Consider your genre. If you're writing a complex mystery or thriller with lots of clues and red herrings, you need an outlining tool that lets you tag and track those elements. For that, a database-style tool like Notion or Airtable (free tier) might be better than a linear word processor. You can create a column for 'clue revealed' and 'resolution' and filter views to see your plot's skeleton. For a straightforward romance or literary fiction, a simpler chapter-by-chapter list is probably fine. Match the tool's complexity to your plot's complexity.
My process is chaotic, so a rigid plotting tool just stifles me. I use Notion. I made a simple dashboard with a database for chapters, a database for characters, and a database for plot points. I can link them all together, create different views (a timeline view of plot points, a board view of chapter status), and everything is searchable. The learning curve is a bit steep to set it up, but there are tons of free novel-writing templates out there you can duplicate. Once it's set up, it's a completely customizable outlining and writing environment that's free for individual use. It's the closest thing to building your own perfect app.
2026-07-18 20:53:24
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GoodNovel Author's Guidebook
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This is a brochure containing a collection of PROMPT IDEAS from our one and only GOOD NOVEL WORKSHOP. Every PROMPT is a thrilling idea that might inspire you and can be the foundation of your next book! If interested, Please send your summary to: workshop@goodnovel.com, and note which prompt is based on. Our editors will get back to you as soon as possible.
Vera fought for her life in the apocalypse for ten years.
Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters.
Then her brother, the only family she had left, betrayed her.
Vera thought death had finally come.
Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama.
And because her luck had always been terrible, Vera did not wake up as the heroine.
No, of course not.
Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead.
But Vera was not the woman from the book.
She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot.
So Vera adapted.
She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away.
Vera saw a chance to make money, protect her babies, and build something of her own.
Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone.
By every rule in that world, Vera should be dead.
But dying a second time was never an option.
Iori is a famous mystery writer with a dark past that still haunts her. One day, she's forced to co-write a book with the most famous romance writer Jun by their publisher, who also forces them to live together and pretend to be in a relationship for the sake of advertisement.
Unable to refuse because of the huge favor their publisher owes them, those two who barely stand each other's presence are now trying to coexist and finish the book while dealing with their twisted pasts who were always ready to resurface...
I found an old quill in an antique shop and decided to buy it since I have always wanted to write with quills. However, as soon as I touched the quill to the paper, I was transported into the book. I wasn't the only one there, though three males who always hide their identities behind masks were in the book with me. They claim the quill belongs to them, and I must return it. Since I refuse, they follow me into every book I go into. One day, I was debating which of my mature books to write when I accidentally spilled the ink onto my book, 1001 Dark Tales. The only way they'll help me out of the book is if I give the quill back, and there is now a fourth. As I go through more of the book with them, I start noticing things. Things I had never planned for in my book, and it concerned me because even though I hadn't written those parts yet, none of the other stories I had used the quill on had ever gone that off track. However, when we tried to leave the book, it wouldn't let us back out. It seems we're stuck in the book until we finish all 1001 Dark Tales.
"Custom demanded that Prince Urban get a love mark tattooed to the side of his left eye as an infant, just like the rest of his people, but to him, the stupid things have only brought on the scorn of his father, the misery of his siblings, and caused his entire kingdom to go broke from fighting so many wars over the irritating ink stains.
When Urban’s sister must travel to Donnelly, the kingdom within the sand, for her arranged marriage to align two realms, he goes with her. But he no sooner steps foot inside their castle than his mark starts itching like a son of a bitch, telling him his one true love is near.
It just figures, though, that the woman meant for him is completely forbidden. Now he must decide if he should ignore the persistent mark, telling him she's the one, in order to avoid a possible war between kingdoms, or if he should discover whether she's worth risking everything for so they can be together. Either way, his life gets sucked into chaos with threats of beheadings, dark magic lurking, castle traitors scheming, and sword fights eminent.
Who knew one little tattoo could cause so much trouble?
(ONE TRUE LOVE is the author’s first attempt at a fantasy romance. Please forgive her; she might’ve read an overabundance of Cassandra Gannon, Sarah J. Maas, and Eve Langlais books, then gone off to watch too many episodes of Supernatural, Game of Thrones, and Outlander, because this was the outcome.)"
Honestly, I just use Notion. It's not a dedicated book writing site, but you can build a killer outlining system for free. I've got databases for chapters, characters, locations, and plot beats, all linked together. The flexibility is unmatched, and you can view your outline as a board, list, or timeline. The learning curve is steeper, but once it's set up, it's the most powerful tool in my kit.
For me, the most important part of outlining is asking the right 'what if' and 'why' questions. I use a free digital notebook app like Joplin, and I create a note called 'Plot Q&A'. I just start a conversation with myself: 'What if the mentor is the villain? Why would the hero trust them? What would be the first clue?' I indent the answers, then ask follow-up questions.
This branching Q&A session often writes the plot for me. Joplin is great because it's markdown-based, syncs across devices, and is totally free. The outline emerges from the answers that hold up under questioning. It's less about structure and more about interrogation until a solid story emerges.