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Is After The Love Had Dead And Gone You’D Never See Me Again Rare?
2025-10-22 00:20:21
31
6 Answers
Yosef
2025-10-24 04:52:24
I get a little giddy thinking about rare tracks and how they turn into legends on message boards. For me, 'After The Love Had Dead and Gone You’d Never See Me Again' is rare in the cultural sense: it isn’t widely available on streaming services and doesn’t have an official digital re-release, so fans trade MP3s, upload snippets to video sites, or share cassette rips in tiny forums. That makes hearing it feel like getting a secret letter from the past. I’ve stumbled across it in playlists labeled with odd timestamps or on someone’s dusty mixtape, and those moments are why rarity can be romantic.
On the practical side, rarity here means scarcity of legitimate physical copies and official releases. If you want to listen, join niche communities, check secondhand shops, and keep an eye on auction sites. But don’t assume the scarcity means impossibility — dedicated fans often digitize vinyl or tape and keep the song alive. For me, the track’s elusiveness adds warmth; when it does pop up, it feels like a tiny reunion with an old friend.
On the practical side, rarity here means scarcity of legitimate physical copies and official releases. If you want to listen, join niche communities, check secondhand shops, and keep an eye on auction sites. But don’t assume the scarcity means impossibility — dedicated fans often digitize vinyl or tape and keep the song alive. For me, the track’s elusiveness adds warmth; when it does pop up, it feels like a tiny reunion with an old friend.
Xavier
2025-10-24 12:18:37
I’m a bit more pragmatic when it comes to cataloging rarities, and my take is straightforward: 'After The Love Had Dead and Gone You’d Never See Me Again' qualifies as rare chiefly because of limited distribution and few surviving copies in good condition. I’ve examined records and singles where matrix numbers and label details make or break authenticity, and this one often requires close inspection to distinguish originals from later pressings.
If you’re valuing it, expect a wide range — a scratched copy might be affordable, while a factory-sealed original could command several times the typical resale price. For verification, compare catalog numbers, label fonts, and runout etchings with trusted references. I’ve learned to treat provenance seriously; a seller who can describe where and when they acquired the item is more trustworthy than a vague listing. At the end of the day, rarity here is real but navigable, and I still get a kick from spotting a legit copy at a reasonable price.
If you’re valuing it, expect a wide range — a scratched copy might be affordable, while a factory-sealed original could command several times the typical resale price. For verification, compare catalog numbers, label fonts, and runout etchings with trusted references. I’ve learned to treat provenance seriously; a seller who can describe where and when they acquired the item is more trustworthy than a vague listing. At the end of the day, rarity here is real but navigable, and I still get a kick from spotting a legit copy at a reasonable price.
Owen
2025-10-24 15:42:54
I tend to think of rarity in two buckets: scarcity of the physical artifact and scarcity of access to the music. For 'After The Love Had Dead and Gone You'd Never See Me Again', the music side is often easy to find these days, but the original pressings can be truly scarce depending on their initial run size and region. I usually verify rarity by checking catalog numbers, pressing plant credits, and the presence of promo-only variants; survival rate also matters because many copies are lost, damaged, or relegated to basements.
Reissues muddy the waters—labels sometimes repress obscure tracks, which lowers monetary value but keeps the music alive. If you’re trying to determine true rarity, I recommend comparing multiple marketplace entries, noting matrix etchings, and watching for unique sleeve variations. Personally, I enjoy that tension: something can be both common to stream and rare to hold, and that contrast keeps collecting interesting.
Reissues muddy the waters—labels sometimes repress obscure tracks, which lowers monetary value but keeps the music alive. If you’re trying to determine true rarity, I recommend comparing multiple marketplace entries, noting matrix etchings, and watching for unique sleeve variations. Personally, I enjoy that tension: something can be both common to stream and rare to hold, and that contrast keeps collecting interesting.
Olive
2025-10-25 06:59:53
Collectors will argue about rarity until their sleeves are worn thin, and I'll happily take a side: 'After The Love Had Dead and Gone You’d Never See Me Again' is uncommon, but not mythical. I’ve chased obscure singles and odd pressings for years, and this one tends to show up in very specific ways — often as a limited-run 7" from a small label, a promo-only pressing, or as part of a now-out-of-print compilation. The scarcity comes from low initial manufacture runs and regional distribution; if it was only pressed in one country or issued as a radio promo, that instantly narrows the pool.
Condition and variant matter way more than the title itself. I’ve seen the same release listed five times with wildly different prices because one copy had original shrink, an intact obi, or an alternate sleeve. Also, watch for bootlegs and reissues — a reissue kills the mystique for collectors, but original matrix numbers, label stamps, and catalog codes will confirm authenticity. If you’re hunting one, expect to pay a premium for mint copies, but don’t panic if you find a worn copy at a fair price; sometimes provenance and careful comparison to verified originals are all you need. Personally, I love the hunt as much as the find — there’s a thrill in turning over a back-catalog listing and realizing you’ve scored something people thought was gone.
Condition and variant matter way more than the title itself. I’ve seen the same release listed five times with wildly different prices because one copy had original shrink, an intact obi, or an alternate sleeve. Also, watch for bootlegs and reissues — a reissue kills the mystique for collectors, but original matrix numbers, label stamps, and catalog codes will confirm authenticity. If you’re hunting one, expect to pay a premium for mint copies, but don’t panic if you find a worn copy at a fair price; sometimes provenance and careful comparison to verified originals are all you need. Personally, I love the hunt as much as the find — there’s a thrill in turning over a back-catalog listing and realizing you’ve scored something people thought was gone.
Olivia
2025-10-26 14:21:41
I get asked about weirdly titled tracks all the time, and 'After The Love Had Dead and Gone You'd Never See Me Again' is one of those that sparks way more curiosity than it probably deserves. From my experience poking through record bins and forum threads, whether something is "rare" depends on a few things: how many copies were pressed, what formats it appeared on, and whether it ever got a proper reissue. If that title was only ever pressed as a small-run 7" or a promo for radio, it naturally becomes scarce; if it turned up later on compilations or streaming, the listening-side rarity vanishes even if physical copies remain uncommon.
The collector's lens matters a lot here. I’ve learned to look for catalog numbers, matrix/runout etchings, and label variants to tell an original pressing from a later pressing or reissue. Promo copies with plain sleeves, colored vinyl runs, or country-specific pressings can push a record from "uncommon" to genuinely collectible. Condition is huge too: a mint copy of an obscure single can command serious interest, while a beat-up copy might be cheap and easy to find.
So, is it rare? In practical terms: likely uncommon in original physical form, especially in good condition, but not mythical. It helps to check marketplaces like Discogs and to follow collector communities — that’s where price spikes and tiny-run pressings show up first. Personally, I get a kick out of tracking down these little rarities; even if I never flip them for profit, the hunt and the story behind a pressing are half the fun.
The collector's lens matters a lot here. I’ve learned to look for catalog numbers, matrix/runout etchings, and label variants to tell an original pressing from a later pressing or reissue. Promo copies with plain sleeves, colored vinyl runs, or country-specific pressings can push a record from "uncommon" to genuinely collectible. Condition is huge too: a mint copy of an obscure single can command serious interest, while a beat-up copy might be cheap and easy to find.
So, is it rare? In practical terms: likely uncommon in original physical form, especially in good condition, but not mythical. It helps to check marketplaces like Discogs and to follow collector communities — that’s where price spikes and tiny-run pressings show up first. Personally, I get a kick out of tracking down these little rarities; even if I never flip them for profit, the hunt and the story behind a pressing are half the fun.
Zachary
2025-10-28 15:32:27
If you're the kind of person who enjoys a good treasure hunt, then yes, 'After The Love Had Dead and Gone You'd Never See Me Again' can feel rare—but that feeling comes from distribution quirks rather than some mystical scarcity. I’ve seen tracks like this be everywhere digitally while their vinyl or CD runs are almost invisible. Streaming and YouTube uploads make the song easy to hear, but original physical copies often had tiny press runs or were region-locked, which is what makes collectors salivate.
From my side of the fence I usually watch listings over a few months before jumping. Listings pop up sporadically on sites like eBay and Discogs, sometimes with wildly different prices depending on sleeve art or whether it’s an original pressing. Bootlegs and reissues add noise, so I try to look for clear seller photos of runout grooves and label details when I care about authenticity. If you just want to listen, streaming is your friend; if you want the artifact, patience and alerts are what help. I’ve nabbed a couple of these elusive singles by setting alerts and showing up at local record fairs, so it’s definitely doable—just a little chase-worthy, which I kind of love.
From my side of the fence I usually watch listings over a few months before jumping. Listings pop up sporadically on sites like eBay and Discogs, sometimes with wildly different prices depending on sleeve art or whether it’s an original pressing. Bootlegs and reissues add noise, so I try to look for clear seller photos of runout grooves and label details when I care about authenticity. If you just want to listen, streaming is your friend; if you want the artifact, patience and alerts are what help. I’ve nabbed a couple of these elusive singles by setting alerts and showing up at local record fairs, so it’s definitely doable—just a little chase-worthy, which I kind of love.
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