When Did The Museum Of Innocence Open To The Public?

On the seventh day after my daughter goes missing, I kidnap an entire kindergarten. I lock away all 27 students and two teachers in a classroom. I tell the police that if they can't find my daughter, I will kill a kid every 30 minutes. The principal falls to her knees, wailing and begging, "It's not my fault that your daughter is missing. Why should other children pay for it?" I glance at my watch. "29 minutes left. Find her." I know she's in this kindergarten.

"Some cages feel like safety… until you fall in love with your captor." Leona has spent her life escaping—from homes that felt like prisons, from scars no one sees, from a past that keeps dragging her back. At seventeen, homeless and hunted, she crashes into the life of Marco De Santos—a billionaire with ice in his eyes, secrets in his past, and a twisted need for control. He takes her in. At first, it’s charity. Then, it’s ownership. Marco is used to women obeying. But Leona isn’t like them. She’s fire in silk. She disobeys. She challenges. She learns him—in ways that terrify and undo him. What begins as protection becomes obsession. And when secrets unravel the truth about her parents, about his past, and about the dark connection binding them—everything explodes. As the world threatens to pull them apart, Leona must decide: will she stay the girl he saved, or become the woman who saves him? Because pleasure can heal... or destroy.

•The story traces the transformation of a young woman as her otherwise ordinary life was rudely interrupted by one tragic event after another. She then used her sexual prowess, her innate ability to be one step ahead of her erstwhile adversaries in and out of the ob-lo, or the jailhouse where she was incarcerated, and her cunning to turn things around by unexpectedly aligning herself with her enemies and disposing of her seemingly most trusted friends and acquaintances. In other words, from an ordinary life, Nina transformed into a femme fatale. The story is also a steamy prison novel full of the unexpected romance and the exciting thrill of escaping the ob-lo and finally getting the much-sought justice served - before the deadline for innocence finally expires. Nina’s story also reveals the deep cracks in the judicial system of the country. But who are Nina’s real enemies and true friends? How could she prove her innocence to a crime she did not commit at all? The answers to these intriguing questions would somehow only be revealed in the final chapter of this story. In the end, a twist of fate led Nina’s luck to smile at her, but with the most dangerous of consequences; and no longer as a mere femme fatale, but the biggest drug lord this side of the world would now have to contend with.

After years of running from her past, Lissa returns to the one place she never wanted to see again—her childhood home. The town hasn’t changed, but Lissa has. Now a mother, a wife, and a survivor, she’s trying to rebuild a life while standing on the crumbling foundation of her trauma. Just a few months. Just until she finds her footing. But the house doesn’t let go so easily. It smells of mildew and memory. Dust covers more than furniture—it coats every secret Lissa tried to bury. As she navigates motherhood, old friendships, and a strained relationship with her sister, Lissa discovers more than ghosts in the attic. A photograph violently scribbled out. A letter from someone she hoped was lost to time. And a journal that brings her back to the girl she used to be. Her husband, Colt, tries to be her anchor. Her son, Lucas, is her reason to fight. But a single name—just one letter, T—is all it takes to fracture her resolve. The past isn’t dead. It’s waiting in the basement. In a letter tucked behind old receipts. In the quiet corners of her memory where no one else can go. As the days pass, the house begins to feel like a trap.Lissa must decide if she’s strong enough to dig through the wreckage of her past… or if some secrets are better left buried. Told with raw emotion and atmospheric suspense, House of Quiet Screams is a story of trauma, resilience, and the silent strength it takes to confront what once felt un faceable. For Lissa, surviving was never the end of the story—facing what comes after might be the beginning.

A priest has shown up at my first birthday party. He claims that I'm a cursed soul—that my presence will bring doom to those close to me, and my existence itself can snatch everyone's luck. The only way to counter this is to give me up to an orphanage and let me live a life of poverty and suffering. Without a family, I'll be able to overcome my fate as a cursed soul. Daddy has the priest cast out of our home immediately. Meanwhile, Mommy hugs me tightly. "My son is the luckiest boy in the whole wide world!" But everything has changed when my younger brother, Andy Lawson, has fallen off the 20th floor. His body is completely shattered from the fall. I can only stand by the window uneasily. Fear is evident in my eyes as I wave my hands with all my might. "It wasn't me! It really wasn't me!" The wind that day is very strong, but it can never drown out Mommy's cries. Daddy hoists me up and stuffs me into Andy's coffin. I keep latching onto the sides of the coffin to the point my fingers are all bloodied and trampled over. At the same time, I keep screaming for Mommy. Mommy stares at me blankly at first. But her hollow gaze is soon filled with hatred. "Why aren't you the one dead? That priest told us that you'll have to stay in the coffin for seven whole days and nights just to atone for your sins! Only then can Andy's soul rest in peace! "This is your fate and your sin, Adam!" The heavy lid slowly covers the coffin, soon sealing my hoarse cries and screams away. A long time later, a few voices ring out amid the sorrowful melody played by the organ. "Why is there a tiny gap in the coffin? Hurry up and nail it shut! We can't afford to have misfortune spread to us!" When the final nail is bolted onto the lid, I close my eyes. Mommy, Daddy, I'm no longer a cursed soul.

My grandmother only knows how to draw one thing—infants. They're ugly, but people line up to buy the paintings. I watch as she takes those women into unlit rooms. Then, their bloodcurdling screams will ring out. Oddly enough, they always thank my grandmother when they're leaving. One day, I finally find out what exactly my grandmother paints. I discover the truth when I see an infant crawl out of one of the women's bellies—it looks just like the one my grandmother has painted.