Who Directed The Most Famous Split Trilogy Films?

2025-10-17 15:08:33 152

3 Respuestas

Nathan
Nathan
2025-10-18 14:11:36
It’s M. Night Shyamalan—he’s the director behind the trio that people group together as the 'Split' trilogy: 'Unbreakable', 'Split', and 'Glass'. I first got into these films by accident, catching 'Unbreakable' late one night and then seeing 'Split' years later with no idea they connected; that reveal is what hooked me. Shyamalan treats the three films almost like chapters in a comic book told in film form: there are iconic, grounded characters, moral puzzles, and a very particular visual and storytelling rhythm.

What I find most interesting is how the trilogy plays with expectations. 'Unbreakable' is meditative and slow, 'Split' feels like tense horror with breathtaking acting, and 'Glass' attempts to merge both into a big, confrontational finale. The result isn’t neatly polished like some studio trilogies, but it’s singular and brave in its own way. If you haven’t watched them yet, I’d tell you to go in with an open mind and enjoy the way small clues line up across the three films.
Emery
Emery
2025-10-19 18:30:25
If you mean the trio of films that people often call the 'Split' trilogy, then the director is M. Night Shyamalan. He’s the one who tied together 'Unbreakable' (2000), 'Split' (2016), and 'Glass' (2019) into that unusual, low-key superhero-ish saga. I love how he threaded a quiet, eerie atmosphere through all three—Bruce Willis and Samuel L. Jackson anchor the first and last films, while James McAvoy absolutely steals the show in 'Split' with that unbelievable performance.

I actually saw 'Split' in a near-empty theater and remember the hair-standing moments; when fans later realized it was part of the same universe as 'Unbreakable,' it felt like a secret handshake. Shyamalan is famous for those structural twists and slow-burn storytelling, and with these movies he explored superhero ideas in a grounded, psychological way. The trilogy’s sometimes clumsy, sometimes brilliant mix of character study and genre play makes it endlessly rewatchable for me, especially once you know to look for the connective threads.

If you’re curious, watch them in release order to feel the payoffs properly: 'Unbreakable', then 'Split', then 'Glass'. I keep coming back to small details—Eastrail 177, the comic-of-sorts that David Dunn carries, the ways McAvoy’s character is staged—and it’s one of those film series that rewards patience and attention.
Wendy
Wendy
2025-10-22 09:44:58
M. Night Shyamalan directed what many folks call the 'Split' trilogy: 'Unbreakable', 'Split', and 'Glass'. I’m the kind of person who binges them back-to-back and then argues with friends about who’s the actual hero or villain; Shyamalan’s fingerprints are all over the trilogy, from the pacing to the recurring imagery and the moral ambiguity he loves exploring.

There’s a real satisfaction in seeing how 'Split'—which felt like a standalone psychological horror at first—suddenly plugs into the world of 'Unbreakable'. Shyamalan managed to make a mid-2010s horror hit suddenly feel like the middle chapter of a far bigger story, and then he closed the loop with 'Glass'. For better or worse, his style polarizes audiences: some praise the ambition and the twisty reveals, others find the finales uneven. Me? I enjoy the weirdness and the way small things (a train, a comic, a cracked building) reverberate across movies. It’s not just about who directed them but how he dared to knit them together across nearly two decades. Watch them for McAvoy’s acting and the slow unraveling—then decide where you stand.
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