'Gladiator' (2000) might be his last role, but what a way to go. Proximo isn’t a huge part, but Reed makes him unforgettable—gruff, cynical, but with this buried humanity. His scenes with Russell Crowe crackle, and there’s this melancholy weight to his performance, knowing it was his final film. It’s a reminder of how much presence he had, even in smaller roles.
Don’t sleep on 'The Brood' (1979). Reed plays a psychologist in this Cronenberg horror flick, and he’s wonderfully unsettling. The film’s creepy as hell, but Reed grounds it with this eerie calm. It’s a different vibe from his usual fiery roles, showing he could do subtlety just as well. That mix of intellectual detachment and lurking menace? Pure Reed magic.
Oliver Reed's filmography is a wild ride—he brought this raw, untamed energy to every role. One that sticks with me is 'the trap' (1966), where he plays a fur trapper in the wilderness. The way he embodies this gruff, isolated man is mesmerizing, and the tension between him and Rita Tushingham’s character is electric. It’s not a flashy film, but Reed’s performance makes it unforgettable.
Then there’s 'Women in Love' (1969), where he’s just magnetic as Gerald Crich. That wrestling scene with Alan Bates? Iconic. Reed could switch from charm to menace in a heartbeat, and this role showcases his range perfectly. It’s one of those films where you can’t take your eyes off him, even when he’s not saying a word.
Reed’s work in 'the devils' (1971) is downright chilling. Ken Russell’s film is controversial, but Reed’s portrayal of Urbain Grandier—a priest caught in a witch hunt—is masterful. He’s charismatic yet flawed, and you feel every bit of his desperation. The film’s intensity isn’t for everyone, but if you want to see Reed at his most unhinged and powerful, this is it. The way he balances Grandier’s arrogance and vulnerability is haunting.
I’ve always had a soft spot for 'Oliver!' (1968). Reed as Bill Sikes is terrifying yet weirdly compelling. He doesn’t overplay the villainy; it’s all in his simmering rage and those piercing eyes. The film’s a musical, but Reed brings this dark, gritty realism that contrasts brilliantly with the lighter moments. It’s proof he could steal scenes even in a crowded ensemble.
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Alpha Reid
C.J. Primer
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SIX-PACK SERIES BOOK FIVE ~ *If you haven't read books 1-4, I highly recommend starting the series with Alpha Gray and reading the prior books in order (Gray, Theo, Jax, Brock) for context before starting this one* REID : I've always exercised complete control in all things. When it comes to my pack, I'm in control as its Alpha. In everyday life, I follow a schedule and value structure and discipline. My friends think I stick too close to the rules, but maintaining order and being in control are the key things that keep me grounded. That's part of the reason why the wait for my fated mate has been so frustrating- because it's the one thing I have no control over. And when I finally meet her, I quickly realize she's equally as uncontrollable, as is the bond between us. I've been waiting all my life for Serena, but when she shows up on the eve of a war, can I really trust her? And if so, will I ever be able to conquer her chaos? ~ SERENA : They say life is full of choices, but mine were stripped from me the moment my pack was attacked and my family was killed. Since then, I've been on autopilot, just doing what I have to do to survive. That is, until the last thing I expect to happen, does; I stumble upon my fated mate. I suddenly have a choice again- give in to the mate bond between Reid and I, or risk losing it all. Can I trust him with my secrets, and can he handle them? Once he knows the truth, will he even still want me? It's an impossible choice, because no matter which one I make, I may still lose everything…
This is book 2 of, A Broken Alpha, but can be read as a standalone. ️ warning, bxb, lots of detailed scenes, bad language, and abuse. Alpha Reid hates hybrids, especially werewolf- vampire hybrids. What happens when he finds out his mate is one. What happens when he finds him in the dungeon at another pack barely alive. Does he leave him there to continue to get tortured or rescue him?Reid inherited his dad Aiden's abilities plus one unique to him.Alpha Reid quickly becomes the strongest Alpha around. His abilities strengthen and grow once he becomes Alpha. Reid has one flaw, he hates hybrids with a passion. After one killed his best friend at the age of 16 it has been his mission to find this hybrid and kill him. He hates all hybrids because of this and would love to kill them all.What happens when he discovers his mate is a hybrid while visiting another Alpha to see if the hybrid he's looking for is in his dungeon. He initially went into that dungeon to find, torture and kill this hybrid and maybe more. But instead he found his mate. Does he leave him there to rot or does he save him
‘State you name.’ Luke said. His voice of authority.
‘Vera Rayne.’
He seemed to look like he was in thought.
The interview went on. Vera feeling on edge and uncomfortable. Luke, he was just sexually frustrated.
‘Are you married.’ He suddenly demanded.
Luke couldn’t help it.
Vera was confused as to why he would ask.
‘No,’ she answered, frowning.
‘Boyfriend then.’
Vera frowned deeper.
Luke thought it made her look just as beautiful.
Vera didn’t know why he would want to know. What it had to do with him.
Luke grew irritated by Vera’s silence.
His mind going insane thinking that silence meant that she did indeed have a boyfriend.
Then he began to imagine, if she did have a boyfriend, what would he look like. What was her type. And so on.
‘No.’ She had finally answered. Luke thought she wasn’t going to.
‘OK,’ he said feeling relieved. Though he would never show it.
For a Captain of the Royal house to have honour, he must saves the life of the only heir to the throne, else he will be dishonoured, and excuted; and for Captain Casablanca to become the king of the sea, he must kidnap the only hier, and vomit terror all around the Western sea.
This isn't your typical Bad boy meets Good Girl story.
Oh no. You see the thing is, our Bad boy, is actually a bad man. Ruthlessly determined to get what he wants. Ignore the fact that his life is painfully dangerous, or the constant threat of death that seemed to follow him, or the slew of bodies slain in his wake.
(Details! Details!)
But
Does his intense mocha orbs burrow through your skin and casually stroll along the shores of your soul? Does his luscious dark hair - messily - sway and bend at the will of his slender fingers, and yet, by some miracle seem to always look perfect?
A MILLION TIMES YES!
Does he always wear black and look formidable yet absolutely ravishing?
Do you even have to ask?
Reid J. Dawson, has a skill set that is unique and almost unmatched. He is well travelled, intelligent and fancy’s himself a man of particular tastes. Our bad man, however, is not exactly who he says he is, his past has put him on a daunting path one he has no choice but to follow. Reid would burn the world to achieve his goals but nothing could be have prepared him for the danger that came with the saucy, firecracker who is sent barrelling his way. His conviction and his controlling nature is put to the test when his world clashes with a gut-wrenchingly beautiful, stubborn girl.
Our “good girl” isn't ‘typical’, She has a mouth on her. Filter? Practically nonexistent. Maya Dupree, is an aspiring editor who always has her head in a book. She is a witty, outspoken fire cracker who certainly has her eccentricities but that never stopped her.
What happens when a fearless good girl uncovers the secrets hidden behind the man in all black.
Raised from an infant in discipline, Reza Kelson has been trained to be a cold-blooded killer. Nothing has stopped him when he's been ordered to an assignment, and nothing probably will. An agent for a secret branch of government, he kills and incinerates anything with the discipline of a sharp knife.
But even though he's the best at what he does, tables turn when the government dumps Reza from bureaucracy, albeit with a place to be hidden away in. Now Reza finds himself struggling to integrate into the sleepy town of Lonewood. Raised without any form of love or compassion, he naturally comes off as rude and abrasive, and therefore drawing attention. And with other dumped agents, with some bent on settling scores, the entire situation could not be more risible and outrageous. Not to mention the strange boy, Dane Rochelle, who seems strangely possessive of him, and with Reza balances the life he never should have had.