Draw A Cartoon

A Second Chance
A Second Chance
“Why can’t I hit you?” Thomas yells, smacking the belt close to her feet. “Why,” he smacks it on the door above her head. “Why, why” to the right and left sides of her body. Melina trembles against the door with her eyes closed and head tucked between her knees. She jumps, sniffing Thomas’ cologne, and tries to hide more. He’s probably bending down. “I want to hurt you, Melina, but I can’t. Tell me why I can’t. Tell me why,” she bites her lips to muffle her sobs as she fears they will exacerbate her situation. “ look at me when I am talking to you,” Thomas says, grabbing her hair and pulling her head up. “I am- so-r-r-r-y,” she says as she turns to face him with her tear-stained face and bloodshot eyes. ******** Melina Davis was born with the face and body of a goddess. Her heart was as beautiful as her, but it never did her any good. Melina was the most unlucky woman in this world when it came to love. Her first love was an abusive con artist who made sure to exploit Melina's kindness. The second one who Melina felt was genuinely worthy of owing her heart was far more dangerous than her first. His name is Thomas Costanzo. He is the second in command of the Costanzo mafia. He was highly feared in the mafia world. Some even feared him more than the don of the Costanzo mafia. Melina didn't know she shouldn't cross him, and she did. She broke the heart of one of the most feared men on this earth, and now, he is out searching for her. Once he finds her, Melina will wish she never crossed paths with him.
10
73 Bab
A Deal with the Devil
A Deal with the Devil
He smirked, knowing he was on the winning side. "So it's a done deal for three months?" He raised his eyebrows, putting his hand forth for a handshake. I looked at the long fingers and perfectly aligned nails and then at his patient face. Sighing to myself I my own hand into his and ignored the tingles that flowed through every nerve as his fingers curled around my hand and shook it lightly. "Yeah three months." "Goodnight then." He winked, removing his hand from mine and turned to walk away. "Hey wait!" I called out, suddenly remembering something. "You don't have my number." "What makes you think that? I have my ways Smith." And with one last wink I saw him take a turn and disappear from my sight. I let out a long breath, leaning on the nearby wall. Looks like I just made a deal with the Devil. * A sarcastic girl, a cocky guy. Throw in some mystery, murder, filthy jokes, wonderful friends, tons of kisses, secrets, surprises, eye-rolls and a killer on run. And you have got yourself a story never read before. ***So grab a cup of hot chocolate, some chips and a warm blanket and get ready to laugh, cry and bite your lip in anticipation. Enjoy!!
10
35 Bab
A Thousand Kisses
A Thousand Kisses
Tired of her marriage with her cheating husband, twenty-three years old Betty Von Rosey, relocates (as advised by her friend, Laura) to Gut’s Island, an island that is believed to be magical enough to relieve the pains of the broken hearted, by sparing them chances of falling in love the second time. On the Island, she falls in love with a billionaire in the disguise of a chauffeur, birthing a new wave of romance between the two. But things begin to chatter when her red room ex-husband, Braun, visits the Island, and she discovers the true image of her recent lover, Stan.
Belum ada penilaian
9 Bab
A Broken Heart Is a Dead Heart
A Broken Heart Is a Dead Heart
Just a few days before my wedding, I accidentally come across a post while scrolling online. The title reads, "To the guy getting married in this city, your fiancée's already cheated on you." Curious, I click in to see the gossip, only to realize I'm the one being talked about. A deep male voice plays in the video. "I heard you're getting married?" The woman in the frame, bare-backed and trembling, chokes back a sob. "After you left, I realized you're still the one I love most. I'm done with him. Take me away, please!" The moment I hear her voice, it feels like someone punches me straight in the chest. Then I notice something on her wrist—the luxury couple's bracelet I gave her just yesterday. And in that instant, I feel like the biggest joke of all. Turns out the fool was me.
9 Bab
A Knight for Victory
A Knight for Victory
After graduating from NYU, Victory Sinclair had her life all planned out. Well, at least the career part, that is. She has been accepted into one of New York’s leading advertising and media agency and will be joining the agency as a personal assistant to the CEO. Little did she know, a strange twist of fate is about to change the course of her future. An unfortunate accident with Arthur Knight resulted in serious consequences that would alter both their futures. What will Victory do? Would she succumb to pressure or would she follow what her heart tells her to?
9.9
71 Bab
For the Love Of A Vampire
For the Love Of A Vampire
Ken has always hated who he is: a half-vampire. His guardian, Allen, encourages the young man to embrace the darkness within. Vampires can’t help but feed on humans. Why fight something that’s a part of you? Ken knows that behind Allen’s charismatic demeanor lies a monster. He also realizes that every step he takes into the world of blood and brutality moves him further away from love and humanity. Ken has managed to carve half a life for himself by refusing to give in to his temptations, but that all changes when he meets Teya. Teya is a lonely college student who is recovering from a painful breakup. After she witnesses several vampires savagely murder her roommate at a frat party, she finds herself in grave danger. She has information that vampires would kill to keep secret and that vampire hunters would just plain kill to keep. Ken vows to protect Teya but begins breaking his own rules as he grows closer to her. Ken has always believed he can never be with a woman due to his nature, but Teya just might inspire him to start thinking differently about his identity and his future.
10
29 Bab

Can I Draw A Cartoon Dog Using Only Circles?

5 Jawaban2025-08-30 13:40:15

There’s a playful kind of magic in reducing things to simple shapes, and yes — you absolutely can draw a cartoon dog using only circles. I’ll walk you through how I do it when I’m doodling on a coffee-stained sketchbook while a show is on in the background.

Start with a large circle for the body and a smaller one slightly overlapping for the head. Add two medium circles for the cheeks or muzzle area, then two tiny circles for the eyes and one flattened circle for a nose. Ears can be circles too — squash them a bit or attach them as half-circles to give character. Legs are elongated circles stacked like sausages, and paws can be tiny disks. Tail? A little circle on a stick, or a sequence of diminishing circles to show wagging motion. I like to erase overlapping lines and then trace bold outlines, adjusting circle sizes to push the dog from chubby and floppy to sleek and bouncy.

If you want personality, tweak the circle placements: wide-set eyes for goofiness, tilted head by rotating the head circle, or a big belly circle for a lazy pup. Coloring inside those circular boundaries with soft gradients or flat color sells the cartoon look. It’s a silly, forgiving method — I’ve sketched dozens this way waiting for buses, and none of them looked bad. Try it and see which circle combinations become your signature pup.

How Can Beginners Draw A Cartoon Cat Step By Step?

4 Jawaban2025-08-27 06:44:51

On a slow Sunday with a mug of tea and an open sketchbook, I like to break a cartoon cat down into tiny, friendly shapes. Start by drawing a soft circle for the head and a slightly wider oval beneath it for the body — nothing perfect, just gentle guides. Add two triangle ears on top, but round the tips a bit to keep it cute. From there, sketch two small circles for the eyes; leave plenty of space between them for a chubby-cheeked look.
Next, give it a tiny triangle or rounded dot for a nose and a short vertical line down to a wide '3' shaped mouth. For paws, draw little ovals or mitten shapes, and for the tail use a swoopy S-curve — think of it as a ribbon. If you want to add personality, tweak the eyes: big ovals with highlights for innocence, slanted ovals for mischief. Shade lightly under the chin and inside the ears to give depth. I often add whisker dots and three curved whiskers on each side.
Finally, ink the final lines, erase the guides, and add simple fur markings: stripes, a spot over one eye, or a white belly. If you’re working digitally, try a textured brush for fur. I love coloring with soft pastel tones; it makes even a tiny doodle feel like it belongs in a cozy comic strip. Try copying a pose from 'Chi's Sweet Home' for reference and then twist it into your own little character.

Which App Makes It Simple To Draw A Cartoon Character?

5 Jawaban2025-08-30 10:03:16

I get a little giddy whenever someone asks this — drawing cartoons should feel fun, not fiddly. For me, the golden app for simplicity + power is Procreate on iPad. It’s tactile, fast, and the brush engine feels alive; the QuickShape, symmetry tools, and easy layer management make turning a doodle into a clean cartoon super satisfying. I mostly sketch freehand with an Apple Pencil, use the stabilizer for smoother lines, then slap on a few flat colors and a simple shadow layer.

If you don’t have an iPad, ibisPaint X on Android/iPhone is surprisingly capable: lots of brushes, layer effects, and a friendly community for reference and brushes. For ultra-simple vector cartoons that need to scale (think logos or stickers), Vectornator or Adobe Illustrator on a tablet/desktop keeps shapes crisp without fuss. Hardware-wise, any pressure-sensitive stylus helps, but if you’re using a finger, apps like ibisPaint and Procreate Pocket still let you make charming cartoony stuff. Start with a basic sketch layer and one color layer — it’ll feel rewarding and not overwhelming.

What References Should I Use To Draw A Cartoon Animal Accurately?

5 Jawaban2025-08-30 13:02:39

My sketchbook always smells faintly of pencil shavings and coffee, and when I'm trying to draw a cartoon animal that actually reads as believable, I pull a stack of references. Start with the basics: photos of the real animal (close-ups of eyes, paws, fur patterns) and a good anatomy book like 'Animal Anatomy for Artists' to understand the skeleton and major muscle groups. Then mix in stylistic references — classic cartoon studies, wildlife photography, and even toy designs — so you can see how others simplify shapes.

I like doing quick gesture studies from life or short clips of animals moving in 'Planet Earth' or slow-motion videos on YouTube. Gesture captures the energy; anatomy explains why the joints bend like that. Use silhouette studies to check readability, and make a reference board (physical or a pinned folder) with front, side, and three-quarter views. Finally, play: exaggerate proportions, simplify details into basic shapes, and test expressions. Combining real anatomy, motion references, and stylized examples is my favorite recipe for a lively cartoon animal that still feels rooted in reality.

Where Can I Find Lessons To Draw A Cartoon Body With Proportions?

5 Jawaban2025-08-30 05:14:54

I've got a stack of sketchbooks and an embarrassing number of bookmarked tutorials, so here's what actually worked for me when I wanted to draw cartoon bodies with believable proportions.

Start with the classics: learn the Loomis head and body proportion systems from resources inspired by Andrew Loomis — books like 'Figure Drawing for All It's Worth' and 'Fun With a Pencil' are gold even for stylized figures. Then shift to modern, practical lessons on YouTube: Proko's videos on gesture and proportions, and MikeyMegaMega for stylized, anime-influenced bodies. For step-by-step exercises I used Drawabox to build forms and Michael Hampton's 'Figure Drawing: Design and Invention' for simplified construction methods. Mix in daily gesture practice from sites like Line of Action or QuickPoses to loosen up timing and rhythm.

I recommend alternating structured lessons (book chapters, specific video tutorials) with timed gestures and tiny character thumbnails. Save reference pinboards from Pinterest or CharacterDesignReferences and pose from life—photograph a friend or use a mirror. Over time you'll see the same proportion rules adapt into your own style, and that moment is crazy satisfying.

How Long Does It Take To Draw A Cartoon Full Scene?

5 Jawaban2025-08-30 00:01:02

Time is one of those slippery things when it comes to drawing a full cartoon scene — it really depends on what you want out of it. For a quick, energetic background with a couple of flat-colored characters, I can crank something usable in 1–3 hours if I'm focused: thumbnail, rough line, flat colors, and a touch of shading. But if I'm aiming for a polished piece with refined linework, lighting, textures, and multiple characters interacting, the same scene can stretch to 8–20 hours spread over a few days.

Experience and workflow matter a lot. I used to spend ages fussing over tiny details; now I do thumbnails first, lock composition fast, and block in values before getting lost in the pretty stuff. Complex perspectives, crowded environments, or custom props multiply time exponentially. Client revisions, reference hunting, and color-refresh passes add more. Tools help: custom brushes, templates, and asset libraries shave off hours, while painting every leaf or brick from scratch balloons the schedule. In short, plan for a range, break the scene into stages, and resist polishing too early — it keeps the project moving and my wrist less sore.

How Do Pros Draw A Cartoon Mouth For Expressive Smiles?

5 Jawaban2025-08-30 20:40:14

There’s an art to a great cartoon smile that I fell in love with after hours of doodling in the margins of notebooks. I usually start by thinking of the mouth as a simple shape: an upper curve and a lower curve that meet at corners. For expressive smiles, the corners are everything — raise them for joy, pull one up for a smirk, and stretch them wide for full-throttle grin. I sketch a quick centerline for the face to get direction, then build the mouth around it so the smile follows the head’s tilt.

I like to break it into values: silhouette, teeth/tongue block, and crease lines. Pros often simplify teeth into a single white shape or a hint of a row rather than drawing each tooth, which keeps the mouth readable at small sizes. Adding cheek swoops, little fold lines at the corner, and slight eyebrow adjustments sells the expression. In animation, timing and stretch matter — a quick snap into a wide shape feels energetic; a slow easing makes it tender.

Practically, I copy expressions from photos, do quick thumbnails (10–20 tiny faces), and study how different styles treat the same smile. Try exaggerating until it feels a little wrong, then tone it back — that awkward middle is where memorable smiles hide.

How Did Animators Draw The Expressive Ears In Bunny Cartoon Designs?

5 Jawaban2025-08-30 12:10:19

Drawing expressive bunny ears is one of those tiny joys that can totally change a character’s personality, and I love experimenting with it in my sketchbook. I start with a very simple silhouette—two elongated shapes that read clearly at a glance. From there I play with weight and volume: thick bases give a grounded, heavy feel while thin, tapered ears feel delicate and mischievous. I’ll often doodle three or four thumbnail poses just to see how the silhouette reads against the head; if the ear silhouette reads even as a tiny thumbnail, it’s working.

Motion is where ears come alive. I use principles like squash and stretch, drag, and follow-through. A quick flick uses a sharp arc and a little overshoot; a sad droop needs slower timing and a tiny bounce when it settles. I also pay attention to inner ear shapes, line weight, and a hint of shadow—these tiny details sell the materiality, whether the fur feels soft or stiff. When I’m stuck I pull up clips of 'Bugs Bunny' or 'Zootopia' for reference, and then I redraw from those frames until the movement lives in my hand.

What Tools Help Kids Draw A Cartoon Face Easily?

5 Jawaban2025-08-30 01:29:31

I still get excited when I find a new little trick that makes faces click for kids — it feels like unlocking a tiny door for them. One of my favorite low-tech starters is the circle-and-line method: draw a simple circle for the skull, add a vertical guideline for center and a horizontal for eye placement, then subdivide that horizontal into quarters to place eyes, nose, and mouth. I always sketch these on heavy paper with a soft pencil so kids can erase and try different expressions without worrying.

For tools, I like a combo: a chunky HB pencil, a kneaded eraser, thick sketchbooks, and a set of washable markers for finishing. Add in a few templates (eye shapes, nose types, mouth curves) and you’ll have kids mixing-and-matching features like toy parts. If you want digital, try an iPad with a pressure-sensitive stylus and an app that has symmetry and stamp brushes. Also, printable worksheets and simple how-to books like 'How to Draw Cool Stuff' give step-by-step visuals that younger learners really cling to when they’re starting out.

What Steps Help You Draw A Cartoon Hand That Looks Natural?

5 Jawaban2025-08-30 06:30:59

Whenever I'm sketching hands for a comic page or a quick character study, I start by drawing a loose gesture—just the silhouette that captures the pose and energy. Use a single sweeping line for the wrist-to-palm flow, then block in the palm as a flattened box or mitten shape. That first pass tells you whether the hand reads correctly at a glance, which is everything in cartoons.

Next I break the palm into three planes: heel of the hand, palm pad, and fingers. Treat each finger as three stacked sausages connected by knuckle joints; the thumb sits on a separate plane and opposes the fingers. Don’t forget that knuckles form a slight curve across the back of the hand, not a straight line. When foreshortening, push the closest joints larger and shorten the segments behind them—photos or your own hand held toward the camera help a lot.

Finally I refine with nails, creases, and varied line weight—light strokes for soft parts, darker for edges facing the viewer. Practice drills that saved me: five-minute gesture studies, exaggerated cartoon thumbs inspired by 'One Piece' hands, and tracing photos to build muscle memory. Give each study a voice: is it clumsy, delicate, heroic? Let that idea guide the shapes and you’ll end up with hands that feel alive rather than technical.

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