhagar and his ruthless demeanor, doesn’t end up as king. Instead, he becomes a key player in the Dance of the Dragons, backing his brother Aegon’s reign while carving out his own legacy through sheer intimidation and battlefield prowess. Their dynamic is fascinating; Aegon’s rule is shaky, plagued by his own vices and the looming threat of Rhaenyra’s faction, while Aemond’s presence feels like both a weapon and a liability. I low-key wonder if Aemond might’ve been the 'better' king in terms of sheer force, but the narrative leans into the tragedy of flawed people making disastrous choices. The whole thing leaves me itching for Season 2—just give me more dragon battles and family drama, please.

The narrative in 'Fire & Blood' treats Aemond's fate as a foregone conclusion, relayed with the dry brevity of a maester's chronicle. His story culminates at the Battle Above the God's Eye, a legendary duel fought against his uncle, Daemon Targaryen. Both men were on dragonback—Aemond on the colossal Vhagar, Daemon on Caraxes. The account is stark. After a brutal mid-air clash, Daemon leapt from his saddle, driving the Valyrian steel sword Dark Sister through Aemond's remaining eye, killing him instantly. Their locked bodies, along with the dying dragons, plummeted into the great lake below. That's the historical record. Yet, as a reader, the finality of that plunge always leaves me cold. George R.R. Martin seeds the chronicle with these epic, almost mythological endings that feel designed for song, but the man behind them—the bitter, one-eyed prince driven by a lifetime of perceived slights—just... vanishes into the murky depths. We don't get his last thoughts, only the spectacular violence of his exit. In a way, it’s a fittingly operatic yet hollow end for someone whose entire life was a performance of strength masking deep insecurity.

I'm the sort of person who gets goosebumps thinking about that moment where a massive, ancient dragon chooses its rider — it's gritty and savage and oddly intimate all at once. In both the book and the show the short version is similar: Vhagar had become riderless and Aemond made the bold, dangerous move to claim her. Dragons in the Targaryen world don't passively take whoever shows up; there has to be a confrontation, a show of will, and most of all the dragon's acceptance. Aemond put himself in Vhagar's path and Vhagar accepted him. If you dig into 'Fire & Blood' you get the historical, slightly darker tone: Vhagar was one of the oldest dragons around, huge and not easy to sway. After her previous rider was gone, Aemond — who had a reputation for being fierce and unyielding — seized the chance. The texts make it clear that dragons can and do accept new riders after their old ones die, but it isn't automatic: the would-be rider must show courage, claim, and a kind of kinship, and the dragon must willingly accept. Aemond’s temperament and Targaryen blood helped, but it was also a risky, physical act of claiming. Watching the same beats translated in 'House of the Dragon', the scene is visceral: the camera lingers on Aemond's stare, the leap, the moment of contact where Vhagar chooses to let him climb aboard. To me that captures the core of dragon-rider bonds in the setting — not just ancestry or ritual, but force of will, timing, and the dragon’s own choice. It always feels a little like a test of character when a dragon picks someone; Aemond passed that brutal exam, and Vhagar answered back in the only way she could: by taking him as hers.

Well, that's a major point of speculation for anyone reading 'Fire & Blood'. Aemond's fate is part of the history George R.R. Martin lays out, and in the book's account of the Dance of the Dragons, he does not survive the war. The climactic event is the Battle Above the God's Eye, a duel between Aemond on Vhagar and his nephew Daemon on Caraxes. It’s one of the most legendary moments in Targaryen lore. The narrative describes how Daemon, though on the smaller dragon, leaps from Caraxes onto Vhagar mid-air to drive his sword Dark Sister through Aemond’s remaining eye. Both dragons and both riders ultimately perish in that crash into the lake. However, the book is written as an in-world maester’s history, compiled from sometimes conflicting sources. So while the core event of Aemond’s death at the God’s Eye is presented as the accepted historical record, the exact, blow-by-blow cinematic details we might imagine are filtered through that biased, secondhand perspective. We get the monumental facts, but not the intimate inner thoughts of the characters in their final moments. It leaves room for the show to expand on the visceral horror and drama of that duel, even if the endpoint is predetermined. What’s compelling about his book fate isn't just the 'does he die' part, but the sheer scale of his ending. He goes out in what’s essentially a dragon joust turned into a mythic, mutual kill with his greatest rival. It solidifies his legacy as a figure of terrifying prowess and ruthlessness, whose actions, like the Burning of the Riverlands, irrevocably shape the war's course. His survival was never really in the cards, given the historical framework, but the journey to that lake is where all the tension lies.

Man, Aemond's fate in the books is one of those pivotal 'oh damn' moments that defines the whole Dance. It’s laid out in 'Fire & Blood', framed as a historical account by Archmaester Gyldayn, so there’s some biased or conflicting sources, but the core event is clear enough. He and his massive dragon Vhagar face off against his nephew Daemon Targaryen on Caraxes above the Gods Eye. The duel itself is legendary—two dragonriders clashing in the sky, a brutal, personal feud made epic. The accounts say they leapt from dragon to dragon in mid-air for the final blow. It’s a mutual kill. Both dragons and both riders die, crashing into the lake. What gets me is the ambiguity. Some maesters claim Daemon jumped, others that he was thrown. Aemond’s body was found later, still chained to Vhagar’s saddle, with Dark Sister driven through his empty eye socket. The imagery is so stark and symbolic, it feels less like a standard battle death and more like a mythic punishment for the kinslayer. The whole event is a huge turning point, removing two key players and their dragons in one go, really accelerating the war's brutal downward spiral into utter chaos. I always found the aftermath almost as interesting as the fight itself. With Aemond gone, the Greens lose their most fearsome military commander and their biggest dragon. It leaves Aegon II in a much weaker position, setting the stage for the desperate, ugly endgame of the war. The way his death is recorded—this blend of dry historical fact and vivid, almost poetic detail—really shows George R.R. Martin’s skill in making the Targaryen history feel real and weighty. It’s not just 'they fought and died'; it’s this layered, contested narrative that has echoes throughout the rest of the dynasty’s story.

That fight in 'House of the Dragon' was brutal, wasn't it? Aemond losing his eye was one of those moments where you could feel the tension snapping like a bowstring. It all went down during that chaotic brawl at Driftmark after Laena Velaryon's funeral. Aemond claimed Vhagar, which pissed off Rhaena and Baela—rightfully so, since their mom just died and he swooped in like a vulture. Things escalated when the kids started throwing punches, and Luke slashed Aemond's eye with a knife. What gets me is the symbolism: Aemond gained a dragon but lost an eye, almost like the universe balancing the scales. The show did a great job making it feel raw and messy, not some clean heroic moment. Honestly, I rewatched that scene three times because the acting was chef's kiss. Aemond's scream? Chilling. It wasn't just about the physical pain—you could tell it was mixed with rage and humiliation. And the aftermath? Alicent demanding 'an eye for an eye' while Viserys waffled? Peak Targaryen dysfunction. It's crazy how one impulsive kid fight basically set the stage for the Dance of the Dragons. Makes you wonder if things would've gone differently if Aemond had just... I dunno, not taunted them about their dead parents? But then again, where's the fun in that?

especially in fanfics that explore his inner turmoil and twisted love stories. 'The Eye of the Storm' on AO3 is a standout—it digs into his guilt over Lucerys’ death while weaving a dark romance with a Velaryon OC. The tension between duty and desire is brutal, and the prose feels like something ripped straight from 'Fire & Blood' but with way more emotional depth. Another gem is 'Dragon’s Shadow,' where Aemond’s rivalry with Daemon takes a toxic romantic turn. The author nails his internal conflict, making you almost sympathize with his rage. The slow burn is excruciatingly good, and the way they handle his missing eye as a metaphor for vulnerability? Chef’s kiss. If you crave angst with a side of fire and blood, these fics deliver.

Aemond's journey is a classic case of a second son forging his own brutal legacy in the shadow of his more 'suitable' brother Aegon. The loss of his eye to Lucerys Velaryon over a childhood quarrel with a dragon—Vhagar, the greatest of them all—is the inciting wound. He doesn't just claim Vhagar; he bonds with a creature of war, and it shapes him completely. His infamous toast, 'Strong boys,' is a public, venomous declaration of war, revealing his sharp mind for propaganda and his utter ruthlessness. His military campaigns during the Dance are where he truly becomes a figure of terror. The burning of the Riverlands isn't just strategy; it's systematic annihilation, making him the realm's most feared dragonrider. The duel above the God's Eye with Daemon Targaryen is his crescendo—a mythical, doomed clash between the old master and the young, furious prodigy. He dies as he lived: defiant, violent, and utterly committed to securing his side's victory, even at the cost of his own life. His arc is less about redemption and more about the terrifying efficiency of nurtured hatred.

Man, the Targaryen family tree is like a dragon's nest—full of twists and fiery drama! Aemond and Aegon are two of those complex siblings from 'House of the Dragon,' and their ages are low-key important for understanding their rivalry. Aegon is actually the older brother, born first to Viserys and Alicent, while Aemond came later. That age gap fuels so much tension, especially when Aegon gets crowned king instead of Rhaenyra, and Aemond’s infamous 'claim' on Vhagar sparks all kinds of chaos. I love how the show plays with their dynamic—Aegon’s laziness versus Aemond’s ruthless ambition. The fact that Aemond is younger but way more vicious adds such a delicious layer to their conflicts. It’s wild how birth order shapes their destinies, with Aemond constantly trying to outshine his older brother. That one-eyed prince really steals every scene he’s in, though!