Who Composed The Soundtrack For The Hundredth Prank, A Fatal Bet?

2025-10-16 04:14:04 285

4 Answers

Michael
Michael
2025-10-17 07:37:11
After spending time cross-referencing festival listings, streaming clips, and music databases for 'The Hundredth Prank, A Fatal Bet', I still can’t pin down a credited composer. That doesn’t necessarily mean there wasn’t one; sometimes short films credit music in the physical program or in a PDF press kit that never made it online. Another common reality is that the soundtrack is assembled from multiple library cues or licensed tracks, so you won’t see a single composer listed — instead you’ll see licensing houses or multiple artist names.

I also dug into community posts and niche film forums where people try to identify music from shorts; occasionally someone recognizes a motif and traces it to a stock library. If you’re curious, try freezing the credits and checking the tiniest type, or use a music-recognition app on a clean audio sample. I keep poking at these mysteries because discovering an uncredited composer is oddly rewarding, like uncovering a small secret about a film I enjoyed.
Abigail
Abigail
2025-10-20 07:38:04
I went down the rabbit hole for 'The Hundredth Prank, A Fatal Bet' and didn’t find a straightforward composer credit on public databases. Sometimes indie shorts use library music from services like Audio Network, Epidemic Sound, or even stock tracks, and those won’t show up under a single composer name. Other times the director or editor will assemble the soundtrack themselves and leave the credit vague, which seems to be the case here.

One quick trick I use is to Shazam the audio from the film if there’s a clip online; if it’s a commercial track that can pop up, you’ll get a hit. If that fails, the best next step is checking festival program notes or contacting the filmmakers through their social profiles — they usually reply and are happy to share credits. For now, though, there isn’t a confirmed name attached that I could find, which is kind of intriguing in its own way.
Penny
Penny
2025-10-21 12:55:49
I dug into a bunch of online credit lists and festival write-ups for 'The Hundredth Prank, A Fatal Bet' and honestly came up short on a clear composer credit. I checked the usual places — the film’s end credits on a clip I could find, IMDb entries, and a few festival programs — and none of them listed a named composer. That often happens with short films or indie pieces: either the music is library/stems from a royalty-free service, it’s credited generically to the production company, or a director/producer used pre-existing tracks and didn’t list a traditional composer.

If you want the most reliable route, pause the very end credits frame-by-frame and note any small print name, check the film’s official page or festival booklet, or look on Discogs/YouTube descriptions for soundtrack uploads. I get a little itch when credits are vague, but tracking down the composer can feel like a mini-investigation — part frustrating, part oddly satisfying.
Cole
Cole
2025-10-22 09:45:17
I poked around public listings and couldn’t find a definitive composer credit for 'The Hundredth Prank, A Fatal Bet'. Shorter indie pieces often list music as ‘various’ or use production-library tracks, which makes pinpointing one name tricky. My instinct would be to inspect the end credits frame-by-frame, check festival PDFs, or run an audio clip through a recognition app — those usually reveal whether it’s a commercial track or something made in-house.

For now, there isn’t a clearly attributable composer I can point to from the sources I checked, which is a little annoying but also kind of fun — it turns the hunt into a tiny investigation I’m oddly invested in.
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